:::

詳目顯示

回上一頁
題名:味論初探
書刊名:戲劇學刊
作者:馬奎元 引用關係
作者(外文):Ma, Kuei-yuan
出版日期:2005
卷期:1
頁次:頁91-120
主題關鍵詞:表演宗教意涵的崇高身體RasaBhavaAbhinayaSupreme blissBody
原始連結:連回原系統網址new window
相關次數:
  • 被引用次數被引用次數:期刊(2) 博士論文(0) 專書(0) 專書論文(0)
  • 排除自我引用排除自我引用:2
  • 共同引用共同引用:19
  • 點閱點閱:28
〈論味〉給定一種藝術表演以及授收的程式,建立一個知體系,如「產生於情由、情態和不定情的結合。」 這個知識體系背後蘊含的藝術哲學概念幾乎是與西方截然不同的。 印度戲劇,在印度宗教和限學文化概念折衝下成了普遍印度人達到脫離輪迴體驗極致喜樂的途徑之一。西方戲劇起源的戲劇目的不是為了達致宗教意涵的崇高,即使是在亞理斯多德的滌淨概念中,自我意仍是清晰可見的,在印度的概念看起來,不脫離自我意就不可能脫離輪迴,就不可能達致宗教意涵的崇高。 除了捨棄自我意識,達致宗教意涵的崇高外,另一個關注焦點在於味論美學與身體之間的關連,味論美學著重的是身體體驗的傳遞,而非自我思維的推論。這也是西方戲劇概念不同的地方。
Rasa set up a pattern for the performing art along with the relation and psychological mechanism between the performer and the audience, found a knowledge system, ex., ‘Rasa is the cumulative result of vibhavea, anubhava and vyabhicari bhava.’ The concept of philosophy of art contained in this knowledge system is in no way similar to the western. Sankrit drama, repulse under the religious and aesthetic culture is one of the ordinary Indians breaking away format he transmigration as well as experiencing the supreme bliss methods. On the contrary, western was never meant to be like that, ego lies in the back even in the Aristotelian katharsis theory. For Sanskirt concept, achieve supreme bliss or moksha means renounce self ego. Furthermore, rasa focus on body experiencing, more than western ego-centric reasoning.
期刊論文
1.釋惠敏(2003)。梵本《舞蹈.戲劇論》第七章「情感」譯注--印度古典舞蹈戲劇情感初探。藝術評論,2003(14),167-196。new window  延伸查詢new window
2.釋惠敏(1999)。梵本《戲劇論》第六章「美感」譯注--印度戲劇美學初探。藝術評論,1999(10),131-148。new window  延伸查詢new window
3.釋惠敏(1996)。印度梵語戲劇略論。藝術評論,1996(7),139-154。new window  延伸查詢new window
4.Schechner, Richard(2001)。Rasaesthetics。The Drama Review,45(3),27-50。  new window
5.婆羅多、黃寶生(2002)。舞論(選譯)。上海戲劇學院學報,2002(5)=109,4-30。  延伸查詢new window
6.理查.謝喜納、菲爾.柯西諾(2002)。味美學。上海戲劇學院學報,2002(5)=109,31-44。  延伸查詢new window
圖書
1.蟻垤仙人、季羨林(1995)。羅摩衍那。江西:江西教育。  延伸查詢new window
2.蟻垤仙人(1994)。羅摩衍那選。北京:人民文學。  延伸查詢new window
3.蟻垤仙人、瑪朱姆達(1991)。羅摩衍那。台北:中國瑜珈。  延伸查詢new window
4.黃晨淳(2004)。印度神話故事。台中:好讀。  延伸查詢new window
5.赫塞、徐進夫(1984)。悉達求道記--流浪者之歌。台北:志文。  延伸查詢new window
6.糜文開(1981)。印度文學歷代名著選。台北:東大圖書。  延伸查詢new window
7.糜文開(2004)。印度兩大史詩。台北:台灣商務。  延伸查詢new window
8.尚-克勞德.卡里耶爾、林懷民、毗耶娑(1996)。摩訶婆羅多。台北:時報文化。  延伸查詢new window
9.毗耶娑、黃寶生(1999)。摩訶婆羅多--毗濕摩篇。南京:譯林。  延伸查詢new window
10.菲爾•柯西諾、梁永安(2001)。英雄的旅程。台北:立緒。  延伸查詢new window
11.姚一葦(1992)。詩學箋註。台北:台灣中華。  延伸查詢new window
12.室利.阿羅頻多、徐梵澄(1994)。神聖人生論。北京:商務。  延伸查詢new window
13.室利.阿羅頻多、徐梵澄(2003)。薄伽梵歌論。北京:商務。  延伸查詢new window
14.毗耶娑、拉嘉鞲帕拉查理、季雍(1986)。摩訶婆羅多。台北:中國瑜珈。  延伸查詢new window
15.季羨林(1995)。中國翻譯名家自選集,季羨林卷--沙恭達羅。北京:中國工人。  延伸查詢new window
16.奈波爾、黃道琳(2002)。印度:百萬叛變的今天。台北:馬可孛羅文化。  延伸查詢new window
17.奈波爾、杜默(2001)。印度:受傷的文明。台北:馬可孛羅文化。  延伸查詢new window
