臺灣人文及社會科學引文索引資料庫系統

:::

詳目顯示

回上一頁
第 1 筆 / 總合 1 筆   第一頁 上一頁 下一頁 最後一頁
/1頁
題名：《尤利西斯》與《哈姆雷特》裡的宮籟與棄斥
作者：林亞蒨
作者(外文)：Lin, Ya-chien
校院名稱：輔仁大學
系所名稱：跨文化研究所比較文學博士班
指導教授：莊坤良
學位類別：博士
出版日期：2013
主題關鍵詞：Ulysses；Hamlet
原始連結：連回原系統網址new window
相關次數：
  • 被引用次數被引用次數:期刊(0) 博士論文(0) 專書(0) 專書論文(0)
  • 排除自我引用排除自我引用:0
  • 共同引用共同引用:0
  • 點閱點閱:35
《尤利西斯》裡引用、雜揉了許多文學作品，其中《哈姆雷特》裡的文句更不時在《尤利西斯》裡被借用、挪移，甚至第九章〈斯庫拉與卡律布狄斯〉有一整章的篇幅專章討論。《尤利西斯》裡的角色，正好可以和《哈姆雷特》裡的人物作一對照及比較，進行互文性的分析。在沈重的大氛圍裡，無論是貴為哈姆雷特王子或是小人物如斯蒂汾、布盧姆，儘管無力，仍然必須面對如何定位自我進而接納自我的課題。莫莉對於輪迴(metempsychosis)的疑問──「他在家裡算是哪位」（“Who’s he when he’s at home”)，正好可以用來逼視每個人審視自己在家裡的定位。
本論文以克麗絲蒂娃(Julia Kristeva)「宮籟」(chora)與「棄斥」(abjection)的理論為基礎，輔以德希達(Jacques Derrida)將悼念的過程等同於懷孕歷程的比喻，分析角色心靈凝滯抑或是成長的歷程。
第一章為緒論。母親提供的滋養及撫育，就像「宮籟」(chora)一般，孕育、包容著她的嬰孩，一旦孩子羽翼長成，他們就想和母性本能律動的「記號界」(the semiotic)有所切割，飛出禁錮他們的家庭，而向父系秩序的「象徵界」(the symbolic)靠攏，母親(mother)對孩子來說變成了他者(other)，成為棄斥(abjection)的對象。此外，屍體更是棄斥的極致，生者在悼念死者的過程中，將死者納入己中。如同懷孕的歷程般，對死者的悼念，總有產出、離散的一天。
第二章探討宮籟。來自母體的滋養與關懷，為先天的宮籟，但母親提供給孩子的，究竟是如同地母般的全能庇護所，抑或，家庭加諸在子嗣上的期許，其實是孩子終其一生亟欲掙脫的牢籠？而除了先天的宮籟之外，滋養與撫慰亦可藉由後天的方式外求。哈姆雷特王子赴英途中的海上遇劫，成就了他心智蛻變的成長之旅；年輕作家斯蒂汾的繆思女神原本是聖潔如白鴿的海鳥女孩，但他冀求的繆思投射卻陡降至如同莎士比亞妻子安．哈撒韋一般的強悍女征服者維納斯般的角色；布盧姆念念不忘的後天滋養是來自莫莉口中的蛋糕；自我陶醉則是莫莉面對世界的萬能法寶。克麗絲蒂娃「宮籟」的理論為本章分析的依據。
第三章探討哀悼。哈姆雷特國王的鬼魂，一直縈繞在哈姆雷特王子的心中；斯蒂汾則一直揮不去母親亡靈的譴責；兒子茹迪的早夭，則是布盧姆婚姻觸礁的癥結。德希達認為悼念的過程就如同懷孕一般，哀悼的對象已經不在世上了，但他們卻活在生者的心中。哀悼一方面是為了深化對死者的記憶，但另一方面，則是為了釋放情緒，透過一次又一次感懷的釋放，悼念的過程終將如同懷孕一般，必有產出、終結的一天。布盧姆在沙灘上寫下「我。」(“I.”)「是。一。」(“AM. A.”），他深切體認到他是孤獨一人的，而「A」為字母之首，亦暗示一新的開始。此外，第十七章最末的黑點，呼應了第五章末布盧姆在澡堂裡躺下後漂浮的恥毛，在經過一整天的遊蕩反思後，黑點象徵布盧姆將展開新生的種子，另外，黑點其實就是一個句點，布盧姆將終結回到過去翠鳥時日的妄想。
第四章為對棄斥的探討。人將因遭逢重要他人的棄斥，而體認到自身在寰宇間的孑然一身，面對他人的棄斥與自身存在的孤獨感，反過來棄斥他人成為不得不然的回應方式。旁人、母親、重要他人均可以棄斥，情感也可以完全封存。多數學者在分析《尤利西斯》時，對布盧姆和莫莉未來的關係均抱持著正面樂觀的看法，漢克(Suzette A. Henke)、吉伯(Stuart Gilbert)、易(Cordell D. K. Yee)、瑪竇氏(James H. Maddox)及海曼(David Hayman)等，均認為莫莉的出軌反而會拉近她和布盧姆的距離，因為莫莉和布盧姆都不想改變當前的婚姻現況。但我認為，布盧姆經過一天的反覆思索，已決定放棄回到過去翠鳥時日的妄想。布盧姆睡姿像個「木乃伊似的」，暗示布盧姆在莫莉外遇後，已決定要有所重生，布盧姆將僅只是和莫莉維持著共存的關係。
第五章為結論。「視差」反覆出現在《尤利西斯》裡，對任何事情一廂情願的片面想法，都是自己的「視差」，人因此必須反覆校正自己的「視差」。布盧姆在幻影般的第十五章〈喀耳刻〉裡，如願再次當上父親，生下八個男孩，這八個男孩倏忽蛻變為成人，並擔任各種高級職位，和布盧姆在第六章〈哈得斯〉裡所勾勒出的景象根本大異其趣──「小茹迪要是沒有死的話。看著他長大」。布盧姆不假莫莉的生殖細胞即獨立產下八子，而在產子的前後過程中，莫莉是不在場的，這顯示出因莫莉的不忠，加上莫莉對茹迪的早夭看得很開，布盧姆對再次成為父親的冀望，只能靠自己獨立完成。茹迪在第十五章末尾「直視布盧姆的眼睛而無所見」，而斯蒂汾又選擇離開，不願扮演布盧姆和莫莉重建婚姻關係的中介角色，布盧姆終將棄斥茹迪的縈繞及對莫莉的指望，形塑出自己的主體性──「新布盧姆」。
