所謂「無比不成詩」，譬喻在新詩中的表現豐富而精美，因此，本論文以新詩為考察對象，針對「喻體形成之相關性」，探究譬喻的呼應之美。首先，針對譬喻形成之理論進行探討，著重抉發「聯想」在其中所起的重要作用；其次，進行「喻體與本體相關」、「喻體與全詩相關」兩種現象之分析，發現前者可能因為「與本體對舉」、「修辭手法」、「背景資料」而產生相關性，而後者則可能因為與「主旨」、「題目」、「眼前景（事）」、「前一個譬喻」、「前後詩行」呼應而產生相關；最後，進一步探究其中所運用的各種各樣的聯想力，而且這些相互的聯繫使得詩篇前呼後應，形成自然渾成的美感。

There are three aspects to study the coordination of figurative language about new-poetry: 1. the subject and the figurative object will be in coordination with each other in virtue of their similarity; 2. the coordination between figurative objects will develop either in an ”extensive” or ”inclusive” way if there exist more than one object (i.e., one subject with multiple objects or multiple subjects with multiple objects); and 3. the subject and the figurative object as well as the whole piece of poem will also in coordination thanks to their correlation. This article focuses on the third point. Firstly, I state rationale and highlight the effect of ”association” on the formation of figurative language. Secondly, I analyze the correlation of figurative object with subject and that with the whole piece of poem. The correlation between the subject and the figurative object occurs as a result of ”the parallel counterpoint”, ”rhetorical technique” and ”background”. In terms of the whole piece of poem, there exists coordination between ”motif”, ”title”, ”the present scene”, ”previous figuration” and ”the context of lines” that make the poetry becomes an integral.