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題名：即逝現代性 : 肖像照．明信片．博物館
書刊名：英美文學評論
作者：張小虹 引用關係
作者(外文)：Chang, Hsiao-hung
出版日期：2012
卷期：21
頁次：頁1-26
主題關鍵詞：吳爾芙；聖像；虛擬性；現代性；多摺性；Virginia Woolf；Icon；Virtuality；Modernity；Multiplicity
原始連結：連回原系統網址new window
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  • 被引用次數被引用次數:期刊(1) 博士論文(0) 專書(0) 專書論文(0)
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  • 共同引用共同引用:177
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由攝影師貝瑞斯福特拍攝於1902年的吳爾芙肖像照明信片，乃吳爾芙作為英國「文化聖像」的博物館熱銷商品。本文將從此博物館販售的肖像明信片切入，視其為「即逝現代性」的歷史唯物與微物案例，以跳脫現有影像的「再現性」圈限，而朝向影像的「虛擬性」思考，讓「影像」不再是誰「的」影像，讓「複製」不再是同一的重複生產，以開啟「無人稱影像」與「差異複製」的可能。 本文將分為三個部份。第一部份探討吳爾芙專業肖像照的前世今生，企圖在現有肖像照的美學／政治批判之外，展開攝影作為「過時」（在時間中行經過往）影像的思考。第二部份處理明信片做為影像的即逝性，其不僅來自明信片本身的差異創造，更來自「影像傳送」所啟動的網絡連結。第三部份討論當代博物館的「即逝性」，當「棄紙」明信片大量進入博物館成為收藏品與販賣品時，博物館將如何面對「流變明信片」與「流變影像」的新局。整體而言，本文嘗試鋪展現代性作為流變之力的虛擬操作，如何集結出肖像照─明信片─博物館的多樣性佈置（多摺性佈置），以及此佈置所觸動「當下生滅」的獨特時間感性。
The postcard imprinted with Virginia Woolf’s photoportrait taken by G. C. Beresford in 1902 has long been one of the most popular souvenirs of British “cultural icons” sold in museums and galleries. This paper takes this photo-postcard as a case study of historical materialism to explore modernity as the force of the ephemeral. It attempts to escape from the regime of “representability” and moves toward the “virtuality” of the image. The paper is divided into three parts. Departing from the dominant discourse on the poetics/politics of portrait photography, Part I explores the before- and after-life of Woolf’s photoportrait by conceptualizing its “out-modedness” as the virtuality of time. Part II deals with the ephemerality of the postcard itself by tracing its differential reproduction of the letter and by mapping out its network connections enacted through image transmissions. Past III focuses on the ephemerality of the museum to demonstrate how the museum itself is “becoming-postcard” and “becoming-image” when amounts of ephemera arrive at the museum as collections and as souvenirs. To sum up, this paper aims at mapping out the virtual operation of modernity to see how the force of becoming has created a multiplicity of photoportrait-postcard-museum, a creative assemblage enacted through a new bloc of sensation as the ephemeral.
期刊論文
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2.Crimp, Douglas(1980)。the Museum's Ruins。October，13，41-57。  new window
3.Foster, Hal(2002)。Archives of Modern Art。October，99，81-95。  new window
4.Sarker, Sonita(1992)。What's Woolf Got to Do With It? Or, the Perils of Popularity。Modern Fiction Studies，38(1)，21-59。  new window
5.Smith, Charles S.(1995)。A Question of Fame: Virginia Woolf and the National Portrait Gallery。Charleston Magazine，12，5-9。  new window
6.Wicke, Jennifer(1994)。Mrs. Dalloway Goes to Market: Woolf, Keynes, and Modern Markets。Novel: A Forum on Fiction，28(2)，5-23。  new window
7.Wollaeger, Mark(2001)。Woolf, Picture Postcard, and the Elison of Race。Modernism/Modernity，8(1)，43-75。  new window
8.楊國樞(19930600)。我們為什麼要建立中國人的本土心理學？。本土心理學研究，1，6-88。new window  延伸查詢new window
9.Abbott, Reginald(1992)。What Miss Kilman’s Petticoat Means: Virginia Woolf, Shopping, and Spectacle。Modern Fiction Studies，38(1)，193-216。  new window
10.Garrity, Jane(1999)。Selling Culture to the "Civilized": Bloomsbury, British Vogue, and the Marketing of National Identity。Modernism/Modernity，6(2)，29-58。  new window
11.Wussow, Helen(1994)。Virginia Woolf and the problematic nature of the photographic image。Twentieth Century Literature，40(1)，1-14。  new window
會議論文
1.Wussow, Helen(1997)。Travesties of Excellence: Julia Margaret Cameron, Lytton Strachey, Virginia Woolf, and the Photographic Image。New York。48-56。  new window
圖書
1.Berman, Jessica、Goldman, Jane(2001)。Woolf Out of Bounds: Selected Papers from the Tenth Annual Conference on Virginia Woolf。New York：Pace UP。  new window