Joyce quotes, parasitizes, exploits, deciphers, and interpolates Hamlet in Ulysses. Characters in Ulysses and Hamlet, needing to coordinate their roles and trying to accommodate themselves, can be contrasted and compared. Originally, the role of a family should be nutritious. The nourishment and pampering from mothers are like chora, breeding and accommodating their babies. Once children grow up, they want to separate from their fusions with mothers and to transfer “semiotic motility onto the symbolic order.” Children are eager to fly from the familial bondage; therefore, the mother becomes “an other” and the abjection. Hamlet belittles Gertrude’s instant remarriage while Stephen rejects his mother’s dogmas. Besides, Hamlet is constantly haunted by King Hamlet’s ghost while Stephen cannot get rid of the condemnation of his mother’s ghost. Rudy’s death is the crucial reason why Bloom’s marriage is crumbling. Derrida analyzes that mourning, like pregnancy, will be deviated and delivered sometime.
When one is discarded by his/her significant others and realizes solitude, he/she will finally awake and discard others, his/her mother, and even significant others. In addition, the affection can be sealed. Hamlet and Stephen prison their minds. As to Bloom, he bears eight children in chapter 15 “Circe,” but the eight children immediately become independent subjects and the “otherness” adults after being born. The scene is totally different from what Bloom expects in chapter 6—to see his son grow up. Bloom does not need Molly’s sex cell and delivers eight children independently. At the end of chapter 15, Rudy gazes at Bloom, “unseeing” him and Stephen rejects to be Bloom’s surrogate son, which will make Bloom awaken that there will be no son to be a medium to bridge his relationship with Molly. With the awakening to this reality, Bloom finally discards haunting Rudy and the approximate 11-year one-sided wish to go back to the “halcyon days” with Molly. Bloom will just coexist with Molly. He eventually molds his own subject—“the new Bloom.”
