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題名:「海上鋼琴師」的電影閱讀美學
書刊名:遠東通識學報
作者:蔡玲玲 引用關係陳方周
作者(外文):Tsai, Ling-lingChen, Fun-jou
出版日期:2014
卷期:8:2=15
頁次:頁47-55
主題關鍵詞:海上鋼琴師電影美學閱讀美學
原始連結:連回原系統網址new window
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  • 共同引用共同引用:1
  • 點閱點閱:16
本文以電影「海上鋼琴師」為例,討論電影的閱讀美學。試圖解讀創作者對生命意義、對友情的闡釋等等意涵。全文以電影情節導讀電影閱讀美學,以自我設限和二分法分析主角的個性。結論則鼓勵讀者閱讀電影,將單純的娛樂,知識的取得和生活的品味。
This paper discussed the aesthetics of reading films. The author tried to interpret the meaning of life, and the implications of friendship, etc. with the plots of the film, The Legend of 1900, and to analyze the personality of the protagonist who used to be self-handicapping and dichotomous. In conclusion, the readers were encouraged to read movies, not mere to regard it as an entertainment, but also as acquiring the knowledge and the taste of life.
期刊論文
1.Astruc, Alexandre(1948)。攝影機鋼筆論。法國銀幕雜誌。  延伸查詢new window
2.Jones, E. E.、Berglas, S.(1978)。Control of attributions about the self through self-handicapping strategies: The appeal of alcohol and the role of underachievement。Personality and Social Psychology Bulletin,4,200-206。  new window
圖書
1.簡政珍(20130000)。第三種觀眾的電影閱讀。臺北:書林出版社。new window  延伸查詢new window
圖書論文
1.Aronson, Elliot、WIlson, Timothy D.、Akert, Robin M.(1994)。Self-understanding: How do we know ourselves?。Social Psychology: The heart and the mind。New York:HarperCollins College Publishers。  new window
2.Snyder, C. R.、Smith, T. W.(1986)。Symptoms as self-handicapping strategies: The virtues of old wine in a new bottle。Integrations of clinical and social psychology。New York:Oxford University Press。  new window
 
 
 
 
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