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一、中文書目
Bachelard, Gaston（巴舍拉）著，龔卓軍、王靜慧譯。2007。《空間詩學》（The Poetic of Space）。台北：張老師文化。
Badger, Gerry（貝傑）著，施昀佑、黃一凱譯。2012。《攝影的精神》（The Genius of Photography）。新北市：大家出版。
Baecque, Antoine de（貝克）著，方爾平譯。2011。《安德烈‧塔可夫斯基》（Andrei Tarkovski）。北京：北京大學出版社。
Barthes, Roland（巴特）著，許綺玲譯。1997。《明室》（La chamber claire）。台北：台灣攝影工作室。
Benjamin, Walter（班雅明）著，許綺玲譯。1999。《迎向靈光消逝的年代》（Walter Benjamin Essais）。台北：台灣攝影工作室。
——，王涌譯，宋淑明審譯，2012。《柏林童年》（Berliner Kindheit um neunzehundert）。台北：麥田。
Berger, John（柏格）著，吳莉君譯。2005。《觀看的方式》（Ways of Seeing）。台北：麥田。
Cotton Charlotte著，張世倫譯。2011。《這就是當代攝影》〈The Photograph as Contemporary Art〉，新北市: 大家出版社。
De Baecque, Antoine著，方爾平譯。2011。《安德烈‧塔可夫斯基》（Andrei Tarkovski），北京：北京大學出版社。
Dyer, Geoff（代爾）著，吳莉君譯。2013。《持續進行的瞬間》（The Ongoing Moment）。台北：麥田。
Eco, Umberto（艾可）著，彭淮棟譯。2008。《醜的歷史》（History of Ugliness）。台北：聯經。
Hoffmann E. T. A. 著，朱燕顰、曾夏清、夏本玉譯。1998。《睡魔》(The Sandman)，台北: 萬象圖書。
McLuhan, Marshall（麥克魯漢）著，鄭明萱譯。2006。《認識媒體：人的延伸》（Understanding Media: the Extensions of Man）。台北：貓頭鷹。
Nagaaki Shaw & Summer Huang著，楊晴譯。2011。《當代攝影新銳二十》（20 Now: Contemporary Photographers），台北：城邦文化出版。
Sokolowski, Robert（索科羅斯基）著，李維倫譯。2004。《現象學十四
講》（Introduction to Phenomenology）。台北：心靈工坊。
Sontag, Susan（宋坦）著，黃翰荻譯。1997。《論攝影》（On Photography）。台北：唐山。
Tarkovsky, Andrei（塔可夫斯基）著，陳麗貴、李泳泉譯。1993。《雕刻時光》(Sculpting in Time: Reflections on the Cinema)。台北：萬象圖書。
林志明。2013。《複多與張力：論攝影史與攝影肖像》。台北：田園城市。
劉瑞琪。2004。《陰性顯影：女性攝影家的扮裝自拍像》。台北：遠流。
荒木經惟，黃亞紀譯。2012。《荒木經惟‧寫真＝愛；直到生命盡頭，我依然相信寫真》，台北: 原點出版。
筱山紀信 &中平卓馬，黃亞紀譯。2013。《決鬥寫真論》. 黃亞紀譯，台北: 臉譜出版。
志賀理江子。2013。《螺旋海岸｜Album》。東京都: AKAAKA Art。
二、英文書目
Arbus, Diane.
——. 1972. Diane Arbus: An Aperture Monograph. Edited by Doon Arbus and Marvin Israel. New York: Aperture Foundation.
——. 1984. Diane Arbus: Magazine Work. Essay by Thomas Southall. New York: Aperture Foundation.
——. 1995. Diane Arbus: Untitled. Edited byDoon Arbus and Yolanta Cuomo. New York: Aperture Foundation.
——. 2003. Diane Arbus: Revelations.In collaboration with San Francisco Museum of Modern Art. New York: Random House.
Barnes, Martin and Best, Kate. 2001. Twilight: Photography in the Magic Hour. New York: Merrell Publishers.
Bausch, Richard and Cassill, R. V. (eds.). 1978. The Norton Anthology of Short Fiction. New York: W. W. Norton.
Bazin, Andre. 2005. What is Cinema? Volumes 1 & 2. [1967]. Translated by Hugh Gray. Berkeley: University of California Press.
Benjamin, Walter. 1969. Illuminations: Essays and Reflections. Translated by Harry Zohn. New York: Schocken Books.
Bosworth, Patricia. 1984. Diane Arbus: A Biography. New York: W.W. Norton.
Brassai. 2001. The Secret Paris of The 30’s. New York: Thames & Hudson.
Burke, Edmund. 2001. “On the Sublime and Beautiful”, Harvard Classics, Vol. 24. New York: Bartleby.com.
Cadava, Eduardo. 1997. Words of Light: Theses on the Photography of History. New Jersey: Princeton University Press.
