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題名:
Signs of Sensuality and Spirituality: The Poetics of Emotion in Julian of Norwich's Revelations of Divine Love
書刊名:
中山人文學報
作者:
楊明蒼
作者(外文):
Yang, Ming-tsang
出版日期:
2007
卷期:
24
頁次:
頁109-122
主題關鍵詞:
諾維奇的茱莉安
;
愛的啟示
;
感性
;
靈性
;
情感
;
圖像
;
理智
;
記憶
;
情感
;
社群
;
Julian of Norwich
;
Revelations of divine love
;
Sensuality
;
Spirituality
;
Emotion
;
Image
;
Reason
;
Memory
;
Emotional community
原始連結:
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相關次數:
被引用次數:期刊(0) 博士論文(0) 專書(0) 專書論文(0)
排除自我引用:0
共同引用:0
點閱:25
本篇論文旨在檢視情感在諾維奇的朱莉安所著《愛的啟示》中的功能與重要意義,期能見析情感在晚期中世紀文化中的角色,以及朱莉安如何與她所處的情感社群斡旋。朱莉安寫作描繪的圖像般細節是感性也是靈性的表記,同時訴諸感官與理智,引動立即的情感能量與長久的思維養料。她的敘述因此是兼具記憶與詮釋的演練,透過認知的探索將情感文本化,也藉由難以忘卻的圖像將文本情感化。另一方面,朱莉安也將思憶耶穌受難情景的主導情感(如悲傷與痛苦)轉化為積極促動的歡樂與福佑。在她獨特的情感詩學裡,感性的表記並不需要揚棄,而是與靈性的表記形成激越活力的連續體,為她自己也為所有人帶進情感的復興以及智性的啟迪。
以文找文
This paper examines the function and significance of emotion in Julian of Norwich's Revelations of Divine Love, so as to gain better insight into the role of emotion in late medieval culture and Julian's negotiation with her ”emotional Communities.” The provocative images she delineates in her writings are at once signs of sensuality and signs of spirituality that appeal to both the senses and the intellect, triggering immediate affective possibilities and offering wholesome food for thought. As a result, her narrative is an exercise of memory and interpretation that simultaneously textualizes her emotion through cognitive exploration and emotionalizes her text through memorable images. On the other hand, Julian transforms dominant emotional expressions in the crucifixion drama (such as grief and pain) into those of joy and bliss and thus resorts to emotion's compelling power to create and elevate. In her unique poetics of emotion, therefore, signs of sensuality are not invoked only to be transcended but rather to form an invigorating continuum with signs of spirituality, an integration allowing both emotional regeneration and intellective edification for both herself and all humanity.
以文找文
期刊論文
1.
Coiner, Nancy(1993)。The "Homely" and the Heimliche: The Hidden, Doubled Self in Julian of Norwich’s Showings。Exemplaria,5,305-323。
2.
Garrett, Catherine(2001)。Weal and Woe: Suffering, Sociology, and the Emotions of Julian of Norwich。Pastoral Psychology,49,187-203。
3.
Hilles, Carroll(1998)。Sacred Image and the Healing Touch: The Veronica in Julian of Norwich’s Revelation of Love。Journal of Medieval and Early Modern Studies,28,553-580。
4.
Watson, Nicholas(1993)。The Composition of Julian of Norwich’s Revelation of Love。Speculum,68,637-683。
5.
Wright, R. E.(1987)。The Boke Performyd: Affective Technique and Reader Response in the Showings of Julian of Norwich。Christianity and Literature,36,13-32。
圖書
1.
Aers, David、Staley, Lynn(1996)。The Powers of the Holy: Religion, Politics, and Gender in Late Medieval English Culture。University Park:Pennsylvania State UP。
2.
Aston, Margaret(1988)。England's Iconoclasts I: Laws against Images。Oxford:Clarendon。
3.
Baker, Denise Nowakowski(1994)。Julian of Norwich’s Showings: From Vision to Book。Princeton:Princeton UP。
4.
Bynum, Caroline Walker(1987)。Holy Feast and Holy Fast。Berkeley:U of California P。
5.
Carruthers, Mary(1990)。The Book of Memory: A Study of Memory in Medieval Culture。Cambridge:Cambridge UP。
6.
