Modern poetess Qiu Jin's revolutionary cause is well known, ran this article to be by her artistic life, to view the issue of her identity. First of all, in terms of its artistic and cultural life, she composed the text written in both classical and vernacular rendering of their inner world, a different heart shadow. In addition to the classical Chinese writing the murmur of women, but also on the nation, praise heroes, and encourage self and others. But the vernacular as well as her writing options, especially after joining the revolutionary cause, eager to set up girls school and press, she no exception to the use of the vernacular style preach warning call to enlightenment the general public. Thus, the richness of its literature life, rather to be examined. Then, in order to create a text Qiu Jin's observations of her identity as a starting point to talk about its life history. Born in the boudoir of her upbringing, to follow traditional norms be a wife and motherhood. Great changes in the poetess living in the era, but she resolutely discard her husband and childern, crossed the sea to Japan to quest for knowledge, achieve heroine dreams. In the meantime, she had men wearing to participate in the revolution, to show masculine atmosphere, reflecting another possibility of the women's body-died for the Nation, and not just a husband. Thus, in her text, the permeability significantly from time to time her regret for can not be born a man, as well as a hero worship complex for men, it seems largely agree on the world of men. In fact, she is still admired the traditional women's culture and the heroine/female's deeds. Therefore, through the text of her observations of her identity problem, you can find her identity is a complex layer of multiple mirror, rather than a single identity in either gender. In other words, its identity is wavering swing state, full of exploring space.