18.林國源(2000)。古希臘劇場美學。台北:書林。new window  延伸查詢new window
19.阿蘭達蒂.洛伊、吳美真(1998)。微物之神。台北:天下遠見。  延伸查詢new window
20.Smith, Philip、林宗德(2004)。文化理論的面貌。臺北:韋伯文化國際出版有限公司。  延伸查詢new window
21.加里陀莎、糜文開(1967)。莎昆妲蘿。台北:台灣商務。  延伸查詢new window
22.休斯頓.史密士、劉安雲(1998)。人的宗教。台北:立緒。  延伸查詢new window
23.Naipaul, V. S.、李永平(2000)。幽黯國度--記憶與現實交錯的印度之旅。台北:馬可孛羅文化。  延伸查詢new window
24.Stanislavski, Constantin(1990)。An Actor's Handbook。London:Methuen Drama。  new window
25.Tarlekar, G. H.(1975)。Studies In The Nāṭyā Śāstra--With Special Reference to the Sanskrit Drama in Performance。New Dehli:Motilal Banarsidass Publisher Pvt. Ltd.。  new window
26.Vatsyayan, Kapila(1996)。Bharata--The Nāṭyā Śāstra。New Dehl:Sahitya Akademi。  new window
27.Weber, Max(1968)。Economy And Society。New York:Bedminster Press。  new window
28.Schechner, Richard(2002)。Performance Studies: An Introduction。Routledge。  new window
29.Schwartz, Susan L.(2004)。Rasa-Performing The Divine In India。New York:Columbia University Press。  new window
30.Stanislavski, Constantin(1936)。An Actor Prepares。London:Methuen Drama。  new window
31.Madhu, M. K.(1992)。The History Of Dramatic Art In Ancient India。New Delhi:ramanand Vidya Bhawan。  new window
32.Maslow, A. H.(1964)。Religious, Values, and Peak-Experiences。New York:Penguin。  new window
33.Pande, Anupa(1992)。A Historical and Cultural Study Of The Natyasastra Of Bharata。Jodhpur:Kusumanjali Prakashan。  new window
34.Schechner, Richard(1977)。Performance Theory。Routledge。  new window
35.Schechner, Richard(1995)。The Future Of Ritual。New York:Routledge。  new window
36.Barba, Eugenio、Nicola, Fowler、Richard, Fowler(1991)。A Dictionary Of Theatre Anthropology: The Secret Art Of The Performer。London:Routledge。  new window
37.Baumer, Rachel van M.、Brandon, James R.(1981)。Sanskrit Drama In Performance。Honolulu:The University Press Of Hawaii。  new window
38.Bharata-muni、Rangacharya, Adya(1996)。The Nāṭyā Sāstra--English Translation with Critical Notes。New Dehli:Munshiram Manoarlal Publisher Pvt. Ltd.。  new window
39.Chattopadhyay, Siddheswar(1993)。Theatre In Ancient India。New Delhi:Manohar Publishers & Distributors。  new window
40.Halliwell, Stephen(1986)。Aristotle's Poetics。Chicago:The University Of Chicago Press。  new window
41.Schechner, Richard、Appeal, Willa(1990)。By Means Of Performance: Intercultural Studies Of Theatre And Ritual。Cambridge University Press。  new window
42.Winnicot, D. W.(1971)。Playing and reality。London:Tavistock Publications。  new window
43.柳無忌(1982)。印度文學。台北:聯經。  延伸查詢new window
44.Turner, Victor Witter(1982)。From Ritual To Theater: The Human Seriousness Of Play。New York:PAJ Publications。  new window
45.黃寶生(1999)。印度古典詩學。北京:北京大學出版社。  延伸查詢new window
 
 
 
 
第一頁 上一頁 下一頁 最後一頁 top
QR Code
QRCODE