本文論述現藏臺灣故宮博院所藏宋刊本<<劉賓客文集>>版本問題。「前言」部份 略述現存三種宋刊劉集情況。「版本式樣」部份則說明是帙版式、行款、刊工、避諱、印 記、編次、序跋等問題「流傳概略」則考證此帙自明代藏於華夏真賞齋，至入藏臺灣故宮 博物院之流傳情況。「刊刻時地」部份則分別自刊刻年代與刊刻地區兩方面，從比對明抄 本劉集，以至刻工、避諱與補版考訂等，論證此帙既非紹興八年董弅嚴州刊本，亦非淳熙間 陸游嚴州重刊本，而實為紹興末年杭州據紹興八年董弅本重刊之刻本。「總結」略論傳世三 種宋刊本劉集優劣，從而彰顯此帙在版本學上之價值。

　　　　　This essay is a study of the Song edition of The Works of Liu Yuxi in the National Palace Museum (the NPM edition). The introduction gives a brief account of the three existing Song editions. The second section examines the NPM edition in terms of layout, column, carver, euphemism, stamp, order preface, and postface. This is followed by an investigation of the transmission of the edition in question-from the Studio of Huaxia Zhenshang 華夏真賞齋 to the National Palace Museum. Regarding the date and place of its publication, a comparison of the text with Ming manuscripts reveals that this edition is not Dong Fen's 董弅,edition, nor is it a reprint of Lu You's edition. Published around 1160 at Hangzhou, the NPM edition is in fact a descendant of the Dong's edition. Finally, the essay concludes with a comparative study of the three Song editions, highlighting the importance of the NPM edition to textual criticism.