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題名:Rasa:表演藝術的情感滋味
書刊名:中外文學
作者:蘇子中 引用關係
作者(外文):Su, Tzu-chung
出版日期:2013
卷期:42:4=443
頁次:頁157-197
主題關鍵詞:表演藝術情感婆羅多.牟尼舞論RasaPerforming artsAffectBharata MuniThe Nātyaśāstra
原始連結:連回原系統網址new window
相關次數:
  • 被引用次數被引用次數:期刊(2) 博士論文(0) 專書(0) 專書論文(0)
  • 排除自我引用排除自我引用:2
  • 共同引用共同引用:8
  • 點閱點閱:199
期刊論文
1.尹錫南(2011)。梵語詩學中的虔誠味論。南亞研究季刊,2011(3),84-89+6。  延伸查詢new window
2.邱紫華(200601)。印度古典主義戲劇的美學特徵。華中師範大學學報(人文社會科學版),45(1),45-51。  延伸查詢new window
3.邱紫華(199703)。在有限之中達到無限境界的愉悅:印度古典美學的味、韻範疇闡釋。華中師範大學學報(人文社會科學版),36(2),48-54。  延伸查詢new window
4.馬奎元(20050100)。味論初探。戲劇學刊,1,91-120。new window  延伸查詢new window
5.鍾明德(20050700)。Pasibutbut是個上達天聽的工具,一架頂天立地的雅各天梯:接著葛羅托斯基說「藝乘」。戲劇學刊,2,7-38。new window  延伸查詢new window
6.謝克納、理查德、曹路生(2002)。味美學。上海戲劇學院學報,2002(5)=109,31-44。  延伸查詢new window
7.Dace, Wallace(196310)。The Concept of Rasa in Sanskrit Dramatic Theory。Educational Theatre Journal,15(3),249-254。  new window
8.Jhanji, Rekha(1978)。Bharata on Aesthetic Emotions。British Journal of Aesthetics,18(1),66-71。  new window
9.Mason, David(2006)。Dramatic Theory as Performance Packaging。Theatre Research International,31(1),69-83。  new window
10.Zarrilli, Phillip B.(1987 Autum)。Where the Hand [Is]…。Asian Theatre Journal,4(2),205-214。  new window
11.釋惠敏(19961000)。印度梵語戲劇略論。藝術評論,7,139-154。new window  延伸查詢new window
12.釋惠敏(20040400)。梵本「舞蹈.X戲劇論」第七章「情感」譯注--印度古典舞蹈戲劇情感初探。藝術評論,14,167-196。new window  延伸查詢new window
13.釋惠敏(19991000)。梵本「戲劇論」第六章「美感」譯注--印度戲劇美學初探。藝術評論,10,131-148。new window  延伸查詢new window
圖書
1.金克木(1980)。印古代文藝文選。北京:人民文學出版社。  延伸查詢new window
2.倪培耕(1997)。印度味論詩學。桂林:漓江出版社。  延伸查詢new window
3.婆羅多(2008)。舞論。梵語詩學論著彙編。北京:昆侖出版社。  延伸查詢new window
4.黃寶生(2008)。梵語詩學論著彙編。北京:昆侖出版社。  延伸查詢new window
5.Abhinavagupta、Gnoli Raniero(1968)。The Aesthetic Experience According to Abhinavagupta。Varanasi:Chowkhamba Sanskrit Series Office。  new window
6.Barba, Eugenio(1999)。Land of Ashes and Diamonds。Aberystwyth:Black Mountain P。  new window
7.Bharata-muni、Ghosh, Manomohan(1967)。The Nāţyaśāstra。  new window
8.Bharata-muni、Ghosh, Manomohan(1961)。The Nāţyaśāstra。  new window
9.Bharatamuni、A Board of Scholars(2006)。The Nāţya Sāstra of Bharatamuni。Delhi:Sri Satguru Publications。  new window
10.Clough, Patricia Ticineto、Hailey, Jean O'Malley(2007)。The Affective Turn: Theorizing the Social。Durham:Duke UP。  new window
11.Coleridge, Samuel Taylor、Engeil, James、Bate, Walter Jackson(1984)。Biographia Literaria: Biographical Sketches of My Literary Life and Opinions。Princeton:Princeton UP。  new window
12.Coomaraswam, Ananda K.(1997)。The Mirror of Gesture, Being the Abhinaya Darpana of Nandikeśvara。New Delhi:Munshiram Manoharlal。  new window
13.Culler, Jonathan(1980)。Literary Competence。Reader-Response Criticism: From Formalism to Post-Structuralism。Baltimore:Johns Hopkins UP。  new window
