In modern Chinese history, Wang Hsiang-ch'i 王湘綺 (formal name K'ai-yun 闓運,1832-1916) was an eccentric yet important scholar and man of letters. He was an expert in the study of the pre-T'ang classical poems on which he modelled in his own writings with great success. His theory expounding the hidden meanings in the Ch'un-ch'iu Chronicle (722-481 BC) upheld by the Confucians of the Kung-yan 公羊 School in Han time had served as catalyst to the researches carried out by Liao P'ing 廖平 (1852-1932) and K'ang Yu-wei 康有為 (1858-1927) of the late Ch'ing. As a disciple of Tseng Kuo-fan 曾國藩 (1811-1872) and friend of Li Hung-chang 李鴻章 (1823-1901), Kuo Sung-t'ao郭嵩燾 (1818-1891), Chang Chih-tung 張之洞 (1837-1909) and Yuan Shih-k'ai 袁世凱 (1859-1916) he also played an important role in politics, for he was a brain-truster to them. In short, his activities spread over a long period from the time of the T'ai-p'ing Rebellion till the early days of the Republican Era. However, as Hsiang-ch'i was romantic and unruly in nature, he had a rather chequered marital life. He was married to Ts'ai Chu-sheng蔡菊生, the woman he didn't really love, who gave birth to his four sons and four daughters and died in 1890, after thirty-eight years of relationship. At much earlier time in 1864, when Hsiang-ch'i was in Kuangchou (Canton) he took as concubine Mo Liu-yun 莫六雲, a slave-girl who was a victim of kidnapping and rape during the unprecedented catastrophe of civil war and had become a prostitute. True love was engendered between them since Liu-yun was admitted into the family, and Hsiang-ch'i's love for her was so great that he pledged repeatedly in a dream, as recorded in his Diary (1887), two years after Liu-yun's untimely death, that he "would happily take her as proper wife in [his] next incarnation" while watching by his sulky wife, Chu-sheng. Besides Chu-sheng and Liu-yun, Wang Hsiang-ch'i had a number of women with whom he had illicit connection, many were in his household service. They were in general married women or widows, some of the husbands were his servants. Developing his remarkable love-taste from the novel Hung-lou Meng 紅樓夢 (The Story of the Stone), Hsiang-ch'i, even at his advanced age, often compared himself to the hero in the novel, Chia Pao-yu, or to Pao-yu's lover, Lin Tai-yu, and vividly described his own emotional outbursts and extravaganza in his Diary, cherishing it into a personal philosophy. There is on need to say that he was also a great admirer of Ts'ao Hsueh-ch'in 曹雪芹 (1715?-1763), the Han-bannerman author of the novel. Two poems Hsiang-ch'i composed after Ts'ao's style included in his diary, The Hsiang-chi' Lou Jih-chi 湘綺樓日記, was considered proudly by himself as literarily very much akin to the original.