貝德羅．阿莫多瓦(Pedro Almodóvar，1947)是西班牙歷經佛朗哥近乎四十年的獨裁統治後，當今西國民主世紀的文化象徵。某些文評家確信由於阿莫多瓦大量運用混雜的技巧，使得阿莫多瓦被稱為後現代電影導演。《悄悄告訴她》(Hable con ella，2002)是一部後現代電影，阿莫多瓦在其作品中結合與並列敘事與藝術的元素，藉以銳利批判符號制度的狹隘限制。影片中的三項藝術元素，例如：舞蹈、歌曲、默片時而介入，時而與作品的敘事部份交互影響，毫無疑問地，他們與電影的主題息息相關－－也就是身體、無法溝通與表演。本論文旨在分析該影片中所呈現的身體影像與再現，也將探討身體語言如何顛覆口說語言的優勢，又溝通的真諦如何變成逃脫的慾望。另外，我們也將解讀阿莫多瓦如何運用他個人獨特的後現代表演理念來呈現《悄悄告訴她》的主題。

Pedro Almodóvar (1947-) is the cultural symbol of the restoration of democracy is Spain after nearly 40 years of Franco's dictatorship. Certain critics affirm than it is the use of hybridity that classifies Pedro Almodóvar as a postmodern film aker. Hable con ella (2002) is a postmodern film in which Almodóvar incorporates and juxtaposes narrative and artistic elements to present an acute critique of the restrictive boundaries of sign systems. It is the three artistic sequences such as the dance, the song, and the silent film that intervene or interact with the narration of the work; and, undoubtedly, they are closely related to the different themes of the film, which include the body, incommunication, and performance. The present essay aims to analyze the corporal images and representations, and to explore how the priority of spoken language over body language will be inverted and how the meaning of communication will become an elusive desire. Furthermore, we will study how Almodóvar maintains his postmodern concept of performance relating to the themes of Hable con ella.