2.Dettmar, Kevin J. H.、Watt, Step(1996)。Marketing Modernism: Self-Promotion, Canonization, Rereading。Ann Arbor：U of Michigan P。  new window
3.Farwell, Beatrice(1977)。Cult of Images: Baudelaire and the Nineteenth-Century Media Explosion。Santa Barbara：UCSB Art Museum。  new window
4.Geary, C. M.(1998)。Delivering Views: Distant Cultures in Early Postcards。Washington：Smithsonian Institution Press。  new window
5.Lee, Hermione(1997)。Virginia Woolf。New York：Vintage。  new window
6.Luckhurst, Nicola(1998)。Bloomsbury in Vogue。London：Cecil Woolf, Bloomsbury Heritage Series。  new window
7.Marler, Regina(1997)。Bloomsbury Pie: The Making of the Bloomsbury Boom。New York：Henry Holt and Company。  new window
8.Milne, Esther(2010)。Letters, Postcards, Email: Technologies of Presence。New York：Routledge。  new window
9.Prochaska, David、Mendelson, Jordana(2010)。Postcards: Ephemeral Histories of Modernity。Philadelphia, PA：Pennsylvania State UP。  new window
10.Rado, Lisa(1994)。Rereading Modernism: New Directions in Feminist Criticism。New York：Garland。  new window
11.Richardson, Elizabeth P.(1989)。Bloomsbury Iconography。New York：Oak Knoll Press。  new window
12.Staff, Frank(1966)。The Picture Postcard and its Origin。London：Lutterworth P。  new window
13.Willison, Ian、Gould,Warwick、Chernaik, Warren(1996)。Modernist Writers and the Marketplace。London：Macmillan。  new window
14.Wollaeger, Mark(2008)。Modernism, Media and Propaganda。Princeton：Princeton UP。  new window
15.Woolf, Virginia, Bell, A. O.(1982)。The Diary of Virginia Woolf。London：Hogarth Press。  new window
16.Clarke, Graham(1992)。The Portrait in Photography。London：Reaktion Books Ltd.。  new window
17.Woolf, Virginia、Nicolson, Nigel、Trautmann, Joanne(1975)。The Letters of Virginia Woolf。London：Harcourt Brace Jovanovich。  new window
18.Froula, Christine(1996)。Modernism’s Body: Sex, Culture, and Joyce。New York, NY：Columbia UP。  new window
19.Wicke, Jennifer(1988)。Advertising Fictions: Literature, Advertisement, and Social Reading。New York：Columbia UP。  new window
20.Felski, Rita(1995)。The Gender of Modernity。Cambridge, MA：Harvard University Press。  new window
21.Deleuze, Gilles、Tomlinson, Hugh、Galeta, Robert(1989)。Cinema 2: The Time-Image。Minneapolis：London：University of Minnesota：Athlone。  new window
22.Derrida, Jacques、Bass, Alan(1987)。The Post Card: From Socrates to Freud and Beyond。University of Chicago Press。  new window
23.Baudelaire, Charles、Mayne, Jonathan(1964)。The Painter of Modern Life and Other Essays。New York。  new window
24.Benjamin, Water(1979)。One-Way Street and Other Writings。London：NLB。  new window
25.Deleuze, Gilles、Parnet, Claire、Tomlinson, Hugh、Habberjam, Barbara、Albert, Eliot Ross(2002)。Dialogues II。New York：Columbia UP。  new window
26.Huyssen, Andreas(1986)。After the Great Divide: Modernism, Mass Culture, Postmodernism。Bloomington, Indianapolis：Indiana University Press。  new window
27.Benjamin, Walter、Arendt, Hannah、Zohn, Harry(1968)。Illuminations。New York：Harcourt, Brace & World。  new window
28.Stewart, Susan(1984)。On Longing: Narratives of the Miniature, the Gigantic, the Souvenir, the Collection。Baltimore。  new window
29.Sontag, Susan(1973)。On Photography。New York：Picador。  new window
30.Deleuze, Gilles、Patton, Paul(1994)。Difference and Repetition。Columbia University Press。  new window
31.Mavor, Carol(1995)。Pleasures Taken: Performances of Sexuality and Loss in Victorian Photographs。Durham：Duke UP。  new window
32.Caughie, Pamela L.(2000)。Virginia Woolf in the Age of Mechanical Reproduction。New York。  new window
33.Silver, Brenda R.(1999)。Virginia Woolf Icon。Chicago：University of Chicago Press。  new window
34.Caughie, Pamela(1991)。Virginia Woolf and Postmodernism: Literature in Quest and Question of Itself。Chicago。  new window
其他
1.Buci-Glucksmann, Christine(2011)。Time Spirals: From the Immemorial to the Ephemeral。  new window
2.Nairne, Sandy(2011)。National Portrait Gallery Strategic Plan 2009-2015。  new window
 
 
 
 
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