東方哲學中，不論儒家或佛學，都有所謂完美人格或圓型人物的理念及追尋。在儒學，是「聖」或「止於至善」的高山仰止；在佛家，即「佛」或「覺行圓滿」的終極境界。而且綜觀中西真實歷史的發展，不管根據的是「素王」（無政治實權的完美人格）或「聖王」（有政治實權的完美人格）的標準，都發現確實曾經出現契近完美的歷史人物。於是本文從哲學理念的探討作為開始，進一步以此標準去審視、分析小說世界，發現兩位武俠小說名家，金庸與黃易的作品，對完美人格及終極真理有著全然不同的人生態度及處理方式，而因此發展出「悲劇文學」與「完美風格」的不同的藝術表現。也許，悲劇藝術幫助我們更真實、徹底的面對人生尖銳的無奈，完美藝術卻帶領我們去嚮往更深層的靈性追尋。不完美與完美，不圓滿與圓滿，形成了人間故事與天上傳奇的對話及沉思。

In the eastern philosophy, whether Confucian or Buddhist, there are the so-called perfect personality or character ideas and locating round. In Confucianism, is called the striving for Saint; in Buddhism, namely the studying to be a Buddha. And we look at the real historical development of Chinese and Western, whether based on "the King of Pure" (without the political power of the perfect personality) or "the King of Power" (with real political power of the perfect personality) standards, have found real historical figures. So the philosophy of this paper as a start, and further analyze the novels of Jin Yong and Huang Yi, then we find a completely different attitude and approach about the perfect personality and the ultimate truth of life in these two novelist's works, and therefore the development of "tragedian style" and "perfect style" of a different artistic expression. Perhaps the arts of tragedy may help us to face the actual life, but the arts of perfection can lead us to aspire to a deeper spiritual pursuit. In the other words, this paper talk about the legendary dialogue between the heavenly and human stories.