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題名:史書之傳播與南宋詠史詩之反饋--以楊萬里、范成大、陸游詩為例
書刊名:中正大學中文學術年刊
作者:張高評 引用關係
作者(外文):Chang, Kao-ping
出版日期:2007
卷期:10
頁次:頁121-150
主題關鍵詞:詠史詩別生眼目南宋三大家反饋資鑑意識Historical poetryYong shi shiSpecial insightThe 3 most famous poets in South Song dynastyFeedbackConsciousness of reflection
原始連結:連回原系統網址new window
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  • 被引用次數被引用次數:期刊(1) 博士論文(0) 專書(0) 專書論文(0)
  • 排除自我引用排除自我引用:1
  • 共同引用共同引用:100
  • 點閱點閱:46
宋代崇儒右文,史學繁榮,雕版流行,陸游、范成大、楊萬里三大家因時乘勢詠史,除傳承六朝以來體制外,又往往藉讀書、讀史以詠史,藉樂府舊題以寫志,藉出使邊塞登臨而懷古;其他,因題畫、緣感興而詠史者亦不少。考三大詩人關切之主題,以六朝隋唐以來歷史之成敗興亡爲核心,旁及人物之臧否,人材之用捨,政俗之諷諭,其要歸於資鑑,與宋代史學之主潮可以相發明。至於三大家之詠史類型,以史爲詠,藉古諷今較多,隱括史傳最少;別生眼目,獨闢谿徑,較有特色。本文援引陸、范、楊三大家50餘首詠史詩爲例證,論述視角轉換、遺妍開發、翻空生奇、微辭嘲弄、歷史論衡五者,爲詠史詩別生眼目之五大途徑。詠史詩之注重史學史識,會通歷史與文學而化成之,自是學人之詩,非詩人之詩,亦由此可見。
The South Song Dynasty emphasizes the composition, and the history is flourishing. An engraving is popular. Under this situation, the 3 most famous poets chants the history. Not only talking about the system of the Six Dynasties, but also express their ambition by study, history. Even use the old name for their aspiration, or rely on a frontier fortress for the thoughts. Furthermore there are some themes about poetry for paintings. The topic of the 3 most famous poets is about the victory and the defeat from the Six Dynasties, Sui and Tang Dynasty. They talk about the people's behavior and their usefulness, the customs and the govertnment's acts. To summarize you can say, that the above-mentioned's our feelings. So far as the species of the 3 most famous poets be concerned, most of their poems are historical poems. The most important character is special insight and they use new methods. This article describes 50 poems of the 3 most famous poets, the ways of historical poetry asks for the transformation of the insight, the development of using better meanings, the appliance of new methods, the use of implicit criticism and history judgment. The Confluence of history and literature of historical poetry use the historical insight. So this can be seen as the Scholarly Poetry and not the Poets' Poetry.
期刊論文
1.吉川幸次郎(1966)。宋人の歷史意識--資治通鑑的意義。東洋史研究,24(4)。  延伸查詢new window
2.雷近芳(1992)。論陸游的史識與史才。史學月刊,1992(4),39-45。  延伸查詢new window
3.顧偉列(1990)。中國古典文學中的尚古意識及其成因。上海教育學院學報,1990(1)。  延伸查詢new window
4.高國杭(1983)。宋代史學及其在中國史學史上的地位。中國歷史文獻研究集刊,4,126-135。  延伸查詢new window
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1.張高評(2002)。《左傳》敘戰與資鑑使命。儒道學術國際研討會。臺北:臺灣師範大學國文系。  延伸查詢new window
2.蔣長棟(1999)。試論誠齋體對南宋詩風轉變的貢獻。第二屆全國楊萬里學術研討會。南昌:江西高校出版社。  延伸查詢new window
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5.陳登原(1973)。歷史之重演。臺北:商務印書館。  延伸查詢new window
6.張瑞君(2002)。楊萬里評傳。南京:南京大學出版社。  延伸查詢new window
7.陳其泰(1999)。史學與中國文化傳統。學苑出版社。  延伸查詢new window
8.張高評(20041100)。自成一家與宋詩宗風:兼論唐宋詩之異同。臺北:萬卷樓圖書股份有限公司。new window  延伸查詢new window
9.陳寅恪(1980)。金明館叢稿。上海:上海古籍出版社。  延伸查詢new window
10.張秀民、韓琦(2006)。中國印刷史。浙江古籍出版社。  延伸查詢new window
11.程千帆(1992)。宋詩精選。南京:江蘇古籍出版社。  延伸查詢new window
12.鄭之洪(1997)。史記文獻研究。成都:巴蜀書社。  延伸查詢new window
13.司馬遷、瀧川資言(1993)。史記會注考證。臺北:天工書局。  延伸查詢new window
14.張高評(1994)。左傳之文韜。高雄:麗文文化事業股份有限公司。  延伸查詢new window
15.張高評(19950900)。宋詩之新變與代雄。臺北:洪葉文化事業有限公司。  延伸查詢new window
16.黃啟方(198510)。兩宋文史論叢。臺北:學海出版社。  延伸查詢new window
17.朱立元(1989)。接受美學。上海:上海人民出版社。  延伸查詢new window
18.張高評(20000000)。會通化成與宋代詩學。臺南:國立成功大學出版組。new window  延伸查詢new window
19.尾崎康、陳捷(1993)。以正史為中心的宋元版本研究。北京:北京大學出版社。  延伸查詢new window
20.肖馳(1986)。中國詩歌美學。北京大學出版社。  延伸查詢new window
21.張高評(1990)。宋詩之傳承與開拓--以翻案詩、禽言詩、詩中有畫為例。臺北:文史哲出版社。  延伸查詢new window
22.王立(1994)。中國古代文學十大主題--原型與流變。文史哲出版社。  延伸查詢new window
23.王岳川、金元浦(1998)。接受反應文論。山東教育出版社。  延伸查詢new window
24.張高評(2000)。王昭君形象之流變與唐宋詩之異同。世變與創化─漢唐、唐宋轉換期之文藝現象。臺北。  延伸查詢new window
25.趙萬里(1998)。兩宋諸史監本存佚考。北京大學百年國學文粹‧史學卷。北京。  延伸查詢new window
26.白壽彝(1999)。司馬遷寓論斷於故事。中國史學史論集。北京。  延伸查詢new window
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28.顧易生(1996)。宋金元文學批評史(上)。宋金元文學批評史(上)。上海。  延伸查詢new window
29.曾祥芹(1992)。古代閱讀論。古代閱讀論。鄭州。  延伸查詢new window
其他
1.(清)徐松(2001)。宋會要輯稿,開封。  延伸查詢new window
2.(宋)江少虞(1982)。皇宋事實類苑,臺北。  延伸查詢new window
3.(西漢)司馬遷。資治通鑑,臺北。  延伸查詢new window
4.陳衍(1999)。石遺室詩話,福州。  延伸查詢new window
 
 
 
 
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