Before the approaching of the ideas of ”globalization,” André Malraux, the first Minister of Cultural Affairs in France, had already delivered the ideals of ”globalization”. Malraux's early experience in Asia has made him focus on the military invasion and its severe destruction to the traditional legacy and faith, the mutual seduction and declination of the respective East and West. However, what Malraux intends to investigate in his novels, journals, or artistic reviews, is all about the same issue: fated lot and anti-fated destiny which both regard action and creation as the personal strength and pathway to promote the individuals. What Malraux tries to convey in La condition humaine, one of his most noted novels associated with Asia, is not about a Chinese story happening in China, but about a group of people with their respective value and representation living and devoting in a Chinese-oriented phenomenon and revolution in order to extricate themselves from the fated limitation and isolation of human beings. These people confront death courageously to expel the fated lot; they lead a real life with illusion which leads to metaphysical height with no concrete vision; they somewhat return to their ordinary routine to demonstrate the living details and once more to reveal the profound mystery of life beyond description. Like what he has successfully achieved in other masterpieces, what Malraux talks about in Le Musée imaginaire is the undergoing suffering and resistance which consequently displays the grandeur sustained within the human being without knowing it. These anti-fated people listen to the sound and fury of the defeated destiny and its possible attack in retaliation, their aggressive language of reticence would eulogize the harshness and omnipresence of the everlasting legend which human beings counter the worldly chaos and conquer the fated death with love and dignity.