| 期刊論文1. | Hiddleston, Jane(2005)。Shapes and Shadows: (Un)veiling the Immigrant in Monica Ali’s Brick Lane。Journal of Commonwealth Literature,40(1),57-72。 | 2. | Cormack, Alistair(2006)。Migration and the Politics of Narrative Form: Realism and the Postcolonial Subject in Brick Lane。Contemporary Literature,47(4),695-721。 | 3. | Lopez, Alfred J.(2008)。Everybody else Just Living Their Lives’: 9/11, Race and the New Postglobal Literature。Patterns of Prejudice,42(4/5),509-529。 | 4. | Ortega, Kirsten Bartholomew(2007)。The Black Flaneuse: Gwendolyn Brooks’s ‘In the Mecca’。Journal of Modern Literature,30(4),139-155。 | 5. | Poon, Angelia(2009)。To Know What’s What: Forms of Migrant Knowing in Monica Ali’s Brick Lane。Journal of Postcolonial Writing,45(4),426-437。 | 圖書1. | Gardiner, Michael E.(2000)。Critique of Everyday Life。Routledge。 | 2. | Ali, Monica(2003)。Brick Lane。New York。 | 3. | Moran, J.(2005)。Reading the Everyday。London:Routledge。 | 4. | Foucault, Michel(1995)。Discipline & Punish: The Birth of the Prison。New York:Vintage。 | 5. | de Certeau, Michel、Rendall, Steven F.(1984)。The Practice of Everyday Life。The University of California Press。 | 6. | Appadurai, Arjun(1996)。Modernity At Large: Cultural Dimensions of Globalization。University of Minnesota Press。 | 7. | Eade, John(2007)。Economic Migrant or Hyphenated British? Writing about Difference in London’s East End。The Cultures of Economic Migration: International Perspectives \\ Gupta, Suman ; Omoniyi, Tope (ed.)。Aldershot。 | 8. | Fishman, William J.(1979)。The Streets of East London。London。 | 9. | Keith, Michael(2005)。After the Cosmopolitan? Multicultural Cities and the Future of Racism。London。 | 10. | Wolff, Janet(1990)。The Invisible Flaneuse: Women and the Literature of Modernity。Feminine Sentences: Essays on Women and Culture。Berkley。 | 其他1. | Bedell, Geraldine(2010)。Full of East End Promise Monica Ali’s Tale of British Asians, Brick Lane, is Painful and Funny。 | 2. | Smith, David(2003)。It’s Brick Lane by Any Other Name。 | 3. | Yousuf, Shahnaz(2003)。Exclusive Interview with Monica Ali。 | |