本文探討《2046》中的時間指涉、電影作品中特有的連續性與斷裂性的現象、《2046》中多重的重複性與差異性的變奏，以及在《2046》中離開與復返的問題，在不斷重複往返運動中所生成演發出尼釆式的永恆回歸之思辨。本文主要借徑尼采與德勒茲的哲學論述，藉以探究《2046》中「2046」與「2047」的連續性與斷裂性、重複性與差異性以及永恆回歸，來勾勒出王家衛電影中時間指涉的豐富意義。

In order to sketch the rich meanings referred in Wong Kar-wai's films, the theory of this paper is based on Nietzche and Deleuze's philosophical perspectives to investigate the continuity v.s. discontinuity, repetitions v.s. differences and Eternal return existing between '2046' and '2047' in Wong Kar-wai's 2046. The numbers of 2046 and 2047 in Wong Kar-Wai's 2046 also show their complicated indications for continuity and discontinuity. This paper aimed to analyze two main issues, one is about the question of departure and return, the other is the rich implications of referentiality in Wong Kar-wai's 2046.