臺灣人文及社會科學引文索引資料庫系統

:::

詳目顯示

回上一頁
第 1 筆 / 總合 1 筆   第一頁 上一頁 下一頁 最後一頁
/1頁
題名：身體．歷史．性別．權力：舞蹈劇場與臺灣社會, 1980s~1990s
書刊名：民俗曲藝
作者：陳雅萍
作者(外文)：Chen, Ya-ping
出版日期：2008
卷期：161
頁次：頁39-81
主題關鍵詞：舞蹈劇場；臺灣當代舞蹈；身體論述；主體性；性別議題；Dance theatre；Taiwanese contemporary dance；Body discourse；Subjectivity；Gender
原始連結：連回原系統網址new window
相關次數：
  • 被引用次數被引用次數:期刊(1) 博士論文(0) 專書(0) 專書論文(2)
  • 排除自我引用排除自我引用:1
  • 共同引用共同引用:164
  • 點閱點閱:74
身體是舞蹈最核心的媒介。在傳統的舞蹈論述中，身體往往被視為是本質、先天、普同的存在，一個藉以探索及表達靈魂內在奧秘的最佳工具。然而，以德國編舞家碧娜•鮑許(Pina Bausch)為代表的舞蹈劇場卻以其特殊的劇場美學與表演策略，論述身體的「非自然」本質，以及其所再現的受社會、文化、人我關係形塑的人之主體(the human subject)。一九八○年代，舞蹈劇場的概念風格傳入臺灣，與當時正處於劇烈轉變的臺灣社會產生深刻互動，不僅提供舞蹈創作者與當下之政治、社會議題對話的方法，也突顯身體在威權/父權共構的體制中被模塑、制約、馴化的過程，以及做為權力抗爭與顛覆的可能場域。本文將從西方當代舞蹈的身體論述切入，繼而闡述鮑許的舞蹈劇場承襲歐洲二次大戰後的後結構主義思潮，其中的主體概念以及相應而生的身體觀，並指出舞蹈劇場與早期現代舞在這二項關鍵性議題上迥異的思考與作法。接下來將論述舞蹈劇場對臺灣當代舞蹈的啟發，並以林懷民一九八○年代的創作和陶馥蘭、蕭渥廷的作品為例，探討舞蹈劇場的美學與表演策略和臺灣在地的社會、歷史與權力意識進行結合或對話的多樣面貌。最後，將以臺灣舞蹈劇場破解國族主體與性別窠臼的在地展現作為論述的總結。
The body is the primary medium of dance. In conventional dance discourses, it is often regarded as an essential, pre-discursive and universal existence, a neutral instrument for exploring and expressing the innermost mystery of the human soul. However, German choreographer Pina Bausch’s dance theatre, by means of its unique theatre aesthetics and performance strategy, narrates a discourse about the "unnatural" nature of the body and the construction of human subjectivity through social, cultural and inter-personal relationships. In the 1980s, the concept and style of Bausch’s dance theatre were brought into Taiwan and engaged in a rich dialogue with the drastically transforming Taiwan society. It not only provided Taiwanese dance creators with an effective means to interact with current socio-political issues, but also presented the body as a site of power struggle and possible subversion. This essay begins with a narration of the discourses in Western contemporary dance on the body and compares them to Bausch’s dance theatre, which resonates with the poststructuralist delineations of the human subject and their corresponding body discourses. Against this aesthetic and philosophical background, the essay then discusses how dance theatre inspired the Taiwanese dance scene in the 1980s and 1990s, with examples of choreographies by Lin Hwai-min, Tao Fu-lann and Hsiao Wo-ting. It explores the many manifestations of dance theatre’s integration and interaction with local history, socio-political issues, and the awareness of unbalanced power structure in Taiwan. In conclusion, the essay addresses how Taiwanese dance theatre deconstructed the official nationalist subjectivity and challenged gender stereotypes, thus confronting the dual structure of autocracy/patriarchy ruling the Taiwan society at the time.
期刊論文
1.朱恩伶(1987)。跳出臺灣女性的新經驗－專訪陶馥蘭。婦女新知，65，1-4。  延伸查詢new window