Adams, Hazard. “Jacques Lacan.” Critical Theory Since Plato. Ed. Hazard Adams. Fort Worth: Harcourt Brace Jovanovich, 1992. 897-901.
Ahearn, Ed, and Arnold Weinstein. “The Function of Criticism at the Present Time: The Promise of Comparative Literature.” Comparative Literature in the Age of Multiculturalism. Ed. Charles Bernheimer. Baltimore: Johns Hopkins UP, 1995. 77-85.
Bayley, John. Shakespeare and Tragedy. London: Routledge & Kegan Paul, 1981.
Benstock, Bernard. “Telemachus.” James Joyce’s Ulysses: Critical Essays. Eds. Clive Hart and David Hayman. Berkeley: U of California P, 1974. 1-16.
---. “Ulysses: The Making of an Irish Myth.” Approaches to Ulysses: Ten Essays. Eds. Thomas F. Staley and Bernard Benstock. Pittsburgh: U of Pittsburgh P, 1970. 199-234.
Benveniste, Emil. Problems in General Linguistics. Trans. Mary Elizabeth Meek. Coral Gables: U of Miami P, 1971.
Berry, Philippa. Shakespeare’s Feminine Endings: Disfiguring Death in the Tragedies. New York: Routledge, 1999.
Bevington, David, ed. Twentieth Century Interpretations of Hamlet. Englewood Cliffs: Prentice-Hall, 1968.
Blackmore, Simon Augustine. The Riddles of Hamlet and the Newest Answers. Boston: Folcroft, 1973.
Blamires, Harry. The Bloomsday Book: A Guide through Joyce’s Ulysses. London: Methuen, 1966.
Blits, Jan H. Deadly Thought: “Hamlet” and the Human Soul. New York: Lexington Books, 2001.
Bloom, Harold. How to Read and Why. New York: Scribner, 2000.
---. Shakespeare: The Invention of the Human. London: Fourth Estate, 1998.
---. The Western Canon. New York: Riverkhead Books, 1994.
---. William Shakespeare’s Hamlet. New York: Chelsea, 1986.
Boheemen-Saaf, Christine van. Joyce, Derrida, Lacan, and the Trauma of History. Cambridge: Cambridge UP, 1999.
Bolt, Sydney. A Preface to James Joyce. New York: Longman, 1992.
Bowers, Fredson. “Hamlet as Minister and Scourge.” Twentieth Century Interpretations of Hamlet. Ed. David Bevington. Englewood Cliffs: Prentice-Hall, 1968. 82-92.
Boyle, Robert. “Penelope.” James Joyce’s Ulysses: Critical Essays. Eds. Clive Hart and David Hayman. Berkeley: U of California P, 1974. 407-33.
---. “The Priesthoods of Stephen and Buck.” Approaches to Ulysses: Ten Essays. Eds. Thomas F. Staley and Bernard Benstock. Pittsburgh: U of Pittsburgh P, 1970. 29-60.
Bradley, A. C. Shakespearean Tragedy. Greenwich: Fawcett, 1904.
Brockbank, J. Philip. “Hamlet the Bonesetter.” Shakespeare Survey. Vol. 30. Ed. Kenneth Muir. New York: Cambridge UP, 2002. 103-15.
Bruster, Douglas. To Be or Not to Be. New York: Continuum, 2007.
Butler, Christopher. “Joyce, Modernism, and Post-modernism.” The Cambridge Companion to James Joyce. Ed. Derek Attridge. New York: Cambridge UP, 1990. 259-282.
Card, James Van Dyck. An Anatomy of “Penelope.” Rutherford: Fairleigh Dickinson UP, 1984.
Charney, Maurice. Style in Hamlet. Princeton: Princeton UP, 1969.
Cheng, Vincent J. Joyce, Race, and Empire. Cambridge: Cambridge UP, 1995.
Cheng, Vincent John. Shakespeare and Joyce: A Study of Finnegans Wake. University Park: Pennsylvania State UP, 1984.
