「新音樂學」的價值觀轉向--由「目標導向」到「非目標導向」_

:::

詳目顯示

第 1 筆 / 總合 1 筆

/1頁

來源文獻資料
摘要
外文摘要
引文資料

題名：	「新音樂學」的價值觀轉向--由「目標導向」到「非目標導向」
書刊名：	中央大學人文學報
作者：	王育雯
作者(外文)：	Wang, Yuh-wen
出版日期：	2009
卷期：	38
頁次：	頁123-162
主題關鍵詞：	新音樂學；目標導向；音樂審美；克雷莫；蘇巴妮可；麥克拉蕊；New musicology；Goal-orientation；Teleology；Music aesthetics；Lawrence Kramer；Rose Rosengaard Subotnik；Susan McClary
原始連結：	連回原系統網址
相關次數：	被引用次數:期刊(1) 博士論文(0) 專書(0) 專書論文(0) 排除自我引用:0 共同引用:0 點閱:217

自1980年代起出現了所謂「新音樂學」的研究，藉由社會學、女性主義、文化研究、文學批評等等領域發展出的思想與研究成果，提出對音樂的不同詮釋，形成了新的研究風潮。一般以為他們與過去研究的不同，主要在於其跨領域的研究方法，或是在他們對「自律／他律」審美觀的不同立場。本文則指出，新音樂學與先前音樂分析詮釋的不同處，不僅僅是在研究方法上的差異，同時也是對音樂的觀點與價值觀的歧異。這種歧異可以由她們以及上一輩音樂學者各自為蕭邦的〈A小調前奏曲〉所提出的闡釋、分析方式中看出來。其中牽涉了不同的欣賞觀點，以及將相同的樂音過程認知為迥然不同的特質。本文除指出這些差異外，並將指出，「新」、「舊」音樂學除了在方法上，以及「自律／他律」、「統一性」等審美觀的不同立場外，在這首樂曲的詮釋中，特別可以看到他們對「目標導向」此一樂音特質的不同價值觀。

以文找文

It is often assumed that studies of the so-called New Musicology, which started around 1980s, differ from older musical studies mainly in their cross-disciplinary methodologies, with import of those developed in literary criticism, cultural studies, feminist or gender studies, etc., or in their attitudes toward musical autonomy. This essay indicates that, in addition to the difference in methodology, new musicology differs from the “old” studies in terms of musical interpretation in their respective perspectives and values as well. Taking Chopin’s Prelude in A Minor as the primary focus, this study compares and analyzes the explanations and interpretations offered by some representative new musicologists with those by scholars of the older generations. As a result, the difference is found primarily in their respective attitudes toward goal-orientedness in the music.

以文找文

期刊論文
1.	Korsyn, Kevin(1993)。Brahms Research and Aesthetic Ideology。Music Analysis，12(1)，89-103。
2.	Morgan, Robert P.(2003)。The Concept of Unity and Musical Analysis。Music Analysis，22(1/2)，7-50。
3.	Street, Alan(1989)。Superior Myths, Dogmatic Allegories: the Resistance to Musical Unity。Music Analysis，8(1/2)，77-123。
4.	Agawu, Kofi(1997)。Analyzing Music Under the New Musicological Regime。Journal of Musicology，15(3)，297-307。
5.	Bujic, Bojan(1997)。Delicate Metaphors。Musical Times，138(1352)，16-22。
6.	Brown, Matthew(1997)。'Adrift on Neurath's Boat': The Case for a Naturalized Music Theory。Journal of Musicology，15(3)，330-342。
7.	Burnham, Scott(1997)。Theorists and 'the Music Itself'。Journal of Musicology，15(3)，316-329。
8.	Cone, Edward(1995)。Review of Edward Rothstein's Emblems of Mind: The Inner Life of Music and Mathematics。The Yale Review，83(4)，121-134。
9.	Dunsby, Jonathan(1995)。'A Slight Oversimplification': An Interview with Arnold Whittall。Music Analysis，14(2)/14(3)，131-139。
10.	Edwards, George(1991)。Music and Postmodernism。Partisan Review，58(4)，693-706。
11.	Guck, Marion A.(1994)。Analytical Fictions。Music Theory Spectrum，16(2)，211-289。
12.	Guck, Marion A.(1979)。Musical Images as Musical Thoughts: The Contribution of Metaphor to Analysis。In Theory Only，5，23-46。
13.	Leikin, Anatole(1997)。Chopin's A-Minor Prelude and its Symbolic Language。International Journal of Musicology，6，149-162。
14.	Maus, Fred Everett(1988)。Music as Drama。Music Theory Spectrum，10，56-73。
15.	Maus, Fred Everett(1991)。Music as Narrative。Indiana Theory Review，12(1)/12(2)，1-24。
16.	McCreless, Patrick(1997)。Contemporary Music Theory and the New Musicology: An Introduction。Journal of Musicology，15(3)，291-296。
17.	Meyer, Leonard B.(1991)。A Pride of Prejudices; Or, Delight in Diversity。Music Theory Spectrum，13(2)，241-251。
18.	Miles, Stephen(1995)。Critics of Disenchantment。Notes，52(1)，11-38。
19.	Rogers, Michael(1981)。Chopin, Prelude in A Minor, Op. 28, No. 2。19th-Century Music，4，245-250。
20.	Rosand, Ellen(1995)。The Musicology of the Present。American Musicological Society Newsletter，25，10-15。
21.	Stock, Jonathan(1998)。New Musicologies, Old Musicologies: Ethnomusicology and the study of Western Music。Current Musicology，62，40-68。
22.	Solie, Ruth A.(1991)。What do Feminists Want? A Reply to Pieter van den Toorn。Journal of Musicology，9(4)，399-410。