2.陳雅萍(2007)。空氣中，異質元素的濃密對話：評勅使川原三郎&渡烏舞團《人體書頁》。表演藝術，175，62-62。  延伸查詢new window
3.史晶晶(1987)。評陶馥蘭聯展－白日夢連作。婦女新知，65，5-6。  延伸查詢new window
4.Manning, Susan、Benson, Melissa(1985)。Interrupted Continuities/Modern Dance in Germany。The Drama Review，30(2)，30-45。  new window
5.史晶晶(1987)。評陶馥蘭聯展─白日夢連作。婦女新知，65，5-6。  延伸查詢new window
6.陳雅萍(2007)。空氣中，異質元素的濃密對話：評勅使川原三郎&渡烏舞團《人體書頁》。表演藝術，175，62。  延伸查詢new window
7.Manning, Susan、Benson, Melissa(1986)。Interrupted Continuities: Modern Dance in Germany。The Drama Review，30(2)，30-45。  new window
圖書
1.Freud, Sigmund(1962)。Three Essays on the Theory of Sexuality。New York：Avon。  new window
2.Manning, Susan(1993)。Ecstasy and the Demon: Feminism and Nationalism in the Dances of Mary Wigman。Berkeley：University of California Press。  new window
3.Ragland-Sullivan, Ellie(1986)。Jacques Lacan and the Philosophy of Psychoanalysis。Croom Helm。  new window
4.Lacan, Jacques(1977)。Écrits: A Selection。New York, NY：Tavistock Publications。  new window
5.Freud, Sigmund(1962)。Three Essays on the Theory of Sexuality。New York。  new window
6.楊澤(1999)。狂飆八○--記錄一個集體發聲的年代。臺北：時報文化。  延伸查詢new window
7.Foucault, Michel、Sheridan, Alan(1995)。Discipline & Punish: The Birth of the Prison。New York：Vintage Books。  new window
8.Lacan, Jacques、Sheridan, Alan(1997)。Ecrits: A Selection。New York：W. W. Norton。  new window
9.Foucault, M.、Sheridan, Alan(1995)。Discipline and Punish: The Birth of the Prison。New York：Vintage Books。  new window
10.Best, Steven、Kellner, Douglas、朱元鴻、馬彥彬、方孝鼎、張崇熙、李世明(1994)。後現代理論：批判的質疑。臺北：巨流。  延伸查詢new window
11.楊澤(1999)。狂飆八〇：記錄一個集體發聲的年代。臺北：時報文化出版企業股份有限公司。  延伸查詢new window
12.楊翠(19930000)。日據時期臺灣婦女解放運動：以《臺灣民報》為分析場域（1920-1932）。臺北：時報。new window  延伸查詢new window
13.Călinescu, Matei(1987)。Five Faces of Modernity: Modernism, Avant-garde, Decadence, Kitsch, Postmodernism。Durham, NC：Duke University Press。  new window
14.Graham, Martha(1991)。Blood Memory。New York：Doubleday。  new window
15.Foucault, Michel、Hurley, Robert(1990)。The History of Sexuality, Vol. 1: An Introduction。Vintage。  new window
16.Butler, Judith P.(1990)。Gender Trouble: Feminism and the Subversion of Identity。Routledge。  new window
17.王墨林(1990)。都市劇場與身體。臺北：稻香。  延伸查詢new window
18.Foucault, Michel、Bouchard, Donald F.、Simon, Sherry(1977)。"What is an Author?", Language, Counter-Memory, Practice: Selected Essays and Interviews。Cornell：Cornell University Press。  new window
19.楊逵、張恆豪(1991)。楊逵集。臺北：前衛。  延伸查詢new window
20.Foucault, Michel(1990)。The History of Sexuality: An Introduction, Vol. 1。The History of Sexuality: An Introduction, Vol. 1。New York, NY。  new window
21.Wigman, Mary(1966)。The Language of Dance。The Language of Dance。Middletown, CT。  new window
22.Engels, Friedrich、Marx, Karl(1961)。The Communist Manifesto。Essential Works of Marxism。New York, NY。  new window
23.Martin, John(1965)。The Modern Dance。The Modern Dance。New York, NY。  new window