14.Ghosh, Manomohan(1975)。Nandikeśvaraś Abhinayadarpanam。Calcutta:Manisha Granthalaya。  new window
15.Gokak, Vinayaka Krishna(1949)。Sri Aurobindo Circle 5th Number。Pondicherry:Bombay。  new window
16.Gupt, Bharat(1994)。Dramatic Concepts Greek and Indian: A Study of the Poetics and the Nandikeśvaraś。New Delhi:D. K. Printworld。  new window
17.Kant, Immanuel、Bernard, John H.(2007)。The Critique of Judgement。New York:Cosimo Classics。  new window
18.Nietzsche, Friedrich Wilhelm、Parkes, Graham(2005)。Thus Spoke Zarathustra: A Book for Everyone and Nobody。Oxford University Press。  new window
19.Osinski, Zbigniew(1993)。Grotowski Wytycza Trasy。Warsaw:Wydawnictwo Pusty Obtok。  new window
20.Patnaik, Priyadarshi(1997)。Rasa in Aesthetics: An Application of Rasa Theory to Modern Western Literature。New Delhi: D.K:Printworld。  new window
21.Prasad, Gupteshwar(2007)。I. A. Richards and Indian Theory of Rasa。New Delhi:Sarup。  new window
22.Sankaran, Ambasamudram(1973)。Some Aspects of Literary Criticism in Sanskrit of the Theories of Rasa and Dhvani。Delhi:Oriental Books Reprint。  new window
23.Siegel, Lee(1992)。Sacred and Profane Dimensions of Love in Indian Traditions as Exemplified in the Gitagovinda of Jayadeva。Delhi:Oxford UP。  new window
24.Tarlekar, G. H.(1975)。Studies in The Natya Sāstra: With Special Reference to the Sanskrit Drama in Performance。New Delhi:Motilal Banarsidass。  new window
25.Vatsyayan, Kapila(1996)。Bharata: The Nātyaśāstra。New Delhi:Sahitya Akademi。  new window
26.Vatsyayan, Kapila(1968)。Classical Indian Dance in Literature and the Arts。New Delhi:Sangeet Natak Akademi。  new window
27.Yarrow, Ralph(2001)。Indian Theatre: Theatre of Origin, Theatre of Freedom。Richmond:Curzon P。  new window
28.Zarrilli, Phillip B.(2009)。Psychophysical Acting: An Intercultural Approach after Stanislavski。London:Routledge。  new window
29.Zarrilli, Phillip B.(1990)。What Does It Mean to 'Become the Character': Power, Presence and Transcendence in Asian In-Body Disciplines of Practice。By Means of Performance: Intercultural Studies of Theatre and Ritual。Cambridge:Cambridge UP。  new window
30.糜文開(2004)。印度兩大史詩。臺北:臺灣商務。  延伸查詢new window
31.Schwartz, Susan L.(2004)。Rasa: Performing the Divine in India。New York:Columbia UP。  new window
32.黃寶生(1999)。印度古典詩學。北京:北京大學出版社。  延伸查詢new window
33.Schechner, Richard(1985)。Between Theatre and Anthropology。University of Pennsylvania Press。  new window
34.鍾明德(2007)。從貧窮劇場到藝乘:薪傳葛羅托斯基。書林出版公司。  延伸查詢new window
35.Grotowski, Jerzy、Barba, Eugenio(2002)。Towards a Poor Theatre。New York:Routledge。  new window
其他
1.Blakesiee, Sandra(19960123)。Complex and Hidden Brain in the Gut Makes Cramps, Butterflies and Valium。  new window
 
 
 
 
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