Despite their ubiquitous presence in fengshui (風水) texts and in the procedure of artisans' choice of auspicious measurements, the nine Tanlang terms have never been properly investigated by any architectural researcher. In this text-based study, a preliminary attempt has been made to trace the provenance and the implication of these terms, with the result that six of them, namely Tanlang, Wenqu (文曲), Lianzhen (廉貞), Pojun (破軍), Zuofu (左輔), and Youbi (右弼), first occurred in different literary sources of the period between Chunqiu (春秋) and the Han (漢); and later but before the Sui (隋), these six were collected, together with the suppliment of three more, namely Jumen (巨門), Wuqu (武曲), and Luchun (祿存), to make seven (sometimes with the addition of Zuofu and Youbi to make nine), possibly by some Daoist magicians to name and deify the seven stars of the Great Bear. This was then well developed in the Tang (唐) in both Daoist and Buddhist scriptures to form a sidereal worship, and the popularity of which had promoted the integration of the Tanlang terms into fengshui manipulations and artisans' choice of auspicious measurements. In this paper, a further emphasis was also suggested that, in fact, the literary connotation of these terms meant hardly anything to the traditional Chinese. Instead, it was the association of them with the Great Bear that had made them popular and ensured their ubiquitous presence in most fengshui texts and artisans' manuals. All of this is ultimately due to the deeply embedded importance of the Great Bear in the Chinese traditional cosmological awareness of the Northern Polar region.