意象之組合方式，已有多人作過有益之探討，其中以趙山林《詩詞曲藝術論》所舉最為多樣，而受到重視。前此，即曾以他所舉十種方式為範圍，分別用層次邏輯所形成之章法結構切入，作一觀察，以見其深層因素和邏輯。而本文則進一步在相關理論之基礎上，特就「籠統與具體」、「部分與完整」、「互補與融合」三方面加以綜合探討，以見意象組合與章法結構不可分之關係。

There are numerous studies on the combination of images. The Artistic Theory of Poetry, authored by Zhao Shanlin, is one of the most important literatures thanks to its diversity of materials. Based on the ten approaches proposed by Zhao, I had discussed the organization of writing constructed by layer logic, and specially put emphasis on two patterns: “continuation” and “progression”. This article further explores the theoretical basis in three aspects; namely, “the generic and the specific”, “portion and completeness” and “complement and integration”.