| 期刊論文1. | Anderson, Trudy(1995)。Why Stalinist Musicals?。Discourse,3(17),38-48。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) | 2. | Dobrenko, Evgeny(1993)。Gossmekh, ili mezhdu rekoi i noch'iu。Kinovedcheskie Zapiski,19,39-44。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) | 3. | Dobrenko, Evgeny、Savage, Jesse(1995)。Soviet Comedy Film; or, The Carnival of Authority。Discourse,3(17),49-57。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) | 4. | Shlegel', Gans-Ioakhim(2000)。Stalinskii gollivud o muzykal'nyk fil'makh Grigoriia Aleksandrova。Kinovedcheskie Zapiski,45,138-144。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) | 5. | Metz, Christian。The Imaginary Signifier。Screen,16(2)。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) | 6. | Taylor, Richard(1996)。The Illusion of Happiness and the Happiness of Illusion: Grigorii Aleksandrov's The Circus。The Slavonic and East European Review,74(4),599-620。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) | 7. | 陳美芬(19980300)。蘇聯社會主義寫實主義藝術的概念與認知。俄語學報,1,197-209。 延伸查詢![new window](/gs32/images/newin.png) | 學位論文1. | 蘇家玉(2000)。共黨意識下之蘇聯電影發展(1917-1953)(碩士論文)。國立政治大學。 延伸查詢![new window](/gs32/images/newin.png) | 圖書1. | Aleksandrov, Grigorii(1976)。Epokha i kino。Moskva:Politicheskaia Literatura。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) | 2. | Attwood, Lynne、Turovskaya, Maya(1993)。Red Women on the Silver Screen: Soviet Women and Cinema From the Beginning to the End of the Communist Era。London:Pandora。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) | 3. | Iurenev, R.(1964)。Sovetskaia kinokomediia。Moskva:Nauka。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) | 4. | Horton, Andrew(1993)。Inside Soviet Film Satire: Laughter With A Lash。Cambridge:Cambridge University Press。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) | 5. | Horton, Andrew(1991)。Comedy, Cinema, Theory。Berkeley:University of California Press。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) | 6. | Kenez, Peter(1992)。Cinema and Soviet Society, 1917-1953。Cambridge:Cambridge University Press。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) | 7. | Youngblood, Denise J.(1992)。Movies For the Masses: Popular Cinema and Soviet Society in the 1920s。Cambridge:Cambridge University Press。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) | 8. | Stites, Richard(1995)。Mass Culture in Soviet Russia : Tales, Poems, Songs, Movies, Plays, and Folklore, 1917-1953。Bloomington:Indiana University Press。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) | 9. | Fitzpatrick, Sheila(1992)。The Cultural Front: Power and Culture, in Revolutionary Russia。Cornell University Press。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) | 10. | Lawton, Anna(1992)。The Red screen: Politics, Society, Art in Soviet Cinema。New York:Routledge。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) | 11. | Kelly, Catriona、Shepherd, David(1998)。Russian Cultural Studies: An Introduction。New York:Oxford University Press。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) | 12. | 葉書宗、張盛發(1991)。錘子與鐮刀--蘇維埃文化和蘇維埃人。台北:淑馨出版社。 延伸查詢![new window](/gs32/images/newin.png) | 13. | Stam, R.、Burgoyne, R.、Fiitterman-lewis, S.、張梨美(1997)。電影符號學的新語彙。臺北:遠流。 延伸查詢![new window](/gs32/images/newin.png) | 圖書論文1. | Christie, Ian(1993)。Canons and Careers: The Director in Soviet Cinema。Stalinism and Soviet Cinema。London:Routledge。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) | |