關注著生活中的白色與簡約是論文創作的動機。我偏好白色並不是全然是顏色喜好，而是白色運用在任何設計上具有「空」和「無」的潛在美學，那是一種對於空白部分的潛意識。馬勒維奇《白上白》作品是重新認識極簡的一個契機，絕對主義提出「感覺至上」探討簡化與無限，而人的意識中存在著一種對空間的渴望，衍生「空間」概念。簡化原來是讓人們感受物體中的空白部分。空白，包括人在其中的參與性；衍伸空間和人、空間和空間，「之間」重要的存在關係。「之間」像是我們觸碰不到的媒介，哲學家梅洛龐帝提出了用「知覺」感受媒介－空間中不可見的氛圍本身便具存在性，它是經由人的「身體知覺」去感受。同樣的，服裝設計結構中具剪接線的合理性存在。極簡服裝將這些線條越趨消失，越使人感受簡約美學。本創作論文即是將自我意識使服裝回歸更純粹狀態，其中實驗發現「弱」與「半透明」性質，一步步趨向輕薄與簡化。簡化不單純只是線條的減少，而是為了呈現「無」的強大能量與感受方式，它是一場自我重新體驗的過程。

I always pay attention to white and simplicity in my life, and it is the motivation for the creation of my thesis. I prefer white not absolutely for color, but the use of any design on white with ＂empty＂ and ＂nothing＂ potential aesthetic. It was a subconscious of the blank part. K. Malevich's one work: ＜Supremacist Composition-White on White＞is a right moment to re-analyze minimalist. Supremacist ＂feel-supreme＂ theory discusses about predigestion and unlimit, and people generally have a yearning for space through selfconsciousness. It is derived from the ＂space＂ concept. Simplification is to make people feel the object in a blank section. Blank, including human participation, extends the concept “between” of space and people, space and space both of them have important relationships. ＂Between＂ just like a medium we cannot touch, philosopher M. Merleau-Ponty proposed a theory to describe how to feel the medium by ＂perception＂- Invisible atmosphere is existence, and we feel it by ＂body and perception＂. Similarly, fashion design cut line has reasonable position. Minimalist fashion just design less line and remove line to express simple aesthetic. The creation of my thesis is the return of self-awareness to make clothing more pure state, which was found ＂weak＂ and ＂translucent＂ in experiment, it tend to thin and simplified step by step. Simplification is not simply just to reduce the lines, but to show “None” powerful energy and feel the way that it was a self-re-experience process.