一、(1) The thoughts of fine art demonstrated in nation so far seem be lacked of independent or simplified theoretic system. That's why I attempt to write this and hope that I could offer some ideas for encouraging research atmosphere in Tai wan or finding a new direction for developping innovations.(2)In the term of 「 visual Thinking 」 actually implied twosided dialogue he interaction between visual consciousness and reacted thinking. In the context, with the ideas of "dialogue" I try to break those barriers existed between consciousness and comprehensions.(3) the theoretic research concerned about the topics of 「 figures, embodiments, and dimensions 」 is significant for visual-art thoughts development. It's also neces-sary for viewers or artists to be aware of this.(二)I would emphasize the aspect about the concept of 「Visual Thinking」, for which al-ways comprehends the alternative influences on artists' value-awareness and adap-tions which are the keys to make their concerned innovations in Visual Art. I would take new points of view to interpret this topic:(1) the similarities of 「 figure 」 and 「 embodiment 」 elements in reality;(2) the seperated representing status or qualities of 「 figure 」, 「 embodiment 」,and 「 dimension 」 elements and the ties of inter-relationship; (3) the relative, being-simultaneous concepts of 「 visible with invisible 」「 embodiment with emptiness 」 hich menas that the elements of 」「 figures, embodiments, and dimensions 」 are existed in "a whole completion" with the relationship of egual dimension, equal depths, and equal quantities. 三 、(1)Intutive Analysis ith the concept of 「 Visual Thinking 」 to speculate the being modes of 「 figur, embodiment, and dimension 」 eements and explore their in ter-relationship.(2) theoretic Analysis he abstract concepts about 「 Invisible 」 and 「 emptiness 」 need tjo be analyzed by dialecics.(3) Inductive Inference try to unify each units and infer new aesthetic concepts or art thoughts. 四、 (1)Preface ncluding the reseach discussing about motives, goals, approaches in this topic.(2)The elements of 「 figures, embodiments, and dimensions 」 in Visual Thinking. (3) the concept of 「 visible with invisible 」 and its bounds. (4) The concept of 「 embodiment 」 with 「 Emptiment 」 and its representations. (5) Conclusion. 五、(1) the relationship among the elements of 「 figures, embodiments, and dimensions 」 is insperable in a complete entity;(2) Within this "complete-entity" relation among the elements of 「 figures, embodiments, and dimensions 」, we are able to infer and observe a profile of new aes-thetic thoughts in Visual