The development of the Kunju Opera in Taiwan began with periodic “meeting of melody," in which performers of the Kunju sang onstage the Kunqu Opera. It gradually took shape and then extended after 1949. In Taiwan the Kunqu Opera was conducted first from performers' periodic singing, then to private organizational performance, and further onto academic curricula in schools. In this way the Kunqu Opera gradually developed. Presently there is no official Kunju Opera troupe in Taiwan, but there are many private Kunju related opera troupes, such as: Shuimo quji Kunqu Opera Troupe, Taiwan Kunju Opera Troupe, Lanting Kunju Opera Troupe, Taipei Kunju Opera Troupe, Sizhu Chinese Peking Opera and Kunju Opera Troupe, Zeng Yunqing Chinese Peking Opera and Kunju Opera Troupe, Youlan Music Workshop, Shang Music Workshop, Yongfeng Theater Workshop, and 1/2 Q Theatre, all together ten groups. There are also many Kunqu Opera associations. In terms of folk association there is the Taipei Kunqu Opera Research Association, and in terms of school association there are Taipei First Girls High School Kunqu Opera Association, National Taiwan University Kunqu Opera Research Association, National Taiwan Normal University Kunqu Opera Research Association, National Chengchi University Kunqu Opera Association, Ming Chuan University Kunqu Opera Association, National Central University Kunqu Opera Association, National Chung Hsing University Kunqu Opera Association, Soochow University Kunqu Opera Association, and Fu Jen Catholic University Kunqu Opera Association, etc. These Kunju related groups, with their distinctive individual features, have organized workshops to train interested people to sing Kunqu Opera and to perform Kunju Opera. Hence, in Taiwan, the development of the art of Kunju is prosperous. Currently in Taiwan, the content of the performing art of the Kunju Opera can be divided into two dimensions, namely the singing performance of Kunqu and the acting performance of Kunju. Further, the matching performance between the Peking Opera related professional performers and the Kunju Opera performers, together with the special characteristics invented by each amateur troupe, resulted in the diversified Kunju Opera performing style in Taiwan. This distinct diversification can be classified into four types: 1) keeping the traditional style; 2) innovating performing style; 3) Kunju blending into other theater performing style; 4) modern play blending into Kunju performing style. Examining the current condition of the Kunju Opera in Taiwan, we see clearly how it has enriched the Modern Taiwan theater performances since first being introduced into Taiwan. Though still at a testing phase, these modern theater performances have their own unique features and characteristics. The Kunju Opera resembles a deep rooted tree, bearing abundant fruits and providing nutrition to all related fields. We can say that Kunju, among all national art forms, is the most graceful literature, the most refined performing art, and the fountainhead for later generations with inexhaustible inspirations.