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題名:臺灣地區學齡前幼兒學習音樂狀況調查
書刊名:嘉南學報
作者:李萍娜 引用關係許瑛珍林佳蓉 引用關係
作者(外文):Lee, Pyng-naHsu, Ying-chenLin, Jia-rong
出版日期:1998
卷期:24
頁次:頁194-207
主題關鍵詞:學齡前幼兒山葉兒童音樂奧福音樂朱宗慶打擊樂Preschooler yamaha music orff music
原始連結:連回原系統網址new window
相關次數:
  • 被引用次數被引用次數:期刊(5) 博士論文(0) 專書(0) 專書論文(0)
  • 排除自我引用排除自我引用:2
  • 共同引用共同引用:0
  • 點閱點閱:54
     為了瞭解臺灣地區一至六歲學齡前幼兒學習音樂之狀況,本研究以多階段隨機抽 樣抽取全國 25 個鄉鎮,每一鄉鎮隨機抽取二所學校中一個班級中所有學生(約 30 名學生 )總樣本共 1500 名,回收 1368 份,以追溯法請樣本之母親填寫回憶幼兒入小學前學習音 樂的原因及狀況,所得資料,以 SAS 統計軟體進行統計分析。 獲得之結論分為兩部份討論 : 第一部份,對於全部樣本而言:約三成樣本於步入小學前,曾經學習音樂。居住地區、 家長之收入、教育程度、音樂素養及對音樂之興趣,影響其子女學習音樂之人數比例。 第二部份,對於樣本中曾學習音樂的幼兒而言:認為學音樂的孩子不會變壞及培養幼兒 對音樂方面的興趣,是家長讓幼兒學習音樂的主要動機。地點之遠近和師資之良否為家長選 擇音樂班之主要考量。約三分之二的家長,願意為子女購買樂器,而家中已有該項樂器與不 確定是否持續練習等兩項因素,為家長不願意購買樂器之主要原因。幼兒開始學習音樂的年 齡大多為六歲,在五類課程(山葉兒童音樂、奧福音樂、朱宗慶打擊樂、其它團體音樂課程 及一對一鋼琴課程)中以曾經參加一對一鋼琴的比例最高。 幼兒的上課時間約為每週 1 ∼ 1.2 次,每次約 55 分鐘。音樂課程中斷以不再有興趣為主因。
     The purpose of this study is to find out the characteristic of music classes which the preschooler mostly attend. A multistage sampling method was used to sample out 1500 first grader. A questionnaire was used to ask each sample's mother to recall the music learning history before elementary school. There were 1368 questionnairs returned. The major findings include three parts: First, for all samples, threr were about one third of samples have experience of attending music class. The majority of preschoolers started to learn music from the age of six. Losing interest in music was the major reason of ceasing music learning. Parents' income, parents' education and parents' interest and the living area of children affect music learning rate of preschool children. Second, for those children who have experience of attending music class, the major motivation for those parents who sent their children to learn music was to develop musical interest. The quality of teacher and the distance between music learning center and home were two major considerations for parents to choose the music class. About two third of parents were not willing to buy music instrument for their children's music class, if the continuation of children's music learning is uncertain, or if there were music instrument at home. On average, children went to music class about once a week. Each class section was about 55 minutes. Among five major musical class (Yamaha lesson, Orff lesson, Zuzonchin lesson, other group music lesson and private tutor class), private tutor piano class was the most popular.
期刊論文
1.Shehan, Patricia K.、謝苑玫(1989)。音樂教學法縱覽。全音音樂文摘,126,96-100。  延伸查詢new window
2.洪萬隆(1988)。才能教育--鈴木教學法的哲學基礎與教學概念。汎亞月刊,6,51-60。  延伸查詢new window
3.西山勉(1989)。幼兒の音樂表現の形式について。松阪女子短期大學論叢,27,47-51。  延伸查詢new window
4.林育瑋(19881000)。幼兒才藝班的隱憂。國教之友,40(2)=510,58-61。  延伸查詢new window
5.Choksy, Lois、王淑姿(19890400)。二十世紀音樂教學法面面觀。音樂月刊,83,70-72。  延伸查詢new window
研究報告
1.內政部統計處(1997)。中華民國八十五年台灣地區兒童生活狀況調查報告。  延伸查詢new window
圖書
1.Kendall, John D.(1966)。Talent, education and Suzuki: what the American music educator should know about Shinichi Suzuki。Washington, DC:Music Educators National Conference。  new window
2.林貴美(1995)。音樂治療與教育手冊。台北市:心理出版社。  延伸查詢new window
3.孫敏芝(1994)。認識才藝班。台北:時報文化出版公司。  延伸查詢new window
 
 
 
 
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