本文主要針對唐美麗賦的具體書寫取向，歸納出以下三大類型： 1.帝王史鑑與「列女」續寫－〈美人賦〉與〈息夫人不言賦〉、〈句踐進西施賦〉之諷諭意涵。 2.后妃宮怨與賦家職能－江采蘋〈樓東賦〉與黃滔〈陳皇后因賦復寵賦〉之對讀意涵。 3.風華再現與女禍隱喻－唐代「漢武帝：李夫人」系列賦篇與黃滔〈明皇迴駕經馬嵬賦〉的書寫底蘊。並藉由其表層題材到內在文化身影的考察，探索唐美麗賦圍繞女性、帝王與賦家等三者多面向的書寫意蘊，及其中所映現大唐帝國及其帝王盛衰嬗變的當代諷諭觀照。

The writing orientation of Mei Li Fu of the Tang Dynasty can be summed up three general types: 1.The history of the emperors, and continuous writing of “Lie Nu”-The satiric significance of Mei Ren Fu and Xi Fu Ren Bu Yan Fu, Gou Jian Jin Xi Shi Fu. 2.The description of the unhappy emperor's concubines, and genius of Fu writers-Contrastive reading of Ms Jiang Cai Ping’s Lou Dong Fu and Mr Huang Tao’s Chen Huang Hou Yin Fu Fu Chong Fu. 3.The reappearance of elegance and talent, and metaphors of the disasters caused by the women-Writing significance of the Fu series of “Han Wu Di: Li Fu Ren” in the Tang Dynasty, and of Mr Huang Tao’s Ming Huang Hui Jia Jing Ma Wei Fu. We can explore the writing significance, with multi-orientations, of women, emperors, and fu writers from Tang “Mei Li Fu” by observing and studying the outward writing material into internal cultural meaning. Besides, we also can explore the satiric significance of prosperity and decline of the Tang Dynasty and its emperors.