This paper aims to explore how acrobats identify themselves as professional performers and view their techniques and profession. The researching method of Life history was conducted for collecting the live experiences, narrative stories and the meaning of them by observing and interviewing the U-Acrobatic Troupe acrobats. The findings show that these acrobats devoted themselves to this profession because they are fond of this art technique. Moreover, well-coordinated feelings and trust were built resulting from "haggle and stubbornness from Xiao-fei," "career and having-no-choice from Fei-xian," "fearfulness and persistence from Lao-die," "devotion and harmony from Bao-bao," and "the story of researcher." Furthermore, these acrobats of the Troupe struggle to go away or not while facing "the unfair Acts and ordinances," "dilemma of career and reality," and "identification and re-identification with profession." These three variables have their inevitability but still have their commonality. The identification of acrobat, in summary, is a continued and transferring status.