Fruit has been taken as a metaphor or symbol of female body, and further developed into erotic poems. However, Yu Kwang-chung uniquely eulogizes fruits with female images. The former type of poems, bearing strong political suggestions, often symbolizes gender politics with fruit because it can be consumed or sacrificed, and can alleviate hunger. However, Yu Kwang-chung praises fruits with archetypal maternal features such as the gigantic circle, capacity and nourishment, and constructs a series of distinctive fruit poems through flowing images between sensation and sexuality. This article, using Jung's "archetypes" and Neumann's "Great Mother" theory, explores the potential images between fruits and females, and delineates the rather maternal and positive image of Anima under the poet's hand. On this basis, along with the "Carnival" theory and sexual psychology, this essay further delves into the sexual imagination constructed by the poet among fruits. Considering the symbol of capacity of fruits and females, the shared origin between taste and breast milk, and the analysis of appetite and flowing sexual images, Yu Kwang-chung's sexual imagination seem to betray a latent meaning of procreation