學位論文
1.	Schenker, Heinrich(1973)。Thirteen Essays from the Three Yearbook, Das Meisterwerk in der Musik by Heinrich Schenker: An Annotated Translation。
2.	王育雯(1998)。Value Judgment and Musical Explanation: Their Roles in Selected Writings of Edward T. Cone(博士論文)。Columbia University，Ann Arbor, MI。

圖書
1.	McClary, Susan(1991)。Feminine Endings: Music, Gender, and Sexuality。Feminine Endings: Music, Gender, and Sexuality。Minnesota。
2.	Cone, Edward, T.(1974)。The Composer's Voice。Los Angeles：U of California P。
3.	Treitler, Leo.(1993)。Gender and Other Dualities of Music History。Musicology and Difference: Gender and Sexuality in Music Scholarship。Berkeley：University of California Press。
4.	Samson, Jim.(1985)。The Music of Chopin。London：Oxford University Press。
5.	Citron, Marcia J.(1993)。Gender and the Musical Canon。Cambridge：Cambridge University Press。
6.	卲式柏(1991)。Music as Social Text。Music as Social Text。Cambridge。
7.	Abbate, Carolyn(1991)。Unsung Voices: Opera and Musical Narrative in the Nineteenth Century。Princeton。
8.	Tomlinson, Gray(1993)。Music in Renaissance Magic: Toward a Historiography of Others。Chicago/London。
9.	Tarasti, Eero(1994)。A Theory of Musical Semiotics。
10.	Kramer, Lawrence(1990)。Music as Cultural Practice 1800-1900。Berkeley, Los Angeles, Oxford。
11.	Schenker, Heinrich(1979)。Free Composition。London：Longmans。
12.	Meyer, Leonard B.(1967)。Music, the Arts, and Ideas: Patterns and Predictions in Twentieth-Century Culture。Chicago：University of Chicago Press。
13.	Meyer, Leonard B.(1956)。Emotion and Meaning in Music。Chicago。
14.	Shepherd, John(1993)。Difference and power in Music。Musicology and Difference。Berkley, Los Angeles, London。
15.	McClary, Susan(1985)。The Politics of Silence and Sound。Noise: The Political Economy of Music。Brian Massumi, Minneapolis。
16.	Agawu, Victor Kofi(1991)。Playing with Signs: A Semiotic Interpretation of Classic Music。Princeton：Princeton University Press。
17.	Cone, Edward(1968)。Musical Form and Musical Performance。New York：W. W. Norton。
18.	Cone, Edward(1989)。Music: A View from Delft: Selected Essays。Chicago：University of Chicago Press.。
19.	Eigeldinger, Jean-Jacques(1988)。Twenty-Four Preludes, Op. 28: Genre, Structure, Significance。Chopin Studies。Cambridge。
20.	Gide, André(1973)。Notes on Chopin。Frédéric Chopin: Preludes, Opus 28: An Authoritative Score, Historical Background, Analysis-Views and Comments。New York。
21.	Hatten, Robert(1994)。Musical Meaning in Beethoven: Markedness, Correlation, and Interpretation。Musical Meaning in Beethoven: Markedness, Correlation, and Interpretation。Bloomington。
22.	Huneker, James(1923)。Chopin。Chopin。New York。
23.	Johnson, George Charles Ashton(1908)。A Handbook to Chopin's Works。A Handbook to Chopin's Works。London。
24.	Johnson, Julian(2002)。Who Needs Classical Music? Cultural Choice and Musical Value。New York：Oxford University Press。
25.	Kleczynsky, Jean(1922)。Chopin's Greater Works。Chopin's Greater Works。London。
26.	Kramer, Lawrence(1993)。Carnaval, Cross-Dressing, and the Woman in the Mirror。Musicology and Difference: Gender and Sexuality in Music Scholarship。Berkeley。
