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題名："Tradition," Internal Debates, and Future Directions: The Concept of Tradition and Its Relation to Time in the Practices of the Chinese Seven-Stringed Zither (Qin)
書刊名：民俗曲藝
作者：蔡燦煌
作者(外文)：Tsai, Tsan-huang
出版日期：2009
卷期：166
頁次：頁97-124
主題關鍵詞：七弦琴；古琴；音樂與傳統；非物質文化遺產；內部爭議；音樂與時間；Chinese seven-stringed zither qin；Chinese seven-stringed zither guqin；Music and tradition；Intangible heritage；Internal debate；Music and time
原始連結：連回原系統網址new window
相關次數：
  • 被引用次數被引用次數:期刊(0) 博士論文(0) 專書(0) 專書論文(1)
  • 排除自我引用排除自我引用:0
  • 共同引用共同引用:0
  • 點閱點閱:24
期刊論文
1.蔡燦煌(20040600)。The Entangled Relationship between Life Stories and Musical Instruments: A Case-Study of the Qin。民俗曲藝，144，163-193。new window  new window
2.Munn, Nancy D.(1992)。The Cultural Anthropology of Time: A Critical Essay。Annual Review of Anthropology，21，93-123。  new window
3.Hesselink, Nathan(2004)。SamulNori as Traditional: Preservation and Innovation in a South Korean Contemporary Percussion Genre。Ethnomusicology，48(3)，405-439。  new window
4.紀溪坪(2007)。古琴文化與收藏。收藏界，66，102-104。  延伸查詢new window
5.錢九如(2006)。故宮藏琴。紫禁城，5，24-31。  延伸查詢new window
6.Weichart, Gabriele(2000)。Art=Culture=Tradition: Central Australian Aborigines and the Quest for Identity。Folk，42(special issue)，137-168。  new window
7.庾莉萍(2009)。古琴掀起收藏熱。樂器，1，67-69。  延伸查詢new window
8.鄭珉中(2008)。記彌足珍貴的唐凱藏琴。收藏家，12，73-78。  延伸查詢new window
9.Hesselink, Nathan(2004)。Samul nori as Traditional: Preservation and Innovation in a South Korean Contemporary Percussion Genre。Ethnomusicology，48(3)，405-439。  new window
10.紀溪坪(2007)。古琴文化與收藏。收藏界，66，102-104。  延伸查詢new window
11.錢九如(2006)。故宮藏琴。紫禁城，5，24-31。  延伸查詢new window
12.Weichart, Gabriele(2000)。Art。FOLK: Journal of the Danish Ethnographic Society，42，137-168。  new window
13.庾莉萍(2009)。古琴掀起收藏熱。樂器，1，67-69。  延伸查詢new window
14.鄭珉中(2008)。記彌足珍貴的唐凱藏琴。收藏家，12，73-78。  延伸查詢new window
學位論文
1.Latham, Kevin(1996)。Cantonese Opera in Hong Kong: An Anthropological Investigation of Cultural Practices of Appreciation and Performance in the Early 1990s。  new window
2.蔡燦煌(2007)。Interpreting Histories, Debating Traditions: The Seven-stringed Zither Qin in Modern Chinese Societies。  new window
3.Tsai Tsan-Huang(2007)。Interpreting Histories, Debating Traditions: the Seven-Stringed Zither Qin in Modern Chinese Societies，Oxford, UK。  new window
4.Latham, Kevin(1996)。Cantonese Opera in Hong Kong: An Anthropological Investigation of Cultural Practices of Appreciation and Performance in the Early 1990s，London。  new window
圖書
1.Howard, Keith(2006)。Preserving Korean Music: Intangible Cultural Properties as Icons of Identity。London：Ashgate。  new window
2.Jain, Ravindra K.(1977)。Text and Context: The Social Anthropology of Tradition。Philadelphia, PA：Institute for the Study of Human Issues。  new window
3.Sahlins, Marshall(1985)。Islands of History。Chicago：New York：University of Chicago Press：Tavistock Publcations。  new window
4.Gell, Alfred(1992)。The Anthropology of Time: Cultural Construction of Temporal Maps and Images。Oxford：Berg Publishers。  new window
5.Sahlins, Marshall(1995)。How "Natives" Think: About Captain Cook, for Example。Chicago, IL：University of Chicago Press。  new window
6.Obeyesekere, Gananath(1992)。The Apotheosis of Captain Cook: European Mythmaking in the Pacific。Princeton：Princeton University Press。  new window
7.Hobsbawm, Eric、Ranger, Terence(2000)。The Invention of Tradition。Cambridge University Press。  new window
8.Babiracki, Carol M.(1988)。Tribal Music in the Study of Great and Little Traditions of Indian Music。Comparative Musicology and Anthropology of Music。Chicago, IL。  new window
9.Beckett, Jeremy(1988)。The Past in the Present; The Present in the Past: Constructing a National Aboriginality。Past and Present: The Construction of Aboriginality。Canberra, Australia。  new window
