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題名:尋求適切的創作風格演化論--貢布里希學思的啟示
書刊名:實踐設計學報
作者:陳美杏
作者(外文):Chen, Mei-hsin
出版日期:2007
卷期:1
頁次:頁140-155
主題關鍵詞:貢布里希風格創作風格風格演化E. H. GombrichStyleStyle creationStyle evolution
原始連結:連回原系統網址new window
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  • 被引用次數被引用次數:期刊(0) 博士論文(1) 專書(0) 專書論文(0)
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  • 共同引用共同引用:6
  • 點閱點閱:59
不同詮釋進化概念的理論被引入創作史學領域,藉其解釋風格演化的原因。本文旨在透過貢布里希的學思,試圖尋出一項適切的創作風格演化論,並指出其真切性。全文共分為四節。第一節陳述文章的研究背景與目標,同時詮釋「演化」一詞之義。第二節解析三種風格演變的人擇內在因子。第三節說明影響風格演化之人擇外在因子。第四節則基於前二節之分析,說明創作風格演化的機制,進而道出人擇在創作風格演化過程裡佔有的地位。
Different theories of evolution have been introduced into the discipline of history of artistic creation in order to interpret the cause of stylistic change. The main purpose of this paper resides in searching for an appropriate theory of evolution in style creation through Gombrich's thought, and denotes its sincerity. The article consists of four sections. The first section describes the research background and objective of this paper and review the meaning of the word "evolution". The three internal factors of changing creation style are analyzed in the second section. The third section discusses what external factors influence stylistic change. The last section, based upon the analysis realized in the former sections, explains the mechanism of the evolution in style creation and points out the role which the human choice or human selection plays in the evolution of style creation.
期刊論文
1.陳美杏(20061000)。簡論貢布里希之“藝術風格轉變”。美術學報. 國立臺北藝術大學美術學院,1,93-110。new window  延伸查詢new window
2.黃翠梅(20040700)。「藝術」或「歷史」:藝術史必須抉擇嗎?。藝術觀點,23,20-25。  延伸查詢new window
3.Gombrich, E. H.(1990)。The Reynolds Lecture 1990。Royal Academy of Arts,1-35。  new window
4.Holly, M. A.(1997)。Schapiro Stylo。The Journal of Aesthetics and Art Criticism,55(1),6-10。  new window
5.Wallach, A.(1997)。Meyer Schapiro’s essay on style: Falling into the void。Journal of Aesthetics and Art Critidsm,55(1),11-15。  new window
6.Waterworth, J.(2007)。The Council of Trent: The Twenty-Fifth Session。The Council of Trent: Hie canons and decrees of the sacred and oecumenical Council of Trent,233-236。  new window
7.陳美杏(20040500)。藝術生態壁龕中的創作者、作品與觀者:淺談貢布里希與藝術社會學之間的關係。臺大文史哲學報,60,297-338。new window  延伸查詢new window
圖書
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9.Eccles, J. C.(1989)。Evolution of the brain: creation of the self。New York:Routledge。  new window
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27.Semper, Gottfried、Mallgrave, H. F.、Robinson, M.(2004)。Style: Style in the Technical and Tectonic Arts, or, Practical Aesthetics。Los Angeles, CA:Getty Research Institute。  new window
28.Gombrich, E. H.(1984)。The Sense of Order: a Study in the Psychology of Decorative Art。Itasca, IL:Ithaca, NY:Cornell University Press。  new window
29.Lynton, Norbert、楊松鋒(2003)。現代藝術的故事。臺北:聯經出版社。  延伸查詢new window
30.潘煊(1999)。種活藝術的種子:朱銘美學觀。臺北:天下遠見。  延伸查詢new window
其他
1.(1997)。國語辭典,http://140.ll 1.34.46/died, 2007/02/12。  new window
2.黃心健(2007)。黃心健,藝術創作,http://art.stotynest,com/_di_main.htm/, 2007/01/31。  延伸查詢new window
3.(2007)。Design Museum,http://www.designmuseum.org/。  new window
4.(2007)。Foster Partner,http://www.fosterandpartners.com/Practice/ Default. aspx, 2007/02/11。  new window
5.(2007)。MoMA The Museum of Modern Art,http://www.moma.org/, 2007/02/11。  new window
6.(2006)。The Gray Circles,http://www.thegraycircle.com/index,html, 2007/02/12。  new window
7.Wilton, D.(2006)。Word Myths,Oxford University Press。,http://www,wordorigins.org/, 2006/07/01。  new window
8.王嘉驥(2005)。自由的幻象:「第 51屆威尼斯雙年展台灣館」策展理念,http://www.tfam,gov.tw/51venice/default:.htm, 2005/06/29。  延伸查詢new window
 
 
 
 
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