This paper is concerned with the scripts of Tawianese Opera about Bao Gong. The author had drawn thirteen such scripts from The Report of the Project of the Arrangement of the Scripts of Taiwanese Opera, which was published by the Chinese Folk Arts Foundation in 1995, Taipei. The author has done some research into those scripts about thematic resources content synopses, and various images concerning the role of Bao Gong. Being little creative, those scripts are mostly adapted from the novels or dramas of Ming or Qing Dynasty or are just transplanted from other kinds of Chinese local operas. However, contemporary incidents have been included in those scripts of Taiwanese Operas to augment their contents and reside teaching in entertainment. The characters of Bao Gong in those scripts have played the role of Jing-a striking feature of Chinese stage technique by the practice of painting the face and forehead with a bold and colorful pattern. In the case of Bao Gong, his face was painted almost black. In most dramas of Bao Gong, the roles of Bao Gong have been characterized with such a positive image as wisdom, justice and patriotism whereas there are few otherwise.