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3. | 王潤婷(1999)。音感的探索。台北:大陸書店。 延伸查詢 |
4. | 林麗月(1993)。音樂基礎訓練的知與行。台北:中國文化大學出版部。 延伸查詢 |
5. | 陳振泉(1990)。音樂基礎訓練教學研究。台南:學興。 延伸查詢 |
6. | Bailey, Wayne(1992)。Aural Skills for Conductors。California:Mayfield Publishing Company。 |
7. | Baur, John(1985)。Music Theory through Literature。Englewood Cliffs, N.J.:Prentice-Hall。 |
8. | Butterworth, Anna(2004)。Harmony in Practice。London:The Associated Board of the Royal Schools of Music。 |
9. | Kraft, Leo(1999)。A New Approach to Ear Training。New York:W.W. Norton & Company, Inc.。 |
10. | DeLone, Richard P.(1981)。Literature and Materials for Sight-Singing。New York:Holt, Rinehart and Winston。 |
11. | Ghezzo, Marta Arkossy(1993)。Solfege, Ear Training, Rhythm, Dictation, and Music Theory。London:The University of Alabama Press。 |
12. | Horacek, L.、Lefkoff, G.(1989)。Programmer Ear Training。New York:Harcourt Brace Jovanovich Publishers。 |
13. | Friedmann, Michael L.(1990)。Ear Training for Twentieth-Century Music。Yale University Press。 |
14. | Martin, Louis, and Robert D. Levin.(1988)。Sight Singing and Ear Training through Literature。Englewood Cliffs, N.J:Prentice-Hall。 |
15. | McElheran, Brock(1998)。Music Reading by Intervals: A Modern Sight-Reading and Ear Ttraining Method for Singers, Conductors, and Teacher。New York:Brichtmark Music, Inc.。 |
16. | Rogers, Michael R.(1984)。Teaching Approaches in Music Theory。Carbondate:Southern Illinois University Press。 |
17. | Shumway, Stanley(1984)。Harmony and Ear Training at the Keyboard。Dubuque:W.C.Brown。 |
18. | Benward, Bruce(1989)。Music in Theory and Practice。Iowa:Wm, C. Brown Publishers。 |