Colledge, Edmund、Walsh, James(1978)。A Book of Showings to the Anchoress Julian of Norwich。Toronto:Pontifical Institute of Medieval Studies。
7.
Crawford, June(1992)。Emotion and Gender: Constructing Meaning from Memory。London:Sage。
8.
Despres, D.(1989)。Ghostly Sights: Visual Meditation in Late-Medieval Literature。Norman:Pilgrim。
9.
Freedberg, David(1989)。The Power of Images: Studies in the History and Theory of Response。Chicago:University of Chicago Press。
10.
Gibson, Gail McMurray(1989)。The Theater of Devotion: East Anglian Drama and Society in the Late Middle Ages。Chicago:U of Chicago P。
11.
Hilton, Walter、Bestul, T.(2000)。The Scale of Perfection。Kalamazoo:Medieval Institute Publications。
12.
Jantzen, Grace M.(1995)。Power, Gender and Christian Mysticism。Cambridge:Cambridge University Press。
13.
Leupin, Alexandre、Laatsch, D.(2003)。Fiction and Incarnation: Rhetoric, Theology, and Literature in the Middle Ages。Minneapolis:U of Minnesota P。
14.
Magill, K. J.(2006)。Julian of Norwich: Mystic or Visionary?。London:Routledge。
15.
McAvoy, Liz Herbert(2004)。Authority and the Female Body in the Writings of Julian of Norwich and Margery Kempe。Cambridge:D. S. Brewer。
16.
Mellor, P. A.、Shilling, C.(1997)。Re-Forming the Body: Religion, Community and Modernity。London:Sage。
17.
Plato、Lee, Desmond(1987)。The Republic。Harmondsworth:Penguin。
18.
Caplan, Harry、Cicero, Marcus T.(1954)。Rhetorica Ad Herennium。Cambridge, Mass:Harvard UP。
19.
Rosenwein, Barbara H.(2006)。Emotional Communities in the Early Middle Ages。Ithaca:Cornell UP。
20.
Warren, Ann(1985)。Anchorites and Their Patrons in Medieval England。Berkeley:U of California P。
21.
Williams, Simon(2001)。Emotion and Social Theory: Corporeal Reflections on the (Ir)Rational。London:Sage。
22.
Bynum, Caroline Walker(1991)。Fragmentation and Redemption: Essays on Gender and the Human Body in Medieval Religion。New York:Zone Books。
23.
Arnhein, Rudolf(1954)。Art and Visual Perception: A Psychology of the Creative Eye。University of California Press。
圖書論文
1.
Beadle, Richard(1997)。Devout ymaginacioun’ and the Dramatic Sense in Love's Mirror and the N-Town Plays。Nicholas Love at Waseda。Cambridge:D. S. Brewer。
2.
Hagen, S. K.(2004)。The Visual Theology of Julian of Norwich。Medieval Memory: Image and Text。Turnhout:Brepols。
3.
Riddy, Felicity(1993)。Women talking about the things of God: a late medieval sub-culture。Women and Literature in Britain: 1150-1500。Cambridge:Cambridge UP。
4.
Spearing, A. C.(1998)。[Revelations of Divine Love] Introduction。Revelations of Divine Love。London:Penguin。
5.
Stanbury, Sarah(2000)。Visualizing。A Companion to Chaucer。Oxford:Blackwell。
6.
Stanbury, Sarah(2002)。The Vivacity of Images: St. Katherine, Knighton’s Lollards, and the Breaking of Idols。Images, Idolatry, and Iconoclasm in Late Medieval England。Oxford:Oxford UP。
7.
Watson, Nicholas(1992)。The Trinitarian hermeneutic in Julian of Norwich’s Revelation of Love。The Medieval Mystical Tradition in England。Cambridge:D. S. Brewer。
8.
Watson, Nicholas(2002)。Et que est huius ydoli materia? Tuipse’: Idols and Images in Walter Hilton。Images, Idolatry, and Iconoclasm in Late Medieval England。Oxford:Oxford UP。
9.
West, W. N.(2003)。No Endlesse Moniment: Artificial Memory and Memorial Artifact in Early Modern England。Regimes of Memory。London:Routledge。
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