The materials of the study focus on the 90 ancient poems solicited by the Li Poetry Society in 1912 concerning the topic of being “in honor of Liu Ming-chuan”. Moreover, it aims to compare these poems with some other related ones. The purpose of the study is to utilize these ancient poems to explore further the standpoint of composing, and the differences in the ideology behind these works. In addition to the introduction and conclusion, the text contains the following sections: Section One: a brief description of related works and an analysis of composing background. First of all, the study explained the origin of this topic, the process of soliciting poems, and then a list of such basic information as the number of genre, the authors, the authors’ dwelling places, etc. Section Two: the differences between the tone of narration and the standpoint of composing. There were three approaches to the tone of narration and the present study explored the relationships between the tone of narration and the poets’ composing motivations. After that, the present study divided these poems into three distinct categories based on the differences in the poets’ attitudes toward the Japanese government. Furthermore, the study discussed in depth the racial ideology behind these works. Section Three: “Liu Ming-chuan Image” in the related works and their composing skills. First of all, the study synthesized and divided the collected data into five main points about “Liu Ming-chuan Image” based on the related works: brilliant battle achievements, outstanding administrative achievements, elegant writing style, passing away before the fulfillment of his aspiration, and immortal reputation. After that, the study analyzed the two composing skills used mostly by the poets to describe Liu Ming-chuan: simplifying and exaggeration. Section Four: contrastive reading on the basis of distinctive poems. Besides the poems mentioned above, the study listed four more examples to investigate the unusual viewpoints reflected in these poems, went through them, and contemplated the sophisticated aspects of evaluating historical figures by composing poems.