Cosgrove, Brian. James Joyce’s Negations: Irony, Indeterminacy and Nihilism in Ulysses and Other Writings. Dublin: U College Dublin P, 2007.
Damrosch, David. “World Literature in a Postcanonical, Hypercanonical Age.” Comparative Literature in an Age of Globalization. Ed. Haun Saussy. Baltimore: The Johns Hopkins UP, 2006. 43-53.
Danson, Lawrence. “Tragic Alphabet.” Modern Critical Interpretations: William Shakespeare’s Hamlet. Ed. Harold Bloom. New York: Chelsea House Publishers, 1986. 65-85.
Derrida Jacques. Memories for Paul de Man. Trans. Cecile Lindsay, Jonathan Culler, Eduardo Cadava, and Peggy Kamuf. New York: Columbus UP, 1989.
Devlin, Kimberly J. James Joyce’s “Fraudstuff.” Gainesville: UP of Florida, 2002.
Duffy, Enda. “Ulysses Becomes Electra: Electric Energy in Joyce’s Novel.” James Joyce Quarterly 48.3 (2011): 407-24.
Ellmann, Maud. “Polytropic Man: Paternity, Identity and Naming in The Odyssey and A Portrait of the Artist as a Young Man.” James Joyce: New Perspectives. Ed. Colin MacCabe. Sussex: Harvester P, 1982. 73-104.
Ellmann, Richard The Consciousness of Joyce. New York: Oxford UP, 1977.
Epstein, E. L. “Nestor.” James Joyce’s Ulysses: Critical Essays. Eds. Clive Hart and David Hayman. Berkeley: U of California P, 1974. 17-28.
Everett, Barbara. “Hamlet: A Time to Die.” Shakespeare Survey. Vol. 30. Ed. Kenneth Muir. New York: Cambridge UP, 2002. 117-23.
French, Marilyn. The Book as World: James Joyce’s Ulysses. London: Sphere Books, 1982.
Froula, Christine. Modernism’s Body: Sex, Culture, and Joyce. New York: Columbia UP, 1996.
Gifford, Don, and Robert J. Seidman. Ulysses Annotated. Los Angeles: U of California P, 1988.
Gilbert, Stuart. James Joyce’s Ulysses. Ringwood: Penguin, 1969.
Gottfried, Roy. Joyce’s Iritis and the Irritated Text: The Dis-lexic Ulysses. Gainesville: UP of Florida, 1995.
Greenblatt, Stephen. Hamlet in Purgatory. Princeton: Princeton UP, 2001.
---. Will in the World: How Shakespeare Became Shakespeare. New York: Norton, 2004.
Harris, Frank. The Man Shakespeare and His Tragic Life-Story. London: Cornwall, 1909.
Hayman, David. “The Empirical Molly.” Approaches to Ulysses. Eds. Thomas F. Staley and Bernard Benstock. Pittsburgh: U of Pittsburgh P, 1970. 103-35.
Hazlitt William. “Characters of Shakespeare’s Plays: Hamlet.” Hamlet. Ed. Cyrus Hoy. New York: Norton, 1992. 164-69.
Heffernan, James A. W. “Joyce’s Merrimanic Heroine: Molly vs. Bloom in Midnight Court.” James Joyce Quarterly 41.4 (2004): 745-65.
Hegel, G. W. F. The Philosophy of Fine Art. Trans. F. P. B. Osmaston. Vol. 2. London: G. Bell and Sons, 1920.
Henke, Suzette A. James Joyce and the Politics of Desire. New York: Routledge, 1990.
---. Joyce’s Moraculous Sindbook: A Study of Ulysses. Columbus: Ohio State UP, 1978.
Hodgart, M. J. C. “Aeolus.” James Joyce’s Ulysses: Critical Essays. Eds. Clive Hart and David Hayman. Berkeley: U of California P, 1974. 115-30.
Hoy, Cyrus, ed. Hamlet. New York: Norton, 1992.
Hyland, Peter. An Introduction to Shakespeare. London: Macmillan, 1996.
Johnson, Samuel. “[The Praise of Variety.]” Hamlet. Ed. Cyrus Hoy. New York: Norton, 1992. 148-49.
