| 期刊論文| 1. | Erickson, Raymond(2002)。Secret Codes, Dance, and Bach's Great Ciaccona。Early Music America，8(2)，34-43。   | | 2. | Harris-Warrick, Rebecca(1993)。Interpreting Pendulum Markings for French Baroque Dances。Historical Performance，6(1)，9-22。 | | 3. | Ranum, Patricia(1986)。Audible Rhetoric and Mute Rhetoric: The 17th-Century French Sarabande。Early Music，14(1)，22-40。 | | 4. | Schwandt, Erich、O'Donnell, John(1980)。The Principles of L'Affilard。Early Music，8(1)，77+79+81。 | | 5. | Silbiger, Alexander(1999)。Bach and the Chaconne。Journal of Musicology，17(3)，358-385。 | | 6. | Sutton, Julia(1984)。The Minuet: An Elegant Phoenix。Dance Chronicle，8(3/4)，119-152。 | 圖書| 1. | Little, Meredith、Jenne, Natalie(2001)。Dance and the Music of J. S. Bach。Bloomington：Indiana University Press。 | | 2. | Neumann, Frederick(1993)。Performance Practices of the Seventeenth and Eighteenth Centuries。New York：Schirmer。 | | 3. | Mozart, Leopold、Knocker, Editha(2010)。A Treatise on the Fundamental Principles of Violin Playing。Oxford University Press。 | | 4. | Lester, Joel(1999)。Bach's Works for Solo Violin-- Style, Structure, Performance。Oxford University Press。 | | 5. | Abravaya, Ido(2006)。On Bach's Rhythm and Tempo。Bärenreiter Verlag。 | | 6. | De Bacilly, Bénigne、Caswell, Austin B.(1968)。A Commentary upon the Art of Proper Singing。Institute of Mediaeval Music。 | | 7. | Boyden, David D.(1990)。The History of Violin Playing from Its Origins to 1761: And Its Relationship to the Violin and Violin Music。Oxford University Press。 | | 8. | Cyr, Mary(2012)。Style and Performance for Bowed String Instruments in French Baroque Music。Routledge。 | | 9. | Donington, Robert(1992)。The Interpretation of Early Music。W. W. Norton。 | | 10. | Hilton, Wendy(1981)。Dance of Court & Theater: The French Noble Style, 1690-1725。Princeton Book。 | | 11. | Holden, John(1770)。An Essay Towards a Rational System of Music。Robert Urie。 | | 12. | Houle, George(2000)。Meter in Music, 1600-1800: Performance, Perception, and Notation。Indiana University Press。 | | 13. | Mace, Thomas(1676)。Musick's Monument; Or, a Remembrancer of the Best Practical Musick, Both Divine, and Civil, That Has Ever Been Known, to Have Been in the World。Ratcliffe, T.：Thompson, N.。 | | 14. | Kirnberger, Johann Philipp、Beach, David、Thym, Jürgen(1982)。The Art of Strict Musical Composition。Yale University Press。 | | 15. | Mattheson, Johann(1739)。Der vollkommene Capellmeister das ist gründliche Anzeige aller derjenigen Sachen, die einer wissen, können, und vollkommen inne haben muss, der einer Capelle mit Ehren und Nutzen vorstehen will。Christian Herold。 | | 16. | Muffat, Georg、Wilson, David K.(2001)。Georg Muffat on Performance Practice: The Texts from Florilegium Primum, Florilegium Secundum, and Auserlesene Instrumentalmusik。Indiana University Press。 | | 17. | Quantz, Johann Joachim、Reilly, Edward R.(2011)。On Playing the Flute。Faber & Faber。 | | 18. | Rameau, Jean-Philippe(1988)。Nouvelle suite de pièces de clavecin: avec des remarques sur les différents genres de musique。Anne Fuzeau Productions。 | | 19. | Rameau, Jean-Philippe(1724)。Pièces de clavecin avec une méthode。Chez Charles-Etienne Hochereau。 | | 20. | Türk, Daniel Gottlob、Haggh, Raymond H.(1982)。School of Clavier Playing, or Instructions in Playing the Clavier for Teachers & Students。University of Nebraska Press。 | | 21. | Geminiani, Francesco(1751)。The Art of Playing on the Violin。London：J. Johnson。 | | 22. | Geiringer, Karl、Geiringer, Irene(1966)。Johann Sebastian Bach: The Culmination of an Era。Oxford University Press。 | 圖書論文| 1. | Stowell, Robin(1992)。Other Solo Repertory。The Cambridge Companion to the Violin。Cambridge University Press。 | |