There has been an increase of the diversities of printmaking creation as time progresses: from the invention of Xilography in the 8(superscript th) century, the development of Intaglio Printing hundreds of years later, the birth of Lithography during 1798 in Germany, to the fast development of Serigraphy and wide application in printmaking creation in the 20th century. Since the earliest records of human civilization, the constant improvements of printmaking art has depended on printmaking artists' improvements of creation concepts. Undoubtedly, the injection of new techniques means new power, which provides printmaking learners and creators more ways of applying materials and diversified thinking styles. Therefore, the creation of new techniques is the result of researchers' hard work and time. The researcher started the study and creation of ceramic printing, screen printing, glaze material printing and sintering since 2006, aiming to search for more solid and sustainable vehicles for printmaking art printing materials. Furthermore, another feature of block print creation is the glamorous colors produced by overprinting. Glaze material produces beautiful colors and presents diversified visual effects after the process of sintering under different temperatures within the kilns for a long period of time. Based on the above mentioned reasons, the main creation method during this stage is the ”Ceramic Screen Printing Creation Technique”. This paper only focuses on the current research and creation of researcher, briefly discusses the following units: The Aesthetic of the Style of Creation Concepts, Signs and Symbols as well as The Commitment of Mind and creates 2 different series of works: The Scenery of Mountain Cities and The Vision of Mind.