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題名:論臺灣現代流行歌辭藉「海洋」抒情的意義
書刊名:海洋文化學刊
作者:林仁昱 引用關係
作者(外文):Lin, Jen-yu
出版日期:2005
卷期:1
頁次:頁147-179
主題關鍵詞:流行歌曲臺灣歌曲音樂文學海洋文學海洋文化Pop songsTaiwan songsMusic literatureOcean literatureOcean culture
原始連結:連回原系統網址new window
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  • 共同引用共同引用:117
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臺灣四面環海,密切的「人海關係」影響了居民的生活及抒情方式。因此,面對海洋所產生的「情懷」,也就成為文學與藝術作品表達人生、人情的重要媒材。而在教育與資訊傳播普及、流行歌曲每每帶動風潮的現代社會,這藉著「海洋」表現出來的情懷,更可透過流行歌曲迅速傳播開來。所以,探索現代流行歌辭藉「海洋」抒情的意義,不僅具有音樂文學研究上的價值,更有助於了解臺灣特有的海洋文化。而本文所指稱的現代流行歌曲,其時代定於1930年代至今,取材涵蓋國、臺(閩南)語歌曲,並針對其歌辭內容進行探究。然臺灣特殊的歷史、人文背景,再加上七十年來,生活環境(政經、社會)的變遷、教育普及、傳播媒體日益發達、資訊傳播更快更遠,人民接納文化更趨多元豐富,於是「海洋」于流行歌曲的抒情意義,也有了多元豐富的發展。而本文由「抒發懷思之情」開始論述,依序探索以「海洋」作為離別與思念的場景、譬喻愛情的各種面貌、懷念與想望愛情的場域等抒情意義的轉化與發展情形,接著討論藉「海洋」抒發親情、鄉愁、人生慨歎、激勵之情與融合之情的各種現象。可見從具體描寫到抽象譬喻,表現人生遭遇、角色扮演、情感流露的各種可能,呈現出藉由「海洋」抒情之多元豐富的意義。
The fact that Taiwan is surrounded by the sea contributes to the unmistakable bond between the Taiwan people and the sea, which in turn exerts influence on the ways of living and expressing emotions of the Taiwan people. And the feelings we have when facing the sea become an important medium for relating one's life conditions and state of affairs. In addition, by means of pop songs, these sea-based feelings can rapidly reach even the most distant corners of the society, which is now characterized by growing litearacy and readily accessible information, and by fads whipped up by pop songs. As a result, two contributions can be made in investigating emotions expressed by contemporary Taiwan pop songs with "the sea": more advanced study on music literature and better understanding of ocean culture unique to Taiwan. Contemporary Taiwan pop songs, as defined in the study, go back from 1930s to the present days, including Mandarin and Taiwan songs, whose lyrics are to be examined in the study. On the other hand, the emotions expressed by contemporary Taiwan pop songs with "the sea" diversify and are enriched because of Taiwan's unique historical and cultural backgrounds, environmental (i.e. political, economic, and social) changes, the growing literacy, more sophisticated media, faster and stronger distribution of information, and the diversification and enrichment of the cultures acceptable to the Taiwan people. This paper begins with "Reminiscences", exploring the roles of "the sea" in the transformation and development of the emotions expressed in the lyrics, including parting with and missing the beloved ones, metaphors for love, and scenes the evoke memories about lost love, It then moves on to various emotions inspired by "the sea", including love for one's family, homesickness, grievance, encouragements, and harmony. The diversification and enrichment of the emotions expressed with "The sea" are manifested by the continuum between concrete accounts and abstract figurative language, and by an array of possible themes, such as life experiences, different roles in life, and display of one's feelings.
學位論文
1.林森仁(2004)。解嚴以來台語流行歌曲研究--歷史探索與語文研究(碩士論文)。國立政治大學。  延伸查詢new window
2.洪宏元(2000)。臺灣閩南語流行歌謠語文研究(碩士論文)。國立新竹師範學院,新竹市。  延伸查詢new window
3.楊克隆(1998)。台語流行歌曲與文化環境變遷之研究(碩士論文)。國立臺灣師範大學。  延伸查詢new window
4.黃裕元(2000)。戰後臺語流行歌曲的發展(1945-1971)(碩士論文)。國立中央大學。  延伸查詢new window
5.張純琳(1990)。台灣城市歌曲之探討輿研究 (民國二十~七十年)(碩士論文)。國立臺灣師範大學。  延伸查詢new window
6.張釗維(1991)。誰在那邊唱自己的歌:1970年代臺灣現代民歌發展史─建制、正當性論述與表現形式的形構,新竹。  延伸查詢new window
7.蘇正偉(1993)。臺灣通俗歌曲之發展與影響一解嚴後(一九八七)迄今(一九九三)之探討,臺北。  延伸查詢new window
圖書
1.簡上仁(1988)。臺灣音樂之旅。臺灣音樂之旅。臺北市。  延伸查詢new window
2.許常惠(1994)。臺灣音樂史初稿。臺北:全音樂譜出版社。new window  延伸查詢new window
3.曾慧佳(1998)。從流行歌曲看臺灣社會。桂冠圖書股份有限公司。  延伸查詢new window
4.杜文靖(1993)。大家來唱臺灣歌。臺北:臺北縣立文化中心。  延伸查詢new window
5.翁嘉銘(1996)。迷迷之音:蛻變中的臺灣流行歌曲。臺北市:萬象。  延伸查詢new window
6.莊永明(1995)。臺灣歌謠追想曲。臺北:前衛出版社。new window  延伸查詢new window
7.陳郁秀(1996)。音樂臺灣--1895~1995。臺北:時報。  延伸查詢new window
8.陳郁秀、竹碧華(1997)。臺灣說唱—臺灣音樂閱覽。臺灣說唱—臺灣音樂閱覽。臺北。  延伸查詢new window
9.吳玲宜(1993)。臺灣前輩音樂家群相。臺灣前輩音樂家群相。臺北。new window  延伸查詢new window
 
 
 
 
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