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題名:音樂會票房與公私特質:以國家音樂廳為例
書刊名:臺灣社會學刊
作者:郭曉玲 引用關係傅仰止 引用關係
作者(外文):Kuo, Hsiao-lingFu, Yang-chih
出版日期:2000
卷期:24
頁次:頁127-177
主題關鍵詞:音樂會票房公共性私人性ConcertBox officePublicityPrivatism
原始連結:連回原系統網址new window
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  • 共同引用共同引用:20
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音樂會「票房」經常給當作測度音樂活動發展的指標,也是拿來衡量演奏者知名度、評判演出成果的依據,或是檢討音樂會和音樂活動的重要指標。本研究超越這些一般觀點,綜合音樂社會學文獻有關音樂會社會意義的論述,以及都市社會學文獻有關都市生活公私特質的理論觀點,探討票房所蘊涵的音樂會公私特質。實証分析資料取自台北國家音樂廳從1991年到1995年間舉行的2154場音樂會票房記錄,並配合各場音樂會的性質和演出者特徵等背景因素,分析票房的變異情形。研究結果証實音樂會票房隨著自然和社會節律、票價、主辦單位、音樂會規模、演出性質、演出者是國外還是國內、演出者的名氣等背景,而有不同差異。這些差異最關鍵的特色,是在「音樂廳」(大廳)和「演奏廳」(小廳)之間的區別明顯。尤其是大廳的票房展現出音樂會公共性的一面,小廳的音樂會票房結構,則在在展示出隱藏在社會節律、演出類型和性質、演出者名氣背後的私人性,尤其是演出者個人網絡中的社會聯結力量。研究發現除了揭示音樂會票房背後的公私特質之外,還對現代都市休閒生活的趨勢,以及音樂界對藝文活動的討論有所啟示。
The box office of music concerts has served an indicator to reflect the fame of the performer as well as to evaluate how the public responds to music activities. This study examines the social significance of concerts behind the box office by combining both literatures in the sociology of music and urban sociology. In particular, it explores how the box office implies the public and private features embedded in the modern urban living. The main data were drawn from the actual box office (measured by the rate of audience attendance) in 2154 classical music concerts held between 1991 and 1995 at Taipei's National Concert Halls. Supplemental data include characteristics of each concert and the performer, as well as weather conditions and social rhythms. The findings largely confirm that the box office varies significantly by social rhythms, ticket prices, managers, size of the concert, whether the concert is memorial or in series, whether the performer is native or foreigner, and how famous the performer is. Major differences exist between the Concert Hall, which furnishes 2070 audience members, and the smaller Recital Hall, which is equipped with 363 seats. While the box office of the Concert Hall reveals the signs of public concerts, that of the Recital Hall suggests the private realm of the concerts, filled with social relationships and personal networks. Such public and private features of concerts may designate new meanings for the box office, and contribute to the further understanding of the modern urban living as well as activities in the classical music world.
期刊論文
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6.傅仰止(19951200)。都市人的社會心理特質:公私場域之分。中國社會學刊,18,17-73。new window  延伸查詢new window
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14.陳玉婕(1985)。音樂聽眾那裡去了?趙琴談音樂人口的培養。師友,214,13-14。  延伸查詢new window
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16.Botstein, Leon(1999)。Musings on the History of Performance in the Twentieth Century。The Musical Quarterly,83(1),1-5。  new window
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研究報告
1.瞿海源(1992)。台灣地區社會變遷基本調查計劃:第二期第三次調查計劃執行報告 (計畫編號:NSC 81-0301-H-001-504-B1)。臺北:中央研究院民族學研究所。  延伸查詢new window
2.瞿海源(1993)。台灣地區社會變遷基本調查計劃:第二期第四次調查計劃執行報告 (計畫編號:NSC 82-0301-H-001-050-B1)。臺北:中央研究院民族學研究所。  延伸查詢new window
3.瞿海源(1994)。台灣地區社會變遷基本調查計劃:第二期第五次調查計劃執行報告 (計畫編號:NSC 83-0301-H-001-034-B1)。臺北:中央研究院民族學研究所。  延伸查詢new window
4.瞿海源(1998)。台灣社會變遷基本調查計劃:第三期第三次調查計劃執行報告 (計畫編號:NSC-86-2418-H-001-001-B1)。臺北:中央研究院社會學研究所籌備處。  延伸查詢new window
5.瞿海源(1995)。台灣社會變遷基本調查計劃:第三期第一次調查計劃執行報告 (計畫編號:NSC 84-2411-H-001-028-B1)。臺北:中央研究院民族學研究所。  延伸查詢new window
學位論文
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2.Hindman, John J.(1971)。Concert Life in Ante Bellum Charleston,Chapel Hill。  new window
圖書
1.McVeigh, Simon(1993)。Concert Life in London from Mozart to Haydn。Cambridge University Press。  new window
2.Lofland, Lyn H.(1973)。A World of Strangers: Order and Action in Urban Public Space。New York:Basic Books。  new window
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4.Morrow, Mary Sue(1989)。Concert Life in Haydn's Vienna: Aspects of a Developing Musical and Social Institution。Stuyvesant, NY:Pendragon Press。  new window
5.Whyte, William Hollingsworth(1988)。City: Rediscovering the Center。New York, NY:Anchor Books, Doubleday。  new window
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8.Ang, I.(1991)。Desperately seeking the audience。London。  new window
9.Aldrich, Richard(1941)。Concert Life in New York: 1902-1923。Concert Life in New York: 1902-1923。New York, NY。  new window
10.Bremner, Robert(1972)。Some Thoughts on the Performance of Concert Music。Some Thoughts on the Performance of Concert Music。London, UK。  new window
11.Martorella, Rosanne(1982)。The Sociology of Opera。The Sociology of Opera。New York, NY。  new window
12.Popenoe, David(1985)。Private Pleasure, Public Plight: American Metropolitan Community Life in Comparative Perspective。Private Pleasure, Public Plight: American Metropolitan Community Life in Comparative Perspective。New Brunswick, NJ。  new window
13.Simmel, Georg(1910)。Sociability。Georg Simmel on Individuality and Social Forms。Chicago, IL。  new window
14.Sonneck, O. G.(1907)。Early Concert Life in America: 1731-1800。Early Concert Life in America: 1731-1800。Leipzig, Germany。  new window
15.Stevens, Harry R.(1848)。Adventure in Refinement: Early Concert Life in Cincinnati, 1810-26。Adventure in Refinement: Early Concert Life in Cincinnati, 1810-26。沒有紀錄。  new window
16.Zerubavel, Eviatar(1985)。Hidden Rhythms: Schedules and Calendars in Social Life。Hidden Rhythms: Schedules and Calendars in Social Life。Berkeley, CA。  new window
圖書論文
1.瞿海源(1997)。社會階層、文化認同與音樂喜好。九〇年代的台灣社會。臺北:中央研究院社會學研究所籌備處。  延伸查詢new window
 
 
 
 
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