台語文學的發展ná來ná成熟，參與創作、研究ê 人mā lú來lú濟，題材變kah khah豐富koh多元，尤其是詩ê 部份，數量比起其他文類kē真濟。M-koh過去台語詩ê 研究者，大部分是以個別詩人ê 詩作chiâⁿ作範圍，當然mā是有一寡á人是用2 ê 以上ê詩人之間來做比較，總是beh用某一leh時期chiâⁿ做研究ê範圍，是需要全面性ê 作品收集chiah有法度來完成，che是真費時kah費工ê ，mā需要對台語詩壇有一定程度ê了解chiah有才調做，所以一般ê 研究者bē做chit方面ê 研究。本文選定ê 範圍是以2000年kàu 2010年ê 台語詩來做研究，首先先對台語詩下定義kap設定研究ê 範圍，chiah進一步提供收集ê 方法。第二部分是以詩人來做分析，看創作數量濟少以及分析這11年間詩人創作ê 現象。第三是以報紙雜誌kap詩集/選集來分析，看每一ê 詩刊有jōa濟詩的產生，由此看出台語詩tī這leh時期ê 發展。Ùi chit kui-ê方面來看台語詩ê 發展kap證明台語詩ê 多元，對未來ê 台語現代詩研究mā有一定ê 根據。

The development of Taiwanese literature has become more and more mature, as more and more people participate in its writing and research. Its subjects have also become more extensive and diverse. In particular, the genre of poetry is the largest in terms of quantity. In the past, most Taiwanese poetry researchers classified poems according to individual poets. Even though some researchers compared two or more poets a comprehensive collection of poetry is still needed to complete research classification for a certain time period. This is very time-consuming and labor-intensive, since it is only possible when the researcher has a degree of understanding about Taiwanese-language poets. Therefore, most researchers on Taiwanese literature generally do not work on this area.In this study, we focused on Taiwanese poetry from 2000-2010. First, the definition of Taiwanese poetry is established and the scope of research delineated so a selection method may be decided. Secondly, the poets are analyzed in terms of their output and creative process. Finally, Newspapers, magazines and poetry anthologies are analyzed to have a sense of the number of poems published in poetry publications. From these we can understand how Taiwanese poetry developed during this period. Thus from these aspects we look at Taiwanese poetry to show its diversity, while also establishing a basis for the study of modern Taiwanese poetry in the future.