Jones, Ernest. Hamlet and Oedipus. New York: Norton, 1976.
Joyce, James. A Portrait of the Artist as a Young Man. Taipei: Bookman, 1997.
---. Dubliners. New York: Penguin, 1996.
---. Letters of James Joyce. Ed. Stuart Gilbert. Vol. 2. New York: The Viking Press, 1957.
---. Stephen Hero. Norfolk: New Directions, 1955.
---. Ulysses. New York: Vintage, 1986.
---. Ulysses. London: Picador, 1997.
Kain, Richard M. “Motif as Meaning: The Case of Leopold Bloom.” Approaches to Ulysses. Eds. Thomas F. Staley and Bernard Benstock. Pittsburgh: U of Pittsburgh P, 1970. 61-101.
Keats, John. Complete Poems and Selected Letters. Ed. Clarence DeWitt Thorpe. New York: The Odyssey Press, 1935.
Kenner, Hugh. “The Portrait in Perspective.” Columbia Critical Guides. Ed. John Coyle. New York: Columbia UP, 1998. 48-71.
Kiberd, Declan. Ulysses and Us: The Art of Everyday Life in Joyce’s Masterpiece. New York: Norton, 2009.
Killeen, Terence. Ulysses Unbound. Dublin: Wordwell, 2004.
Kimball, Jean. Odyssey of the Psyche: Jungian Patterns in Joyce’s Ulysses. Carbondale: Southern Illinois UP, 1997.
Knight, G. Wilson. “The Embassy of Death: An Essay on Hamlet.” Hamlet. Ed. Cryus Hoy. New York: Norton, 1992. 184-91.
Kristeva, Julia. Black Sun: Depression and Melancholia. Trans. Leon S. Roudiez. New York: Columbia UP, 1989.
---. Desire in Language: A Semiotic Approach to Literature and Art. Trans.
Thomas Gora, Alice Jardine, and Leon S. Roudiez. New York: Columbia UP, 1980.
---. “Joyce ‘The Gracehoper’ or Orpheus’s Return.” New Maladies of the Soul. New York: Columbia UP, 1995. 172-88.
---. New Maladies of the Soul. New York: Columbia UP, 1995.
---. Powers of Horror: An Essay on Abjection. Trans. Leon S. Roudiez. New York: Columbia UP, 1982.
---. Revolution in Poetic Language. Trans. Margaret Waller. New York: Columbia UP, 1984.
---. Strangers to Ourselves. Trans. Leon S. Roudiez. New York: Columbia UP, 1991.
---. Tales of Love. Trans. Leon S. Roudiez. New York: Columbia UP, 1987.
Laan, Thomas F. Van. “Ironic Reversal in Hamlet.” Studies in English Literature 6.2 (1966): 247-62.
Lawrence, Karen. “Joyce and Feminism.” The Cambridge Companion to James Joyce. Ed. Derek Attridge. Cambridge: Cambridge UP, 1990. 237-58.
---. The Odyssey of Style in Ulysses. Princeton: Princeton UP, 1981.
Litz, A. Walton. “Ithaca.” James Joyce’s Ulysses: Critical Essays. Eds. Clive Hart and David Hayman. Berkeley: U of California P, 1974. 385-405.
Lord Byron, George Gordon. “Manfred.” The Norton Anthology of English Literature. Gen. Ed. M. H. Abrams. 6th ed. Vol. 2. New York: Norton, 1993. 513-45.
Luther, Martin. The Freedom of a Christian. Ed. Harold J. Grimm. Philadelphia: Muhlenberg, 1957.
Maddox, James H. Joyce’s Ulysses and the Assault upon Character. Sussex: Harvester, 1978.
Maeterlinck, Maurice. Wisdom and Destiny. Trans. Alfred Sutro. London: George Allen, 1911.
Mahaffey, Vicki. “Sidereal Writing: Male Refractions and Malefactions in ‘Ithaca.’” Ulysses—En-Gendered Perspectives: Eighteen New Essays on the Episodes. Eds. Kimberly J. Devlin and Marilyn Reizbaum. Columbia: U of South Carolina P, 1999. 254-66.
