米勒不相信語言，但又迫切需要語言，而且幾近飢渴。在她眼裡，語言反應二種事實：1.不同的語言與文化世界呈現不同的圖像、不同的觀察；2.經過政治化、規訓化的語言不只羞辱人文，也腐蝕人性。洞悉二者玄機之後，米勒更是著眼於此，進而發展出個人特有的觀察虛擬。拼圖詩最能展現米勒的語言風格。剪貼而成的米勒詩，圖文輝映。不只圖文之間有著對話，詩本身也與各個拼貼單元的各個原始出處產生隱隱約約的互文性。而米勒詩與她的小說、短評之間更存在著複雜的互文關係。在她的各種文類中共同出現的母題正是製造互文關係的關鍵。本文除了探討米勒的語言觀，更以米勒詩的圖文意涵及其文學母題的互文性為研究核心，進而由此推論米勒語言的開創性。

Herta Müller does not trust the language, but she employs it in an addictive way. For her, there are two realities: 1. Diverse Worlds of languages and cultures present diverse images and awareness. 2. The politicized or prescribed language will not only degrade the human spirit, but also destroy the human nature. After researching both realities deeply, Herta Müller takes her discoveries further and invents her unusual perception.The particularity of Herta Müller's style of writing can especially be found in her collage poems which consisted but of paper scraps. In her poetry, texts and images supplement each other in a different manner. Not only can a dialogue between image and text be produced, the parts of words in the poetry can also be related to their pretexts more or less in an intertextual manner. In addition, there is no doubt that an intertextual correlation between Herta Müller's poems, novels, and essays does really exist. As a matter of fact, the motifs which can be found in the mentioned genres play a leading role together.Firstly, the research aims to analyze Herta Müller's perception of language. Furthermore, the issue will mainly be focused on the interrelationship between images and texts in her poetry and on the intertextuality of her literary motifs. Hence, the pioneering character of Herta Müller's language will be derived.