本研究以詮釋的方法來分析概念設計中，以舊塑新的設計意義，並結合設計物件之觀念而提出「概念物件」的三種類型定義。本研究以其中「情感連接的概念物件」為研究重點，分別就Alessandro Mendini及Jugen Bey等兩位設計師的前衛設計物件為例，探討色彩碎化手法以及異質融接產生的新視覺。藉此探討新舊接續的設計手法，如何由舊連接到新，由傳統跨越到現代。最後，並以實際應用於教學之設計創作為例，對後續設計提出建議。

This research used interpretation method to discuss the design meaning of old/new transformation in conceptual designs, connected point view of the object of design was re-define as three type's "conceptual objects", and "conceptual objects with emotion" was also discussed. We analyzed two types of design language: fragmental skill by color and fusion by coexistence, used by Alessandro Mendini and Jugen Bey in their designs. Based on this analysis, we proposed a manageable design skill that can connect with and bridge between old and new, ad transform a tradition object to a modern one. We have also suggested derivative for further studies.