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題名:論美學與神學的會通及其意義
書刊名:漢語基督教學術論評
作者:包兆會
作者(外文):Bao, Zhaohui
出版日期:2013
卷期:15
頁次:頁131-151
主題關鍵詞:美學神學上帝創造超驗美AestheticsTheologyGodCreationTranscendental beauty
原始連結:連回原系統網址new window
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一方面,美學與神學的會通表現在傳統的哲學美學和文藝 美學研究中對神聖的關注。柏拉圖和海德格都提倡美不是自然世界本身的屬性,美的背後有神聖的因素。文藝美學中對作家創造源頭的研究則追溯到上帝,認為,創造所具有的開放、自由、奧秘的特徵與上帝創造世界過程中所包含的奧秘及自由有著內在關聯。對比古典美學,在某種程度上,現代美學和藝術則不停地朝脫離了源始事件的形式傾注。另一方面,美學與神學的會通也表現在神學中所包含的美學因素:基督的形象與事件、聖經中的形象系列、與基督教有關的文學藝術、宇宙的創造秩序與形式、對上帝體驗過程中的陶醉和沉思。本文最後認為,美學與神學會通意義是深廣的:對神學來說,通過美學可以一定程度上啟動神學,擴大和調整以往自身研究範圍,並恢復神學和教會領域內的美學能力;對美學來說,通過神學可以糾正以往對自身限界的設置,即人類學、心理學、視覺文化的設置,擴大對美的超驗研究。
The interpenetration of aesthetics and theology enriches two aspects of them. On the one hand, the concern that the character of the divine embodied in traditional Philosophy, Aesthetics, and Aesthetics Research. Plato and Heidegger both advocated that Beauty per se is not an attribute of the natural world itself, rather that is a feature which came from Beauty. Aesthetics Research studies the sources of an author's originality. It will help us to trace back to God. Because aesthetics scholars insisted that there is an inter-connection between the features of openness, freedom and the mysterious thing which came from God's creation and the freedom and mystery that have been included in the course about God created the world. To contrast with Classical Aesthetics, Modern Aesthetics and Art constantly run towards the form that it separated from the YuanShi events, and poured itself into it. On the other hand, that interpenetration also showed on the aesthetics factors which of theology: that is, the image and event of Christ, the form and order of created universe, the meditation and inebriation taste of experiencing God. Finally, this article argued, that there is deeply and extended meaning with relationship of theology and aesthetics. As for theology, to some extent, aesthetics could inspire theology. And aesthetics also could enlarge and adjust its old research realms, so that it restored the new ability of beauty in the fields of theology and church. Especially for aesthetics, it would reclaim the lines of its older limitation through studying the theology. These lines refer to the line of anthropology, psychology, and visual culture. After that, we really can widen the transcendental study about the Beauty.
圖書
1.Balthasar, Hans Urs von、Leiva-Merikakis, Erasmo、Fessio, Joseph、Riches, John(1986)。The Glory of the Lord: A Theological Aesthetic。Edinburgh:T. & T. Clark。  new window
2.Balthasar, Hans Urs von、Harrison, Graham(1988)。Theo-Drama: Theological Dramatic Theory。San Francisco:Ignatius。  new window
3.Kant, Immanuel、Pluhar, Werner S.(1987)。The Critique of Judgement。Indianapolis:Hackett。  new window
4.Kierkegaard, Søren、Hong, Edna H.、Hong, Howard V.(1987)。Either/Or。Princeton, New Jersey:Princeton University Press。  new window
5.Thiessen, Gesa Elsbeth(2005)。Theological Aesthetics: A Reader。Grand Rapids:Eerdmans。  new window
6.Von Balthasar, Hans Urs、劉小楓、曹衛東、刁承俊(2002)。神學美學導論。北京:三聯書店。  延伸查詢new window
7.宋旭紅(2007)。巴爾塔薩神學美學思想研究。北京:宗教文化出版社。  延伸查詢new window
8.Tatarkiewiez, Władysław、褚朔維(1991)。中世紀美學。北京:中國社會科學出版社。  延伸查詢new window
9.施瑋(2008)。琴與爐。北京:中國電影出版社。  延伸查詢new window
10.Duoduo, Fei、沈鮮維楨、都孟高(1962)。東方教父選集。香港:基督教輔僑出版社。  延伸查詢new window
11.Jaspers, Karl Theodor、餘靈靈(1988)。存在與超越:雅斯貝爾斯文集。上海:三聯書店。  延伸查詢new window
12.雷禮錫(2005)。黑格爾神學美學導論。武漢:湖北人民出版社。  延伸查詢new window
13.Maritain, Jacques、Evans, Joseph W.(1962)。Art and Scholasticism and The Frontiers of Poetry。New York:Charles Scribner's Sons。  new window
14.尼.別爾嘉耶夫、張百春(2003)。末世論形而上學。北京:中國城市出版社。  延伸查詢new window
15.Maritain, Jacques、劉有元、羅選民(1991)。藝術與詩中的創造性直覺。北京:三聯書店。  延伸查詢new window
16.閻國忠(2003)。美是上帝的名字:中世紀神學美學。上海:上海社會科學院出版社。  延伸查詢new window
17.Bell, Clive、周金環、馬鐘元、滕守堯(1984)。藝術。北京:中國文聯出版公司。  延伸查詢new window
18.本雅明、陳永國、馬海良(1999)。本雅明文選。中國社會科學出版社。  延伸查詢new window
19.孫津(1990)。基督教與美學。重慶出版社。  延伸查詢new window
20.Plato、王曉朝(2003)。柏拉圖全集。北京:人民出版社。  延伸查詢new window
21.Heidegger, Martin、彭富春(1991)。詩・語言・思。北京:文化藝術出版社。  延伸查詢new window
圖書論文
1.Kuschel, Karl-Josef、包向飛(2008)。文學作為對於二十世紀天主教神學的挑戰。神學美學。上海:三聯書店。  延伸查詢new window
2.宋旭紅(2008)。被遮蔽的神性內核:康德崇高論中的基督教神學遺跡。審美的神學:基督教文化學刊。北京:宗教文化出版社。  延伸查詢new window
3.Tillich, Paul、成瓅(2010)。藝術與社會。人文藝術。貴州:貴州人民出版社。  延伸查詢new window
 
 
 
 
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