:::

詳目顯示

回上一頁
題名:漢代畫像藝術的門戶世界--試論墓門裝飾的空間觀
書刊名:藝術學
作者:龔詩文 引用關係
作者(外文):Kung, Shi-wen
出版日期:1999
卷期:20
頁次:頁7-58
主題關鍵詞:漢畫門畫畫像磚石
原始連結:連回原系統網址new window
相關次數:
  • 被引用次數被引用次數:期刊(1) 博士論文(0) 專書(0) 專書論文(0)
  • 排除自我引用排除自我引用:0
  • 共同引用共同引用:0
  • 點閱點閱:21
     Stone reliefs of the Han period are essentially linked to architectural ecoration of the period. It is therefore the aim of this paper, to describe the concept of the closed space in ancient China through an analysis of the evolution of its architectural space. The crucial role of the "forbidden entrance", stresses the importance of the decoration of the tomb door. The tomb door, apart from being a space limit, is namely the place of passage between life and death, and is imbued with ideas of the Han People regarding the burial ritual and life after death. The author therefore aims to analyze the art of door decoration from the perspective of the "concept of space". The author will first offer a review of research on door decoration, and will then proceed with an analysis of the visual aspects of these reliefs, which will be divided into three categories and seven types. Through an analysis of the spatial symbolism of tomb door decoration, the author will touch upon he symbolic meaning and evolution of Han urban and tomb space. By way of analysis of evil-repellant images and symbolism pertaining to the realm of immortals, this paper will moreover offer an indepth discussion of the iconology and spirit of Han tomb door decoration, especially of the tomb door as simulation of a ritual ascendance to the immortal realm.
 
 
 
 
第一頁 上一頁 下一頁 最後一頁 top
:::
無相關博士論文
 
無相關書籍
 
無相關著作
 
無相關點閱
 
QR Code
QRCODE