:::

詳目顯示

回上一頁
題名:曹禺《日出》對契訶夫《三姊妹》的借鑒--一個中國現代戲劇發展早期的接受影響個案
書刊名:人文與社會學報
作者:胡馨丹 引用關係
作者(外文):Hu, Xin-dan
出版日期:2017
卷期:3:6
頁次:頁137-161
主題關鍵詞:曹禺日出契訶夫三姊妹Cao YuSunriseAnton ChekhovThe Three Sisters
原始連結:連回原系統網址new window
相關次數:
  • 被引用次數被引用次數:期刊(0) 博士論文(0) 專書(0) 專書論文(0)
  • 排除自我引用排除自我引用:0
  • 共同引用共同引用:0
  • 點閱點閱:0
曹禺劇作鶴立於現代戲劇發展早期的中國劇壇,幾部代表作均明顯的受西方劇作影響。《日出》一劇嘗試借鑒俄國大文豪契訶夫的《三姊妹》,是唯一一齣曹禺白紙黑字寫下其有意識接受影響的劇作。深諳契訶夫戲劇特性的曹禺,一方面表明要學習《三姊妹》的創作方法,一方面卻又脫離《三姊妹》寫實的創作精神,《日出》一劇顯然有其不同於寫實主義要求的創作意圖。本文從曹禺創作《日出》時戲劇美學觀點的轉變論起,講明曹禺戲劇美學之所以轉向之故,以及他對契訶夫《三姊妹》的藝術體會;接著闡述影響《日出》借鑒《三姊妹》的三個接受變項,包括曹禺個人關照普通觀眾的通俗趣味、創作主體強烈的情感介入,以及左傾的意識形態,比較契訶夫的創作觀念和《三姊妹》創作成果,說明《日出》在借鑒成果上的遙遠偏離;最後總結至一個從以上兩部劇作的比較研究而觀察到的創作意圖問題,分析曹禺《日出》戲劇藝術上「畫虎不成反類狗」的時代共業。
Cao Yu's plays stood head and shoulders above the Chinese theatrical circles at the initial stage of the development of modern Chinese drama. Several of his masterpieces were obviously influenced by western plays. Sunrise, the only one which Cao Yu acknowledged in black and white that he was conscious of being receptively influenced by the Russian literary master Anton Chekhov's The Three Sisters. Cao Yu versed in the features of Chekhov's plays: on one hand, he claimed to learn from the creative methods of The Three Sisters; on the other hand, he departed from the realistic creativity of The Three Sisters. Sunrise had its own creative intention palpably different from the realism requirements. This paper starts with a discussion of Cao Yu's turn of his perspective on dramatic aesthetics when he created Sunrise. It elaborates the reason why Cao Yu made a dramatic aesthetic turn with new perspectives, and his artistic comprehension of Chekhov's The Three Sisters. Furthermore, it depicts three variables including Cao Yu's personal care and attention to the common people's secular tastes, creative subject's vigorous emotional intervention, and the left-wing ideology, comparing with Chekhov's ideas of creation and the creative achievement of The Three Sisters to elucidate the significant deviation of Sunrise's referring to The Three Sisters. Finally, it concludes with the problem of creative intention observed by the comparative study of the above two plays to analyze the collective karma of that era - he painted a tiger but it turned out a dog - presented in Cao Yu's Sunrise on the level of dramatic art.
期刊論文
1.胡適(1919)。答T・F・C〈論譯戲劇〉。新青年,6(3),333-334。  延伸查詢new window
2.胡適(19180615)。易卜生主義。新青年,4(6),489-507。  延伸查詢new window
會議論文
1.馬森(1995)。哈哈鏡中的映象--三十年代中國話劇的擬寫實與不寫實 以曹禺的《日出》為例。中國現代文學國際研討會。台北市:中央研究院中國文哲研究所。265-281。  延伸查詢new window
圖書
1.宋寶珍(2002)。殘缺的戲劇翅膀--中國現代戲劇理論批評史稿。北京:北京廣播學院出版社。  延伸查詢new window
2.安.巴.契訶夫、汝龍(1997)。契訶夫論文學。合肥:安徽文藝出版社。  延伸查詢new window
3.Chambers, Ross(1984)。Story and Situation: Narrative Seduction and the Power of Fiction。Minneapolis:University of Minnesota Press。  new window
4.田本相、焦尚志(1993)。中國話劇史研究概述。天津:天津古籍出版社。  延伸查詢new window
圖書論文
1.曹禺(1996)。《日出》跋。曹禺全集。河北:花山文藝出版社。  延伸查詢new window
2.曹禺(1996)。《雷雨》的寫作。曹禺全集。河北:花山文藝出版社。  延伸查詢new window
3.陳思和(1997)。中國新文學發展中的現實主義。陳思和自選集。桂林:廣西師範大學出版社。  延伸查詢new window
4.呂熒(1991)。曹禺的創作道路。曹禺研究資料。北京:中國戲劇出版社。  延伸查詢new window
5.契訶夫。三姊妹。契訶夫戲劇集。台北:萬年青書店。  延伸查詢new window
6.契訶夫、劉森堯(2000)。三姊妹。凡尼亞舅舅・三姊妹。台北市:桂冠圖書股份有限公司。  延伸查詢new window
7.胡適(1983)。非個人主義的新生活。胡適文存。台北市:遠東圖書公司。  延伸查詢new window
8.張庚(1985)。讀《日出》。曹禺研究專集。福州:海峽文藝出版社。  延伸查詢new window
9.曹禺(1996)。《爭強》序。曹禺全集。河北:花山文藝出版社。  延伸查詢new window
10.曹禺(1996)。《雷雨》序。曹禺全集。河北:花山文藝出版社。  延伸查詢new window
11.曹禺(1996)。回憶在天津開始的戲劇生活。曹禺全集。河北:花山文藝出版社。  延伸查詢new window
12.曹禺(1996)。日出。曹禺全集。河北:花山文藝出版社。  延伸查詢new window
13.梁啟超(1988)。小說與群治之關係。中國近代文論選。台北:木鐸出版社。  延伸查詢new window
14.陳獨秀(1990)。文學革命論。中國新文學大系(1917-1927):建設理論集。台北:業強出版社。  延伸查詢new window
15.黃芝岡(1991)。從《雷雨》到《日出》。曹禺研究資料。北京:中國戲劇出版社。  延伸查詢new window
16.劉紹銘(1980)。從比較文學觀點去看《日出》。小說與戲劇。台北市:洪範書店有限公司。  延伸查詢new window
17.曹禺、王育生(1991)。曹禺談《雷雨》。曹禺研究資料。北京:中國戲劇出版社。  延伸查詢new window
 
 
 
 
第一頁 上一頁 下一頁 最後一頁 top
QR Code
QRCODE