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題名:The Metrical Structure of Changhua Folk Verse
書刊名:Concentric: Studies in Linguistics
作者:蕭宇超
作者(外文):Hsiao, E. Yuchan
出版日期:2006
卷期:32:1
頁次:頁1-29
主題關鍵詞:語料庫民謠優選理論制約層級排序節律CorpusFolk verseOptimality theoryConstraint rankingMetrical structure
原始連結:連回原系統網址new window
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  • 被引用次數被引用次數:期刊(2) 博士論文(0) 專書(0) 專書論文(0)
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  • 共同引用共同引用:45
  • 點閱點閱:63
民謠在傳統研究上有兩個缺點:一、素材僅限於少數韻行;二、
只著重語言個別派生規律,而缺乏普遍性。本文建立一個720 行的彰
化閩南語民謠語料庫,並提出一個非派生分析。從這個語料庫顯示,
大部分的韻行屬陽性節律,占90.67%,而拍板分享則是避免陰性節律
的手段。本文在Prince and Smolensky (1993)的優選理論框架下,提出
一組節律制約。這些制約屬於普遍語法的一部分,而在彰化民謠中呈
現語言個別性的層級排序。
Traditional treatments of folk verse have two disadvantages. First, they focus
only on a small number of lines. Second, they pursue derivational rules on a
language-specific basis, but lack universal validity. This paper establishes a corpus of
720 lines of Southern Min folk verse in Changhua and provides a non-derivational
analysis of the data. The corpus shows a preference for masculine rhythm, which is
found in 90.67% of the data. Metrical beat sharing, then, allows feminine lines to be
avoided. This paper puts forth a set of metrical constraints under the framework of
Prince and Smolensky’s (1993) Optimality Theory. The constraints are part of
Universal Grammar, but are ranked language-specifically in Changhua folk verse.
期刊論文
1.Chen, Matthew Y.(1980)。The primacy of rhythm in verse: a linguistic perspective。Journal of Chinese Linguistics,8,15-41。  new window
2.Hayes, B.(1983)。A grid-based theory of English meter。Linguistic Inquiry,14,357-393。  new window
3.Hayes, B.(1989)。The Prosodic Hierarchy in Meter。Phonetics and Phonology,1,201-260。  new window
4.陳淵泉(19841200)。"Unfolding Latent Principles of Literary Taste": Poetry as a Window Onto Language。清華學報,16(1/2),203-240。new window  new window
5.Duanmu, San(1999)。Stress and the development of disyllabic vocabulary in Chinese。Diachronica,16(1),1-35。  new window
6.Chen, Matthew Y.(1979)。Metrical structure: Evidence from Chinese poetry。Linguistic Inquiry,10(3),371-420。  new window
7.Liberman, Mark、Prince, Alan(1977)。On stress and Linguistic rhythm。Linguistic Inquiry,8(2),249-336。  new window
8.蕭宇超(1991)。The Syntax-Phonology Interface as the Key to Metricality: Evidence from Taiwanese Folk Songs。Kansas Working Papers in Linguistics,16,77-98。  new window
9.Duanmu, San(2004)。A corpus study of Chinese regulated verse: Phrasal stress and the analysis of variability。Phonology,21,43-89。  new window
10.Gueron, J.(1973)。Children's verse and the Halle-Keyser theory of prosody。The Great Excluded,2,197-208。  new window
11.Gueron, J.(1974)。The meter of folk verse: An application of the Halle-Keyser theory of meter。Poetics,12,73-111。  new window
12.蕭宇超(2000)。Optimal tone sandhi in Taiwanese southern Min。中國研究月報,18,25-40。  延伸查詢new window
13.Jackendoff, R.(1989)。A comparison of rhythmic structure in music and language。Phonology and Phonetics,1,15-44。  new window
14.Napoli, Donna(1978)。The metrics of Italian folk verses。Language and Style,11,40-59。  new window
學位論文
1.Shih, Chi-Lin(1986)。The prosodic domain of tone sandhi in Chinese(博士論文)。University of California San Diego。  new window
2.Dai, John X. L.(1992)。Chinese morphology and its interface with the syntax(博士論文)。Ohio State University。  new window
圖書
1.Lerdahl, F.、Jackendoff, R.(1983)。A Generative Theory of Tonal Music。MIT Press。  new window
2.Halle, Morris、Vergnaud, Jean-Roger(1987)。An Essay on Stress。Cambridge, Mass:MIT Press。  new window
3.蕭宇超(1995)。閩南語連讀變調與韻律音韻學理論。臺北:臺灣學生書局。new window  延伸查詢new window
4.Prince, Alan S.、Smolensky, Paul(2004)。Optimality Theory: Constraint Interaction in Generative Grammar。Blackwell Publishing Ltd.。  new window
5.蕭宇超(19910000)。Syntax, Rhythm and Tone: A Triangular Relationship。臺北市:文鶴。new window  延伸查詢new window
6.Selkirk, Elisabeth O.(1984)。Phonology and Syntax: The Relation between Sound and Structure。MIT Press。  new window
7.趙元任(1968)。A Grammar of Spoken Chinese。University of California Press。  new window
8.Changhua County Culture Center(1994)。Changhua Literature Selections 1: Folk Ballads。Changhua Literature Selections 1: Folk Ballads。Changhua。  new window
9.Halle, Morris、Keyser, Samuel Jay(1971)。English Stress: Its Form, Its Growth, and Its Role in Verse。New York:Harper & Row Publisher。  new window
10.Hayes, B.(2000)。Faithfulness and componentiality in metrics。Faithfulness and componentiality in metrics。  new window
11.Rice, C.(1997)。Ranking components: The grammar of poetry。Phonology in Progress-Progress in Phonology。The Hague。  new window
12.Rice, C.(2000)。Generative metrics。The First Glot International State-of-the-Article Book: The Latest in Linguistics。Berlin。  new window
單篇論文
1.Chen, M.(1991)。From Tone to Intonation: A Case Study on Wenzhou,UCSD。  new window
其他
1.蕭宇超(1990)。When syntax meets rhythm。  new window
2.Kager, Rene(2001)。Rhythmic directionality by positional licensing。  new window
3.Rice, C.(2003)。Optimizing gender。  new window
圖書論文
1.McCarthy, John J.、Prince, Alan S.(1993)。Generalized alignment。Yearbook of Morphology 1993。Dordrecht:Kluwer。  new window
2.Shih, Chi-Lin(1990)。Mandarin Third Tone Sandhi and Prosodic Structure。Studies in Chinese Phonology。California:University of California Press。  new window
3.Selkirk, Elisabeth、Shen, Tong(1990)。Prosodic Domains in Shanghai Chinese。The Phonology-Syntax Connection。Chicago:The University of Chicago Press。  new window
 
 
 
 
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