| 期刊論文| 1. | 劉永晧、詹京霖、張雅鈞(20070300)。某種不確定的幸福--訪蔡明亮。電影欣賞，25(2)=130，54-63。 延伸查詢 | | 2. | 許甄倚(20070600)。Re-enchanting the Everyday Banal in the Age of Globalization : Alienation, Desire, and Critique of Capitalist Temporality in Tsai Ming-Liang's The Hole and What Time is it There?。NTU Studies in Language and Literature，17，133-157。  | | 3. | Kraicer, Shelly(2000)。Interview with Tsai Ming-liang。Positions: East Asia Cultures Critique，8(2)，579-588。 | | 4. | Wang, Shu-Jen、Fujiwara, Chris(2006)。My Films Reflect Living Situation: an Interview with Tsai Ming-liang on Film Spaces, Audiences, and Distribution。Positions，14(1)，219-242。 | | 5. | Rapfogel, Jared(2004)。Taiwan's Poet of Solitude: an Interview with Tsai Ming-liang。Cineaste: America’s Leading Magazine on the Art and Politics of the Cinema，26-29。 | | 6. | Lee, Vivian(2007)。Pornography, musical, drag, and the art film: performing 'queer' in Tsai Ming-liang's The Wayward Cloud。Journal of Chinese Cinema，1(2)，117-137。 | | 7. | Kauffmann, Stanley(2007)。Disire and Deceit。The New Republic，33。 | | 8. | Bao, Wei-Hong(2007)。Biomechanics of love: reinventing the avant-garde in Tsai Ming-liang's wayward 'pornographic musical'。Journal of Chinese Cinema，1(2)，139-160。 | 其他| 1. | Scott, A. O.(2007)。A Tale of Love, Drought and Desperation。 | | 2. | 路永平(2007)。少了肉欲 難體會色，戒，臺北。 延伸查詢 | | 3. | 陳寶旭(1997)。《河流》痛揭現代人的傷疤─蔡明亮訪問稿，臺北。 延伸查詢 | |