Mahaffey, Vicki. “Ulysses and the End of Gender.” A Companion to James Joyce’s Ulysses. Ed. Margot Norris. Boston: Bedford Books, 1998. 151-68.
Mc Gee, Patrick. “ ‘Heavenly Bodies’: Ulysses and the Ethics of Marxism.” A Companion to James Joyce’s Ulysses. Ed. Margot Norris. Boston: Bedford Books, 1998. 220-38.
Murfin, Ross C. “What Are Feminist and Gender Criticism?” A Companion to James Joyce’s Ulysses. Ed. Margot Norris. Boston: Bedford Books,1998. 129-43.
Neill, Michael. Issues of Death: Morality and Identity in English Renaissance Tragedy. Oxford: Clarendon, 1997.
Nietzsche, Friedrich. The Birth of Tragedy. Trans. Shaun Whiteside. New York: Penguin, 1993.
O’Brien, Darcy. “Some Determinants of Molly Bloom.” Approaches to Ulysses.
Eds. Thomas F. Staley and Bernard Benstock. Pittsburgh: U of Pittsburgh P, 1970. 137-55.
O’Connor, Theresa. “Demythologizing Nationalism: Joyce’s Dialogized Grail
Myth.” Joyce in Context. Eds. Vincent J. Cheng and Timothy Martin.
New York: Cambridge UP, 1992. 100-21.
Payne, Michael. Reading Theory: An Introduction to Lacan, Derrida, and Kristeva. Cambridge: Blackwell, 1993.
Pope, Alexander. “An Essay on Man.” The Norton Anthology of English
Literature. Gen. Ed. M. H. Abrams. 7th ed. Vol. 1. New York: Norton, 2000. 2554-62.
Prosser, Eleanor. Hamlet and Revenge. Stanford: Stanford UP, 1967.
Reichert, Klaus. “The European Background of Joyce’s Writing.” The Cambridge Companion to James Joyce. Ed. Derek Attridge. New York: Cambridge UP, 1990. 55-82.
Rose, Mark. “Reforming the Role.” William Shakespeare’s Hamlet. Ed. Harold Bloom. New York: Chelsea House, 1986. 117-28.
Schutte, William M. Joyce and Shakespeare: A Study in the Meaning of Ulysses. Hamden: Archon, 1971.
Schutte, William M., and Erwin R. Steinberg. “The Fictional Technique of
Ulysses.” Approaches to Ulysses. Eds. Thomas F. Staley and Bernard
Benstock. Pittsburgh: U of Pittsburgh P, 1970. 157-78.
Schwarz, Daniel R. Reading Joyce’s Ulysses. Hampshire: Macmillan, 1987.
Senn, Fritz. Joyce’s Dislocutions: Essays on Reading as Translation. Baltimore: The Johns Hopkins UP, 1984.
Shakespeare, William. “As You Like It.” The Norton Shakespeare. Ed. Stephen Greenblatt. New York: Norton, 1997. 1591-657.
---. “Measure for Measure.” The Norton Shakespeare. Ed. Stephen Greenblatt. New York: Norton, 1997. 2021-90.
---. The Oxford Shakespeare Macbeth. New York: Oxford UP, 1990.
---. “Romeo and Juliet.” The Norton Shakespeare. Ed. Stephen Greenblatt. New York: Norton, 1997. 865-941.
---. “The True Tragedy of Richard Duke of York and the Good King Henry the Sixth.” The Norton Shakespeare. Ed. Stephen Greenblatt. New York: Norton, 1997. 291-369.
Sheehan, Sean. Joyce’s Ulysses: A Reader’s Guide. New York: Continuum, 2009.
Smith, Anna. Julia Kristeva: Readings of Exile and Estrangement. Basingstoke: Macmillan, 1996.
Soros, Erin. “Giving Death.” Differences: A Journal of Feminist Cultural Studies 10.1 (1998): 1-29.
Steinberg, Erwin R. The Stream of Consciousness and beyond in Ulysses. Pittsburgh: U of Pittsburgh P, 1973.
