La tríbada falsaria is considered one of the well-known novels of Miguel Espinosa, a Spanish writer of the 20th century. The present study covers the following: the ontology of language, descriptive fusion between phenomenology and theology, the recovery of neobaroque discourse and the ideological insinuation of the bourgeoisie. The language is constructed by means of repeated acts of telling. Therefore, in the field of language a particular willingness appears in order to find real truth. At the same time, the expression contains diabolical meaning, which comes to confuse human beings who aspire to find their own reality. The plot of the novel is not complicated, describing simply what can be seen, and it refers to triviality. One can observe some baroque elements, like metaphysics, the feminine body, desire and sin. Finally, it points out the nihilism, tedium and melancholy of bourgeoisie culture.