24.Banes, Sally(1987)。Terpsichore in Sneakers。Terpsichore in Sneakers。Hanover, NH。  new window
25.笛卡兒(1984)。方法導論．沉思錄．哲學原理。方法導論．沉思錄．哲學原理。臺北。  延伸查詢new window
26.史密特(2007)。碧娜．鮑許：舞蹈 劇場 新美學。碧娜．鮑許：舞蹈 劇場 新美學。臺北市。  延伸查詢new window
27.陳雅萍(2004)。傳奇：林懷民經典舞作。傳奇：林懷民經典舞作。臺北。  延伸查詢new window
28.陳雅萍(2007)。「身體」成為議題：臺灣的舞蹈劇場風潮，1980s-1990s。碧娜．鮑許：為世界起舞。臺北。  延伸查詢new window
29.Kozel, Susan(1997)。The Story Is Told as a History of the Body': Strategies of Mimesis in the Work of Irigaray and Bausch。Meaning in Motion: New Cultural Studies of Dance。Durham, NC。  new window
30.Fernandes, Ciane(2001)。Pina Bausch and the Wuppertal Dance Theatre: The Aesthetics of Repetition and Transformation。Pina Bausch and the Wuppertal Dance Theatre: The Aesthetics of Repetition and Transformation。New York, NY。  new window
31.Benson, Melissa、Manning, Susan(1993)。Ecstasy and Demon: Feminism and Nationalism in the Dances of Mary Wigman。Ecstasy and Demon: Feminism and Nationalism in the Dances of Mary Wigman。Berkeley, CA。  new window
32.陶馥蘭(1994)。舞書：陶馥蘭話舞。舞書：陶馥蘭話舞。臺北。  延伸查詢new window
33.王墨林(1990)。城市劇場與身體。城市劇場與身體。臺北縣板橋市。  延伸查詢new window
34.Banes, Sally(1987)。Terpsichore in Sneakers: Post-Modern Dance。Terpsichore in Sneakers: Post-Modern Dance。New Hampshire。  new window
35.陳雅萍(2004)。雲門‧傳奇：林懷民經典舞作。雲門‧傳奇：林懷民經典舞作。臺北。  延伸查詢new window
36.陳雅萍(2007)。「身體」成為議題：臺灣的舞蹈劇場風潮，1980s-1990s。碧娜．鮑許：為世界起舞。臺北。  延伸查詢new window
37.史密特(2007)。碧娜．鮑許：舞蹈．劇場．新美學。碧娜．鮑許：舞蹈．劇場．新美學。臺北。  延伸查詢new window
38.陶馥蘭(1994)。一記輕觸也是舞。舞書：陶馥蘭話舞。臺北。  延伸查詢new window
39.楊逵(1991)。楊逵集。楊逵集。臺北。  延伸查詢new window
40.Fernandes, Ciane(2001)。Pina Bausch and the Wuppertal Dance Theatre: The Aesthetics of Repetition and Transformation。Pina Bausch and the Wuppertal Dance Theatre: The Aesthetics of Repetition and Transformation。New York。  new window
41.Kozel, Susan(1997)。'The Story is Told as a History of the Body': Strategies of Mimesis in the Work of Irigaray and Bausch。Meaning in Motion: New Cultural Studies of Dance。Durham。  new window
42.Martin, John(1965)。The modern dance。The modern dance。New York。  new window
43.Marx, Karl、Engels, Friedrich(1961)。The Communist Manifesto。Essential Works of Marxism。New York。  new window
44.Wigman, Mary(1966)。The Language of Dance。The Language of Dance。Middletown, Connecticut。  new window
45.Descartes, Rene(1984)。方法導論．沉思錄：哲學原理。方法導論．沉思錄：哲學原理。臺北。  延伸查詢new window
其他
1.Foster, Susan Leigh(2008)。Throwing Like a Girl? Gender in a Post-human World，0。  new window
2.Foster, Susan Leigh(2008)。Throwing Like a Girl? Gender in a Post-Human World。  new window
圖書論文
1.顧燕翎(1989)。女性意識與婦女運動的發展。女性知識份子與臺灣發展。臺北：聯經。  延伸查詢new window
 
 
 
 
第一頁 上一頁 下一頁 最後一頁 top
:::
無相關著作
 
QR Code
QRCODE

臺灣人文及社會科學引文索引資料庫

目前上線人數：646（臺灣：632，外國：14） ／ 本年度總使用人次：1885225 ／ 訪客人次（自102年09月）：67693754
國家圖書館著作權聲明 Copyright © 2013 All rights reserved.
本館地址: 100201臺北市中山南路20號． 本館地圖及交通資訊．
總機：(02)23619132．最佳瀏覽解析度為1024x768以上