Cartier-Bresson, Henri. 1999. The Mind's Eye: Writings on Photography and Photographers. New York: Aperture.
Castle, Terry.1995. The Female Thermometer: Eighteen-century Culture and the Invention of the Uncanny, New York, Oxford: Oxford University Press.
Colman, Andrew M. 2012, A Dictionary of Psychology, (3 ed.)London: Oxford University Press.
Dixon, Steve.2007. Digital Performance: A History Media in Theater Dance, Performance Art, and Installation. Cambridge, Mass.: MIT Press.
Dyer, Geoff. 2007. The Ongoing Moment, London: Vintage.
Freud, Sigmund.
——.1918. Totem and Taboo. New York: Moffat Yard and Company.
——.1922. Beyond the Pleasure Principle, translated by c. J. M. Hubback, London, Vienna: intl. Psycho-analytical, 1922, New York: Bartleby.com, 2010.
——.1939. Moses And Monotheism, Translated by Katherine Jones, London: The Hogarth Press.
——.1955. ”The Uncanny”, The Standard Edition of the Complete Psychological Works of Sigmund Freud. Vol. 17. Edited by James Strachey. London: Hogarth Press.
——. 1973. Standard Edition of the Complete Psychological Works of Sigmund Freud. Vol. 5. Translated and edited by James Strachey. London: Hogarth Press.
Gunning, Tom. 1995. ‘Phantom Images and Modern Manifestations: Spirits Photography, Magic Theater, Trick Films, and Photography's Uncanny,’ Fugitive Images: From Photography to Video. Edited by Patrice Petro, Bloomington: Indiana University Press.
Heidegger, Martin. 1977.“The Age of World Picture,” The Question Concerning Technology and Other Essays, translated by William Lovitt, New York; Harper and Row, pp.115-54.
Hoffman, E. T. A. 1885. ‘The Sandman,’ Weird Tales, Vol. 1 Translated by J. T. Bealby. London: John C. Nimmo.
Jentsch, Ernst. 1997. “On the Psychology of the Uncanny,” Translated by Roy Sellars. Angelaki: Journal of the Theoretical Humanitites, 2(1):7–16.
Kant, Immanuel. 1914. The Critique of Judgement. Translated by J. T. Bealby. London: Macmillan.
Lacan, Jacques. 2006. Écrits: The First Complete Edition in English. Translated by Bruce Fink in collaboration with Héloïse Fink and Russell Grigg. New York: W. W. Norton & Company.
Lee, Anthony W. 2003. Diane Arbus: Family Albums. CT: Yale University Press.
Liu, Lydia H. 2010. ‘The Cybernetic Unconscious: Rethinking Lacan, Poe, and French Theory’, Critical Inquiry, 36(2):288-302.
MacDorman, K. F. and Ishiguro, H. 2006. ‘The Uncanny Advantage of Using Androids in Cognitive and Social Science Research,’ Interaction Studies.7(3): 297–337.
Mitchell, W. J. T.
——.1980. The Language of Images. Chicago: U of Chicago Press.
——.1985. Against Theory: Literary Studies and the New Pragmatism. Chicago: U of Chicago Press.
——. 1986. Iconology: Image, Text, Ideology. Chicago and London: The University of Chicago Press.
——.1994. Picture Theory: Essays on Verbal and Visual Representation,University of Chicago Press.
——. 2005. What Do Pictures Want? The Lives and Loves of Images. Chicago: University of Chicago Press.
Mavor, Carol. 1999. Becoming: the photographs of Clementina, Viscountess Hawarden. Durham: Duke University Press.
McGarry, Molly. 2008. Ghosts of Futures Past: Spiritualism and the Cultural Politics of Nineteeth-Century America. Berkeley and Los Angeles, California: The Regents of the University of California.
Nemerov, Howard. 1981. Journals of Fictive Life. Chicago: University of Chicago.
Petro, Patrice. 1995. Fugitive Images: From Photography to Video, Bloomington: Indiana University Press.
Rank, Otto. 1989. The Double. Harry Tucker translated and Edited, London: Maresfield Library.
Ricoeur, Paul. 1984. Time and Narrative, Vol.1. Translated by Kathleen McLaughlin and David Pellauer. Chicago: University of Chicago Press.
Royle, Nicholas. 2003. The Uncanny. Manchester: Manchester University Press.
Schultz, W. T. 1981. An Emergency in Slow Motion: The Inner Life of Diane Arbus. New York: Bloomsbury Publishing.
Tiphaigne de La Roche, Charles-François. 2012. Amilec（Giphantie）. Translated by Brain Stableford. Tarzana: Black Coat Press.
Weber, Samuel. 1973. 'The Sideshow, or: Remarks on a Canny Moment', MLN, Vol. 88, No. 6, Comparative Literature, pp.1102-1133.
三、影片
Kent, Conn.. 1989. [video edition] Going Where I've Never Been: The Photography of Diane Arbus. Camera Three Productions.（原片發行於1972年）
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