In order to introduce the gender issues to the museum community, the Gueishan Military Dependents Village Museum is applied as the case study by participant observation and exhibition analysis. The paper discusses how the team members established the museum and how they constructed the narrative of the exhibition and displayed the gender images. From the interview data, it shows that the members of the Gueishan Military Dependents Village Museum do not live in the military dependent quarters nor did they grow up in Gueishan Township. They gathered here to establish their “hometown” and their “family” without any kinship. The exhibition adopts the concept of “changing others’ hometown to their own hometown” by displaying a lot of household objects to reconstruct the nostalgia scene of the military families and primitive image of military village. Nevertheless, it enhances the traditional binary of gender images – such as men’s role of pursuing professional career and women’s role of taking care of family members. The display and narrative technique thus ignores some unequal relationship between the male and female and does not express the impacts, life experiences and feelings of the females in their migration to the military quarter.