27.	Kramer, Lawrence(1995)。Classical Music and Postmodern Knowledge。Classical Music and Postmodern Knowledge。Berkeley。
28.	Kramer, Lawrence(1997)。After the Lovedeath: Sexual violence and the Making of Culture。After the Lovedeath: Sexual violence and the Making of Culture。Berkeley。
29.	McClary, Susan(1993)。Narrative Agendas in 'Absolute' Music: Identity and Difference in Brahms's Third Symphony。Musicology and Difference: Gender and Sexuality in Music Scholarship。Berkeley。
30.	McClary, Susan(2000)。Conventional Wisdom: The Content of Musical Form。Berkeley：University of California Press。
31.	Meyer, Leonard B.(2000)。Spheres of Music: A Gathering of Essays。Spheres of Music: A Gathering of Essays。Chicago。
32.	Rothstein, Edward(1994)。Emblems of Mind: The Inner Life of Music and Mathematics。Emblems of Mind: The Inner Life of Music and Mathematics。New York。
33.	Savage, Roger W. H.(2005)。Hermeneutics, Adorno, and the New Musicology。Perspectives in Systematic Musicology。Los Angeles。
34.	Heinrich, Schenker(1954)。Harmony。Harmony。Chicago。
35.	Shepherd, John(1987)。Music and Male Hegemony。Music and Society: The Politics of Composition, Performance and Reception。Cambridge。
36.	Wicke, Peter(1990)。Rock Music: Culture, Aesthetics, and Sociology。Rock Music: Culture, Aesthetics, and Sociology。Cambridge。
37.	Van den Toorn, Pieter C.(1998)。Music, Politics and the Academy。Music, Politics and the Academy。Berkeley。
38.	Tarasti, Eero、Forsell, Paul、Littlefield, Richard(1996)。Musical Semiotics in Growth。Musical Semiotics in Growth。Bloomington。
39.	Tarasti, Eero(1979)。Myth and Music: A Semiotic Approach to the Aesthetics of Myth in Music, Especially that of Wagner, Sibelius and Stravinsky。Myth and Music: A Semiotic Approach to the Aesthetics of Myth in Music, Especially that of Wagner, Sibelius and Stravinsky。The Hague。
40.	Subotnik, Rose Rosengard(1996)。Deconstructive Variations: Music and Reason in Western Society。Minneapolis：University of Minnesota Press。
41.	Subotnik, Rose Rosengard(1991)。Developing Variations: Style and Ideology in Western Music。Developing Variations: Style and Ideology in Western Music。Minneapolis。
42.	Solie, Ruth A.(1993)。Musicology and Difference: Gender and Sexuality in Music Scholarship。Musicology and Difference: Gender and Sexuality in Music Scholarship。Berkeley。
43.	Solie, Ruth A.(1992)。Sophie Drinker's History。Disciplining Music: Musicology and Its Canons。Chicago。
44.	Snarrenberg, Robert(1994)。Competing Myths: the American Abandonment of Schenker's Organicism。Theory Analysis and Meaning in Music。Cambridge。
45.	Shepherd, John、Wicke, Peter(1997)。Music and Culture Theory。Music and Culture Theory。Cambridge。

其他
1.	Hyer, Brian。Toanlity。
2.	Ringer, Alexander L.。Melody。

推文
推薦
引用網址
引用嵌入語法
轉寄

top

:::

相關期刊
相關論文
相關專書
相關著作
熱門點閱

1.	音樂時間與文化異質性 : 以1930年代前後《雪梅思君》的不同錄音為例

無相關博士論文

無相關書籍

無相關著作

1.	西洋音樂美學發展之辯證
2.	論20-30年代德國爵士樂--以阿多諾〈論爵士樂〉及柯特．懷爾與布萊希特的史詩歌劇為例
3.	Writing Music History in Austria and in Taiwan: Some Preliminary Observations
4.	以榮格學說探究個體心理功能與多元主體性：解構藝術創作者

QR Code

臺灣人文及社會科學引文索引資料庫系統

詳目顯示

臺灣人文及社會科學引文索引資料庫