Stoll, E. E. “Hamlet’s Fault in the Light of Other Tragedies.” Twentieth Century Interpretations of Hamlet. Ed. David Bevington. Englewood Cliffs: Prentice-Hall, 1968. 104-05.
Tagopoulos, Constance V. “Joyce and Homer: Return, Disguise, and Recognition in ‘Ithaca.’” Joyce in Context. Eds. Vincent J. Cheng and Timothy Martin. Cambridge: Cambridge UP, 1992. 184-200.
Tindall, William York. A Reader’s Guide to James Joyce. New York: Noonday, 1959.
Topia, André. “The Matrix and the Echo: Intertextuality in Ulysses.” Post-structuralist Joyce: Essays from the French. Eds. Derek Attridge and Daniel Ferrer. Cambridge: Cambridge UP, 1984. 103-25.
Verstraete, Ginette. Fragments of the Feminine Sublime in Friedrich Schlegel and James Joyce. New York: State U of New York Press, 1998.
Waidner, H. Frew. “Ulysses by Way of Culture and Anarchy.” Approaches to Ulysses: Ten Essays. Eds. Thomas F. Staley and Bernard Benstock. Pittsburgh: U of Pittsburgh P, 1970. 179-97.
Weir, David. James Joyce and the Art of Mediation. Ann Arbor: U of Michigan, 1996.
Weston, Jessie L. From Ritual to Romance. New York: Doubleday Anchor Books, 1957.
Wilson, J. Dover. “Antic Disposition.” Twentieth Century Interpretations of Hamlet. Ed. David Bevington. Englewood Cliffs: Prentice-Hall, 1968. 105-07.
Winders, P. Understanding Hamlet. Rushcutters Bay: Pergamon, 1975.
Yeats, William Butler. Essays and Introductions. New York: Macmillan, 1968.
Yee, Cordell D. K. The Word according to James Joyce: Reconstructing Representation. Lewisburg: Bucknell UP, 1997.
詹姆斯．喬伊斯。 《尤利西斯》。蕭乾、文潔若譯。台北：時報，1996。
──。 《尤利西斯》。金隄譯。台北：九歌，2005。
──。 《一位年輕藝術家的畫像》。黎登鑫、李文彬譯。台北：桂冠，1994。
林玉珍專題編輯。 〈《尤利西斯》專輯〉。《中外文學》。第三十二卷第九期，2004。
莊坤良主編。 《喬伊斯的都柏林》。台北：書林，2008。
莊坤良。 〈《李子的寓言》：後殖民喬伊斯與愛爾蘭文藝復興運動〉。《中外文學》。第三十二卷第九期，2004。101-27。new window
莊信正。 《面對尤利西斯》。台北：九歌，2005。
曾麗玲專題編輯。 《裂鏡中的祖國：喬伊斯評論》。《中外文學》。第二十六卷第五期，1997。
瞿世鏡選編。 《意識流小說理論》。成都：四川文藝出版社，1989。
彭鏡禧。 《細說莎士比亞論文集》。台北：台灣大學，2004。
──。 《與獨白對話：莎士比亞戲劇獨白研究》。台北：書林，2009。
蕭嫣嫣。 〈愛爾蘭，母親：《尤利西斯》中的母親群像〉。《喬伊斯的都柏林》。莊坤良主編。台北：書林，2008。133-64。
黃宗慧。 〈入土誰安？論《尤利西斯》〈陰間〉一章中的屍體、葬儀與哀悼〉。《喬伊斯的都柏林》。莊坤良主編。台北：書林，2008。205-34。
周幸君。 〈流放之女：米莉為何在穆林加？〉。《喬伊斯的都柏林》。莊坤良主編。台北：書林，2008。235-54。


 
 
 
 
第一頁 上一頁 下一頁 最後一頁 top
QR Code
QRCODE

臺灣人文及社會科學引文索引資料庫

目前上線人數：604（臺灣：582，外國：22） ／ 本年度總使用人次：2156165 ／ 訪客人次（自102年09月）：67957179
國家圖書館著作權聲明 Copyright © 2013 All rights reserved.
本館地址: 100201臺北市中山南路20號． 本館地圖及交通資訊．
總機：(02)23619132．最佳瀏覽解析度為1024x768以上