10.Bharati, Swami Agehananda(1978)。Great Traditions and Little Traditions: Indological Investigations in Cultural Anthropology。Great Traditions and Little Traditions: Indological Investigations in Cultural Anthropology。Varanasi, India。  new window
11.Chun, Allen(2000)。Unstructuring Chinese Society: The Fictions of Colonial Practice and the Changing Realities of "Land" in the New Territories of Hong Kong。Unstructuring Chinese Society: The Fictions of Colonial Practice and the Changing Realities of "Land" in the New Territories of Hong Kong。Amsterdam, the Netherlands。  new window
12.龔一(1999)。古琴演奏法。古琴演奏法。Shanghai。  延伸查詢new window
13.梁銘越、Lam, Joseph S. C.(2001)。Qin。The New Grove Dictionary of Music and Musicians, Vol. 20。Oxford, UK。  new window
14.劉承華(2002)。古琴藝術論。古琴藝術論。Nanjing。  延伸查詢new window
15.Lowenthal, David(1992)。The Death of the Future。Contemporary Futures: Perspectives from Social Anthropology。London, UK。  new window
16.沈新順(2000)。弦外雜錄。古琴記事圖錄。Taipei。  延伸查詢new window
17.Thrasher, Alan R.(2000)。Chinese Musical Instruments。Chinese Musical Instruments。Oxford, UK。  new window
18.蔡燦煌(2006)。文化意念下的音樂教育。Multicultural Music Education in the World。Xian。  延伸查詢new window
19.United Nations Educational, Scientific and Cultural Organization(2004)。Second Proclamation of Masterpieces of the Oral and Intangible Heritage of Humanity。Second Proclamation of Masterpieces of the Oral and Intangible Heritage of Humanity。Paris, France。  new window
20.Sahlins, Marshall(1995)。How "Natives" Think: About Captain Cook, For Ecample。How "Natives" Think: About Captain Cook, For Ecample。Chicago。  new window
21.Jain, Ravindra K.(1977)。Text and Context: The Social Anthropology of Tradition。Text and Context: The Social Anthropology of Tradition。Philadelphia。  new window
22.龔一(1999)。古琴演奏法。上海：上海教育出版社。  延伸查詢new window
23.Babiracki, Carol M.(1988)。Tribal Music in the Study of Great and Little Traditions of Indian Music。Comparative Musicology and Anthropology of music。Chicago。  new window
24.Beckett, Jeremy(1988)。The Past in the Present; the Present in the Past: Constructing a National Aboriginality。Past and Present: The Construction of Aboriginality。Canberra。  new window
25.Bharati, Swami Agehananda(1978)。Great Tradition and Little Traditions: Indological Investigations in Cultural Anthropology。Great Tradition and Little Traditions: Indological Investigations in Cultural Anthropology。Varanasi, India。  new window
26.陳奕麟(2000)。Unstructuring Chinese Society: The Fictions of Colonial Practice and the Changing Realities of "Land" in the New Territories of Hong Kong。Unstructuring Chinese Society: The Fictions of Colonial Practice and the Changing Realities of "Land" in the New Territories of Hong Kong。Amsterdam。  new window
27.劉承華(2002)。古琴藝術論。古琴藝術論。南京。  延伸查詢new window
28.Lowenthal, David(1992)。The Death of the Future。Contemporary futures: Perspectives from Social Anthropology。London。  new window
29.Thrasher, Alan R.(2001)。Chinese Musical Instruments。Chinese Musical Instruments。Oxford。  new window
30.Gell, A.(1992)。The Anthropology of Time: Cultural Construction of Temporal Maps and Images。The Anthropology of Time: Cultural Construction of Temporal Maps and Images。Oxford。  new window
其他
1.United Nations Educational, Scientific, and Cultural Organization(2003)。Convention for the Safeguarding of the Intangible Cultural Heritage，Paris。， 。  new window
2.United Nations Educational, Scientific, and Cultural Organization(2003)。Second Proclamation of Masterpieces of the Oral and Intangible Heritage of Humanity，Paris。  new window
3.梁銘越，Lam, Joseph S. C.(2001)。The New Grove Dictionary of Music and Musicians，Oxford。  new window
4.沈新順(2000)。弦外雜錄，臺北。  延伸查詢new window
5.Tsai Tsan-Huang(2006)。Music Education in Cultural Contexts: The Case of Chinese Seven-stringed Zither Qin，西安。  new window
圖書論文
1.Trevor-Roper, Hugh(1983)。The Invention of Tradition: The Highland Tradition of Scotland。The Invention of Tradition。Cambridge：Cambridge University Press。  new window
 
 
 
 
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