胡仔的《苕溪漁隱叢話》是宋代一部重要的詩話與詞話的彙編之作，書分前、後兩集，共有一百卷。其中以詩話居多，詞話主要見於前集卷59，與後集卷39，共 48則詞話，此亦是唐圭璋所編《苕溪漁隱詞話》的內容。但是除此48則之外，仍有許多詞話散見於各卷之中，詞話的總數，多達226則，這是研究宋代詞論不可不寶而視之的文學遺產。本文即以出現在《苕溪漁隱叢話》中的詞話做為探討胡仔詞論的文本，包括音樂論、風格論與作品論三者的探討。冀由本文的摭拾歸納，分析整理，能為胡仔的詞學理論建立它在宋代詞論發展中的位置與價值。

Hu Zai’s A Clump of Speech of Tiaoxi Yuyin(《苕溪漁隱叢話》) is one important compilations of speeches on Shi(詩) and Ci(詞)in Sung Dynasty.There are about 226 notes on Ci, and they are valuable heritage of literature from that era. This essay has the following special points: firstly, the harmonious tonality theory of the book; secondly, the aesthetic tendency of the styles in the book; thirdly, the emphasis on the main intent of the content should be with reserve. I hope its will help to position Hu Zai's place in the history of Ci Criticism and the significance of his ideas in the development of South Sung theory of Ci.