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題名:階級鬥爭與女性意識的覺醒--巴金《激流三部曲》中的無政府主義烏托邦理念
書刊名:中國文哲研究集刊
作者:彭小妍 引用關係
作者(外文):Peng, Hsiao-yen
出版日期:1992
卷期:2
頁次:頁353-384
主題關鍵詞:巴金激流三部曲階級鬥爭女性意識無政府主義烏托邦
原始連結:連回原系統網址new window
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     Near the end of the Qing Dynasty anarchism began to hold sway over Chinese intellectuals , and their enthusiasm for it lingered on throughout the early Republican years . Did anarchist ideas such as anti-institutionalism , women's liberation , free love , and the utopian vision of a society characterized by freedom and equality leave any decisive marks on the form and content of May ? Fourth literature ? Starting from this perspective , I use Ba Jin's Turbulent Stream , A Trilogy(激流三部曲,1931) as an example to see how this work might have reflected the writer's anarchist tendency . Does it leave any traces in the characterization , plot , and formal aspects of the trilogy ? The main characteristics of Turbulent Stream include symbolic personalities , the juxtaposition between good and evil , a narrator with a biased stance , didactic language , the awakening of the consciousness of the repressed classes (especially women) , the hatred of the present world , and the yearning for a better society .These features can help us understand better the utopianism in May Fourth literature . To see how Turbulent Stream may have reflected Ba Jin's anarchist utopianism , I compare it with the classics of anarchism such as Kropotkin's works , the famous play Am Vorabend(1907), and Emma Goldman's articles on women's liberation . The end of my study discusses why Turbulent Stream has been considered "non-realistic" by critics insisting on the realistic reading of May Fourth literature . The main reason is that instead of objectively representing the present world , works like Turbulent Stream criticize it from the writers' subjective viewpoints . And Marxist critics' relentless criticism of Turbulent Stream reveals that the spirit of freedom and equality expressed by the work is a strong threat to Marxism .
 
 
 
 
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